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“The Walking Dead” Fans Are Threatening a Boycott Over Sunday’s Cliffhanger

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Images courtesy of AMC

While speculating the death of a character on AMC’s “The Walking Dead” is an annual tradition, this sixth season took things to an entirely new level. There were rumors of Norman Reedus exiting the show to pursue films, which would have forced AMC to kill off Daryl Dixon, as well as various publications speculating the death of Steven Yeun’s Glenn Rhee.

The latter seemed most probable being that Jeffrey Dean Morgan was set to make his debut as the brutal Negan, who kills Glenn in Image and Robert Kirkman’s ongoing comic series.

The sixth season’s finale mirrored Negan’s violent entrance in the comic in which the new villain cracks some skulls with his barbed-wired baseball bat.

The show, however, hasn’t always gone by the book. So, when Negan lined up Rick, Michonne, Glenn, Daryl, Rosita, Carl, Maggie, Aaron, Eugene, Abraham and Sasha, fans of the franchise had no idea what to expect. Would the showrunners kill Glenn, as in the comics, or would they go in a completely different direction?

The season was filled with buildup, a volcano of tension ready to explode; viewers knew Negan was coming and that someone was going to die, but nobody expected a cliffhanger of such massive proportions.

Twitter nearly broke when the finale ended without any clarity, shifting the POV to leave viewers in the dark until this coming fall as to whom Negan murdered.

Good television leaves you wanting more, and the fact that some “The Walking Dead” fans are so angry is a testament to how passionately they love the show (this is a good thing!). Shit, comic arcs often end with cameos of new characters and massive cliffhangers to get you hooked into the next storyline. This is normal. But the reaction is anything but…

2016 is about immediacy, and there are select “The Walking Dead” fans who are stomping their feet like little children who are not getting the action figure they want at the toy store.

These fans have gone as far as to create petitions on Change.org demanding AMC reveal who died at the hands of Negan.

I would like AMC to show us who Negan killed in the Season 6 finale of The Walking Dead. We want this either in an interim episode that borders Season 6 and 7, or a short R-Rated webisode that shows us the death in all its bloody glory. Either of these are fine as long as it’s released before May 30th.

While that one doesn’t exactly pose a threat, a second petition threatens a boycott if things don’t change. The demands are pretty hilarious, going as far as to demand that showrunner Scott M. Gimple’s contract be dissolved (seriously).

Preface: this petition is not about changing what’s already happened, so much as it’s about addressing massive shortcomings as of late so that these mistakes will not be repeated going forward. At the end of season 6, the showrunners of “The Walking Dead” did their most loyal fans a great disservice by ruining the greatest and most iconic moment of the entire series with a gimmicky “cliffhanger” ending. There are a couple reasons that they may have done this, but it is most likely that they are simply trying to boost ratings of the premiere episode of season 7, or that they have grown too lazy and complicit to actually feed us a complete, well thought out story. At any rate, this is the third time they’ve used a cliffhanger in one season to try and make up for their own lack of creativity, and the most loyal fans of the show have had enough. Signing this petition means you will pledge to not watch the season 7 premiere of the show unless the showrunners correct their mistake by 1. providing us, the fans, with a concrete ending to the episode online, preferably with footage, and 2. vowing to NEVER force a cliffhanger ending again in a way that will kill the momentum of the show and ruin the viewer’s experience for the sake of ratings. We would also like to see Scott M. Gimple’s contract dissolved. Enough is enough, the fans care a great deal for this show and refuse to allow the showrunners to continue to run it into the ground. No more cheap gimmicks, AMC.

Even though I gave up on “The Walking Dead” after three season, I consider the series to be a gift to us horror fans. It’s acted as a skeleton key that has opened the door to horror invading television – shit, we’re getting a “Preacher” series this summer!

I think some viewers underestimate how hard it is for shows to survive on television, and for “The Walking Dead” to have even made it to a sixth and soon-to-be-filmed seventh season should be celebrated. It’s exciting that there’s something to look forward to. And, I for one, am grateful that the horror Gods have blessed us with such phenomenal content. We need to respect the art of storytelling. Life may be a choose-your-own-adventure, but (most of) entertainment isn’t. Yes, immediacy allows us to click a button and buy a song or movie quicker than even typing its name out, but as a society we need to learn some restraint. Shit, now is as good as a time as any to start planning your Season 7 premiere party

I think there’s an interesting debate here. What do you guys think? Were you happy with the finale or did it rub you the wrong way?

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Editorials

Fifteen Years Later: A Look Back at the State of Horror in 2009

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Pictured: 'Friday the 13th'

Can you believe it’s already been fifteen years since 2009? I feel older than Jason’s mother’s head. But never mind all that. We’re going to look into the past in celebratory fashion today and take a month-to-month look at what the world of horror looked like back in 2009.

The dreaded month of January kicked things off in usual January fashion with a forgettable title, The Unborn. A David S. Goyer picture that’s not very memorable but managed to be the sixth most successful horror film of 2009 domestically, raking in over $42 million at the box office.

Right behind it on the calendar was Patrick Lussier’s My Bloody Valentine 3D starring “Supernatural” actor Jensen Ackles. This slasher remake took the idea of January horror and embraced it, making a silly and gory slasher that was the world’s first R-rated film to ever use Real3D technology. Anyone looking for legitimate scares was probably pissed (the film has a 44% Rotten “Audience” rating) but genre fans had fun with it to the tune of over $51 million at the box office (on a $14 million budget).

Next up, releasing on January 30 was the sleepy PG-13 horror flick The Uninvited. For the life of me, I’ll never understand the choice to release a movie called The Uninvited two weeks after a movie called The Unborn; to be fair, most of us are unable to remember much about either of them.

The reboot of Friday the 13th was served up to us for Valentine’s Day Weekend 2009. A slasher movie that made a ton of money and had fans begging for a sequel… that never came. The Platinum Dunes reboot may not be universally beloved, but I know a fair share of fans (myself included) who thought the new Jason, Derek Mears, and team made a film that was both fun and brutal. And it was juicy enough to come in as the number three most successful domestic horror film in 2009 to the tune of over $65 million. Friday the 13th ’09 was nowhere near perfect but it was a damn fun time with some underrated Jason Voorhees moments and a sleek plan to tell Jason’s origin story quickly via flashbacks that some superhero franchises could learn from. Oh yeah, and it starred the other “Supernatural” bro, Jared Padalecki. I’m sensing a pattern here.

‘Last House on the Left’

Next up, yet another remake of a classic horror film: The Last House on the Left. Wes Craven wanted to see what his low-budget horror film would look like with a little walking around money and the results were that we, the audience, got to see a dude get his head microwaved. The critics weren’t huge fans but let’s be honest, it could have been a lot worse given the subject matter and lack of nuance in the 2000s. Last House went on to land itself in the top ten horror box office returns of the year.

March would also feature one of the many notches in Kyle Gallner’s horror belt, The Haunting in Connecticut, a movie with maybe too many generic possession genre moments to make a major dent in the status quo but enough to make it memorable. I’d take it over many of The Conjuring franchise spinoffs of today, personally. Though, they’re all very much alike.

April Horror would conjure nothing for audiences but Sam Raimi would bring the loud, scary, and funny back to the genre with Drag Me to Hell on May 29. This film that was somehow still PG-13 even with a cat murder, flying old lady eyeball, and mouth-to-mouth puke action was a blast to experience in the theater. Audiences agreed as the film ranked #7 on the horror box office of the year, cashing out at $42 million thanks to a loveable lead in Alison Lohman, the forever horror victim Justin Long, and some good old-fashioned, Evil Dead II-type fun.

‘Drag Me to Hell’

July would shock horror fans in a completely different way with adoption horror flick Orphan. The ending may have had all of us feeling super uncomfortable and shocked but the movie itself had adoption groups majorly upset at how the film depicted the dangers of adoption. So much so that the studio had to add a pro-adoption message to the film’s DVD. No matter, the performance of Isabelle Fuhrman would carry the film to a $41 million box office run and later spawn a decent prequel in 2022.

Speaking of collecting, The Collector was also released in July 2009 and was a pleasant surprise featuring a shitload of originality and some scares to boot. Yet another horror success that would make $10 million on a $3 million budget and spawn a sequel. We’re still waiting on third installment, which abruptly stopped shooting several years back under strange circumstances.

The fourth Final Destination film graced us with its predestined presence in 2009 as well with The Final Destination; the 3D one with the race car track opening. The film was (stop me if you’ve heard this one before) a financial success, raking in over $186 million (worldwide) on a $40 million budget.

Rob Zombie went Rob Zombie’ing as hard as he’s ever Rob Zombie’d with Halloween II later that month. He’d Rob Zombie so hard that we wouldn’t see Halloween on the big screen again until almost ten years later with Halloween 2018. And nothing controversial ever happened in the franchise again. *Shuts book* Stop trying to open it! NO! NOOOOOOOO!

‘Halloween II’

Another remake in Sorority Row was the first film to follow Rob Zombie’s divisive stab-a-thon with a schlocky Scream-esque slasher flick that had a good enough time and even boasted a few neat kills. Critics weren’t fans of this one but if you were? You’ll be happy to hear that writer Josh Stolberg just announced he’s working on the follow-up!

Sexy Horror September continued a week later with Jennifer’s Body and an all-new, emo kind of Kyle Gallner. Jennifer’s Body didn’t exactly crush it for the critics or the box office but has success in its own right and is considered somewhat of a cult classic thanks to some hilarious writing and leading performances from Megan Fox and Amanda Seyfried. Also, shout out to Adam Brody’s band Low Shoulder. Machine Gun Kelly could never.

Part of the low box office for Jennifer’s Body could have had something to do with what came next as Paranormal Activity would rock the horror world a week later. The genius marketing of the low-budget film would feature clips of audiences on night vision cameras losing their minds. Whether it scared you to death or you found the entire concept ridiculous, you had to see it for yourself. Paranormal Activity would bring in almost $200 million worldwide on a 15 THOUSAND dollar budget. I’m no mathematician but I’m pretty sure that’s good. The horror game changer may just be the most remembered of all the 2009 films and it’s one every studio in the world wanted to replicate.

Paranormal Activity game

‘Paranormal Activity’

One film’s game changer is another film’s flop as Dennis Quaid and Ben Foster’s space horror Pandorum had the unfortunate scheduling of lining up against Paranormal Activity on that fateful day and in turn, being mostly forgotten.

Spooky Season 2009 kicked off with the beloved horror-comedy Zombieland in October, complete with Jesse Eisenberg’s meta-rules for surviving a zombie apocalypse, Bill Murray, and Woody Harrelson who just wanted a fuckin’ Twinkie. There’s nothing like a good horror comedy and Zombieland proved that all the way to the bank, making $74 million domestically en route to a second film that brought back the entire cast.

It’s only been twelve seconds since I said the word remake, so let’s fix that. The Stepfather remake would follow a week later and be met by an audience getting a little sick of them. Unlike some of the other spirited remakes that surrounded this era in horror (not that they ever stopped), The Stepfather felt like an uninspired retread of the understated but completely messed up 1987 Terry O’Quinn horror cult classic. It’s largely been forgotten over the years.

“Who am I here?” Oh yeah, it’s October in the 2000, there’s bound to be a Saw movie around here somewhere. Saw VI would be released on the 23rd of October and continue the story of Detective Hoffman while adjusting the rates of some shady insurance adjustors. Saw VI would also fall victim to a little bit of Paranormal Activity mania with the film being bested by the continued rollout of its predecessor. Things were looking a little bleak for the franchise at this point. Probably none of us would have imagined that fifteen years later we’d be talking about the same director (Kevin Greutert) returning for the eleventh movie in the franchise.

The House of the Devil

‘The House of the Devil’

After all these humongous box office successes, sequels, and remakes it would be three memorable indie flicks that would round out October of 2009; the ultra fucked up Willem Dafoe, Lars von Trier sex/horror flick Antichrist, followed by Ti West’s ’70s haunter The House of the Devil and rounded out with some Australian torture horror in Sean Byrne’s The Loved Ones. All three movies each make their mark in their own special ways. What a way to end October.

But it was November that would bring the movie that scared me more than any other on this list: The Fourth Kind. A lot of you are assuredly rolling your eyes right now but this one messed me up on a cellular level despite it being a complete and total fake. The Fourth Kind decided to meld a traditional horror film with the stylings of The Blair Witch Project in an opening designed to make you believe it was based on a true story. An embarrassing attempt but the film itself had me afraid to sleep near windows at night after seeing those found footage abductions. It still messes with me, to be honest. WHY ARE THEIR MOUTHS STRETCHING SO MUCH?!?!

December was too busy doing Avatar and Alvin and the Chipmunks-type family affairs for any horror movies but even without it, 2009 was quite a year for horror. I’d be remiss if I didn’t at least mention some other memorable films that were released either straight to video, limited or overseas that year including Case 39 (that oven opening!), Exam, Daybreakers, Splice, Dead Snow, The Hills Run Red, The Descent 2, Blood Creek, Cabin Fever 2 and [REC] 2.

What were your horror favorites from 2009? Comment below and let us know!

‘My Bloody Valentine’

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