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Kane Hodder Gets Physical in ‘Friday the 13th: The Game’ Mocap Shoot
Making a video game isn’t easy. They’re complicated, recalcitrant things that sit always on the edge of catastrophe, ready for a single corrupted asset or botched line of code to give them a little nudge. Games development hasn’t collapsed — yet — because any developer, regardless of size or how deep their pockets go, now has easier access to advanced tools like motion capture.
Mocap is being used by small and aspiring developers to create more believably human characters. It’s also why this behind-the-scenes video from a recent Friday the 13th: The Game mocap shoot will only horrify someone who doesn’t know why Kane is beating the hell out of that poor woman.
This is the same shoot that left Hodder with a bruised tricep when he conjured too much Jason while filming the memorable sleeping bag kill from Part VII.
“We spent five days shooting the motion capture for Friday the 13th: The Game, and I loved every minute of it,” said Hodder. “When I played Jason in the films, all of that intensity, all of the rage, was observed passively by the audience. Spectators to a linear story. But this is different.”
“The audience becomes the participant as they step into my boots. You’re not simply watching me, you are me… you are Jason. When you swing the machete, it’s exactly how I swing it. When you behead or impale a counselor, it’s not a generic animation. It’s my actions of strength and power that you wield. That’s what excites me most about this project.”
Friday the 13th: The Game is about $40,000 short of the next stretch goal, which the game has been inching toward since the launch of its Slasher Backer crowdfunding campaign.
Gun launched a poll earlier this week so the community can pick the three additional looks for Jason that’ll be added to the game. Head over here to vote for your favorites.
News
‘The Blob’ and ‘Dream Warriors’ Filmmaker Chuck Russell Has Passed Away at 74
All of us here at Bloody Disgusting are deeply sad to learn that The Blob director Chuck Russell has passed away at 74 years old.
Russell’s career began with his directorial debut, 1987’s A Nightmare on Elm Street 3: Dream Warriors.
The multihyphenate film director, screenwriter, and producer is best known for helming 1994 comedy The Mask starring Jim Carrey, Arnold Schwarzenegger actioner Eraser, and adventure spinoff The Scorpion King. The latter served as the first leading role for Dwayne “The Rock” Johnson.
The filmmaker left an indelible mark on horror with his ANOES sequel, 1988’s The Blob, and 2000’s Bless the Child.
Russell’s final film credit is 2024’s Witchboard remake starring Madison Iseman (I Know What You Did Last Summer), Aaron Dominguez (Only Murders in the Building), and Jamie Campbell Bower (“Stranger Things”).
It marked Russell’s return to horror after a lengthy hiatus, and he shared sequel hopes to Bloody Disgusting in an interview ahead of the remake’s release: “I got to design the board with real mystical symbols and things that I know represent good and evil, and where that board takes us if the audiences respond to the film, and I hope they will; I know it’s out there for you guys, but the sequel is a world we’ll get to go a little further. That’s sure the intention.”
He also recently expressed interest in returning to the franchise that began his career.
TMZ notes that Russell passed away at his San Diego-area home.
We send our deepest condolences to Chuck Russell’s family, friends, and fans.

Director, Co-Writer & Producer Chuck Russell behind the scenes of the horror film, WITCHBOARD. Photo courtesy of The Avenue and Atlas Distribution


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