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Fire From The Gods Kick Off Headline Tour This Saturday

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Unsigned metal band Fire From The Gods will be embarking on a headlining tour this Saturday. Dubbed ‘The Alumni Tour’, the tour will see local support at each stop, giving bands the chance to showcase their talents. This tour is part of the ‘Headbang For The Highway’ program, which is the brainchild of Sumerian Records founder and CEO, Ash Avildsen, who initially created this years ago as a scouting and developmental program for the nation’s best unsigned bands.

Direct from the official press release:

HEADBANG FOR THE HIGHWAY is currently offering unsigned bands across North America the opportunity to open dates of the Summer Slaughter Tour and All-Stars Tour this summer. THE HEADBANG FOR THE HIGHWAY AND LEGATOR GUITARS PRESENTS: THE ALUMNI TOUR (March 22 through April 15), created by David Dickens, will be the battle for Summer Slaughter Tour 2015 and All-Stars Tour 2015, and is the first tour of its kind. It will feature headlining act Fire From The Gods performing on a tour nationwide while all unsigned local support bands within each market will showcase for INDUSTRY PROFESSIONALS as part of the Headbang contest. One local support band per market will be chosen to open a date of Summer Slaughter Tour or All-Stars Tour. It is easy to see why this is a huge opportunity to all unsigned bands.

Head below for tour dates and the band’s lyric video for “Eat”.

Tour dates:
March 21 – Grand Prarie, TX @ South By So What!?
March 22 – Austin, TX @ Dirty Dog
March 23 – Panama City, FL @ A&M Theater
March 24 – Panama City, FL @ A&M Theater
March 25 – Greensboro, NC @ Green Street Music Hall
March 26 – Virginia Beach, VA @ Shakas
March 27 – Virginia Beach, VA @ Shakas
March 28 – Baltimore, MD @ Fish Head Cantina
March 29 – Reading, PA @ Reverb
March 31 – Providence, RI @ DV8
April 01 – Providence, RI @ DV8
April 02 – Amityville, NY @ Amityville Music Hall
April 03 – Trenton, NJ @Championship Bar
April 04 – Trenton, NJ @Championship Bar
April 08 – Rochester, NY @ The California Brew Haus
April 09 – Brooklyn, NY @ The Asylum
April 10 – Cleveland, OH @ The Foundary
April 11 – Newport, KY @ The Thompson House
April 12 – Saint Louis, MO @ Mad Magician
April 15 – Fort Worth, TX @ Tomcatz

Managing editor/music guy/social media fella of Bloody-Disgusting

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Music

John Carpenter’s New Album ‘Lost Themes IV: Noir’ NOW AVAILABLE!

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John Carpenter, Daniel Davies and Cody Carpenter are back with Lost Themes IV: Noir, a brand new album from Sacred Bones Records that was released today, May 3.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

The new ten song collection was loosely inspired by the noir genre and marks new territory for John Carpenter and his cohorts, imbibing their trademark synth hooks and pulsing drum machine with propulsive post punk basslines and smoldering guitar solos.

Here’s the full Lost Themes IV: Noir track list:

  1. My Name is Death (video below)
  2. Machine Fear
  3. Last Rites
  4.  The Burning Door
  5. He Walks By Night (video below)
  6. Beyond The Gallows
  7. Kiss The Blood Off My Fingers
  8. Guillotine
  9. The Demon’s Shadow
  10. Shadows Have A Thousand Eyes

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can listen to Lost Themes IV: Noir right now!

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