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There Was Going to Be A ‘Jurassic Park’ Animated Series
The 1990’s were the golden age of Saturday morning cartoons. The only thing that could have taken it to new heights would have been an animated series based on Steven Spielberg’s Jurassic Park.
It was planned, artist William Stout reveals, sharing a handful of concepts from the JP series with From Director Steven Spielberg Tumblr.
“Upon the success of Steven Spielberg’s ‘Jurassic Park’ movie, all kinds of ancillary projects abounded: toys, games, novelties, apparel, etc.
Towards the end of all of this merchandising I got a call from artist Will Meugniot, asking if I’d be interested in designing a ‘Jurassic Park’ animated series. This was not going to be a kiddy show (although kids of all ages, including myself, could enjoy it). They wanted the show to be a mature prime time series with top writers and state-of-the-art television animation augmented with quite a bit of CG animation. Universal Cartoon Studios wanted a “graphic novel look” to the series. I came in, showed my portfolio and was hired.
We made a trailer to communicate the look and feel of the series, also showing how we would combine computer animation with traditional animation. All we needed was Spielberg’s approval.
I heard through the grapevine that he never bothered to watch what we had done. By that time the word was out that he was burnt out on ‘Jurassic Park’ merchandising and all of the film’s commercial exploitation. So, it never got made.
Too bad.”
It’s brutal to hear that all this work was done and nobody took the time to even take a look, although the concept of doing something more for adults fits into what cartoons were always about (they weren’t made for kids, originally). And cartoons back then were awesome – I have no doubt this would have been badass, too.
Oh, and there’s a bonus. Check out a trio of concepts for the official Jurassic Park poster!
Images via William Stout
All of us here at Bloody Disgusting are deeply saddened to learn that George A. Romero Foundation Founder and President Suzanne Desrocher-Romero has passed away.
GARF shared in a statement on socials, “It is with a heavy heart that we announce the passing of Suzanne Desrocher Romero. Suzanne passed away of natural causes on June 24 at her home in Toronto after a prolonged illness.”
The statement continues, “Suzanne was the fierce leader of the George A. Romero Estate and The George A. Romero Foundation. She worked tirelessly to preserve George’s legacy. Her work at the foundation will continue to inspire and live on for generations to come. The family asks for privacy at this time.”
Desrocher-Romero founded GARF in 2018, after her late husband’s passing in 2017, and has been a fierce advocate for his legacy and the arts. It was her mission to “strengthen horror as a serious field of global study,” and she was a tremendous fighter on behalf of Romero’s works and supporting new filmmakers inspired by his legacy.
It was Desrocher-Romero who spearheaded the recovery and restoration of The Amusement Park, and, as the person in charge of the George A. Romero estate, worked closely with author Daniel Kraus on completing unfinished novels like Pay the Piper and The Living Dead. She most recently celebrated the restoration of her favorite of Romero’s zombie films, Day of the Dead, and was hard at work producing the upcoming film Twilight of the Dead.
That passionate advocacy led to Suzanne Desrocher-Romero becoming family to Bloody Disgusting as well.
2023 marked the start of an ongoing partnership between Bloody FM and GARF on The Dead, a scripted audio series spanning multiple seasons that saw Desrocher-Romero working closely with the Bloody FM team and mentoring the series’s contributing writers with GARF. To say her loss will be felt internally is an understatement.
“Anytime George Romero is mentioned is good, because what we are doing is to provide a healthy legacy. We’re uplifting his legacy, we’re supporting the archive, and we’re also supporting the Horror Study Center. So, all of these three things are what the Foundation is striving to do. As far as I’m concerned, the more we say George Romero’s name, the better it is,” Desrocher-Romero recently told BD.
It’s the perfect encapsulation of her unwavering enthusiasm for supporting Romero’s legacy and the horror genre, and just a glimpse at how much she contributed to preserving it. She is, in short, an inspiration.
We send our deepest condolences to Suzanne Desrocher-Romero’s family, friends, and GARF.
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