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[TV] “Powers” – ‘Pilot’ Review

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Reviewed By Eric Switzer. The world of “Powers”, however bleak, is an inviting one.  In this world, a certain untold yet substantial percentage of the population is born with super human abilities, some use them for good, and others for personal gain.  Like “Watchmen”, the story begins years after the heyday of traditional capes and cowls.  Heroes still exist, but the “Avengers”-like super team that seemingly started it all has aged, disbanded, and in the case of our protagonist Walker, lost his powers.

This is all explained, by the way, in one of the longest and clunkiest expositional diatribes I’ve ever seen, delivered by Mario Lopez in a clip from an episode of “Extra”.  Using an actual pop culture news show as a world building mechanic is not unwelcome, but this was almost impossible to follow its so dense, and A.C. Slater comes across as bored and irritated that he has to compromise the legitimacy of “Extra” by talking about something imaginary as if its real.

I’ll warn you that this first episode gets off to somewhat of a rough start.  We begin in the Powers Division police station as Walker and his partner hull in a super strength bad guy.  Everyone is talking about someone or something Powers related, I don’t know what, its very confusing.  Then we get some gory action that ends with his partner’s head smashed open, which I very much appreciated, followed by Mario Lopez explaining too much too quickly.  Now we are in Walker’s apartment, Eddie Izzard is whispering vague things in his ear.  We don’t know who he is or what he is talking about.  Walker runs to the window to watch some powers shoot lighting and laser beams at each other, he wants to join the fight, but he can’t.  Title card.

So up to this point I was pretty worried that “Powers” was either only going to appeal to fans of the book, or suffered from such severe pacing and story issues that it was going to be a hot mess.  Luckily, things smoothed out from there.  Walker meets his new partner, the plucky yet hard edged Deena Pilgrim, who serves as the audience surrogate with her constant prying questions, and before he has time to grieve has to investigate another murder: one of his former crime fighting partners has been killed by an ability-enhancing drug called Sway.  This leads Walker down memory lane where we will encounter old friends and foes and hopefully recover his powers, because not having powers sucks.

The villain behind sway is another former friend of Walker, the assumed dead teleporter Johnny Royalle.  His agenda is not entirely clear though.  It seems that he wants to kill his old super friends, but then punishes one of his underlyings with an epic beheading for doing exactly that.  Despite my confusion Noah Taylor as Johnny Royalle delivers the most dynamic performance in the episode and tends to really overshadow the other performers.

“Powers” walks a fine line when it comes to whether it wants to be taken seriously or enjoyed for camp value.  At times one might argue that the harsh language and extreme violence are compensating for or covering up the campy performances and dialogue.  “Powers” certainly is its own flavor of show.

Positives:
– Killer Performances from Noah Taylor and Eddie Izzard

– A few really intense, emotional moments

– Its a show about super heroes that say fuck and cut heads off

Negatives:

– Expositional nightmare

– actual displays of super powers are few and far between (noticeably meager budget)

– Walker’s character conflict is understandable but not relatable and drives too much of plot

– Campy, but not in a self aware way

Eric Switzer  is an aspiring filmmaker and screenplay writer living in Los Angeles.  His work tends to focus on the lighter side of entropy, dystopic futures, and man’s innate struggle with his own mortality.  He can be found on twitter @epicswitzer or reached via email at ericswitzerfilm@gmail.com

The first episode of “Powers” is supposed to be available on Youtube right now, but the episode is seemingly down for the moment. As soon as its back up, expect a link on the site. For now, here’s the trailer for the season.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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