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Cinedigm Making 10 Horror Films Back-to-Back-to-Back, etc.

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Cinedigm is launching a reinvention of American International Pictures exploitation titles including Girls in Prison and The Brain Eaters in a whopping 10-picture project within a single movie universe, reports Variety.

Cinedigm is teaming with producers Lou Arkoff (Inspector Gadget), Jeff Katz (Snakes on a Plane) and Hal Sadoff (Hotel Rwanda) to shoot the 10 films with storylines and characters as part of a single story arc. The films will be shot starting in September with cast and directors to be announced soon.

Katz has written all 10 films, which are based on Girls in Prison, Viking Women and The Sea Serpent, The Brain Eaters, She-Creature, Teenage Caveman, Reform School Girl, The Undead, War of the Colossal Beast, The Cool and the Crazy and The Day the World Ended.

Cinedigm will handle the theatrical release, DVD, digital, TV and nontheatrical formats including on CONtv, Cinedigm’s upcoming digital network targeted to the Comic-Con audience.

“In a unique twist on the current filmmaking model, all 10 films will shoot back-to-back and share a single movie universe with a big recurring cast of antiheroes, monsters and bad girls,” said Arkoff, son of AIP founder Samuel Arkoff. “This format will allow our casts and directors to build a strong relationship with the characters — and our audience — over the course of several films.”

Katz said audiences should respond to the hybrid format, which he called “binge-viewing at the feature film level.”

“Each movie in this series has a complete beginning, middle and end, yet watched over all 10 films we’re really telling one larger, epic story,” he added. “These are very much, at heart, indie comic book movies. Unpretentious. R-Rated. It’s fantastic to have a distribution model that fits that sensibility.”

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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