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[Original Story] What Happens After the Events of ‘Halloween 3’?

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“Maybe they’re not going to have Halloween next year.”

As I’ve already stated a couple times here on Bloody Disgusting this month, I am a huge fan of Halloween 3: Season of the Witch. It’s unquestionably my favorite sequel in the entire Halloween franchise, and it’s genuinely one of my all-time favorite horror movies. I’ve already watched it three times this month. I might be a little obsessed.

Each time I watch the film, I wonder to myself what happens directly after the events we see. It’s completely open to interpretation, but we’re left wondering whether or not Dan Challis was able to convince the final television station airing the Silver Shamrock commercial to pull the plug. Does Challis save the children? Or do they all die?

Tom Atkins himself, as stated on the “making of” featurette on Scream Factory’s must-own Blu-ray release of Halloween 3, believes that the film has a happy ending, but most fans seem to feel that it’s anything but happy. I’ve gone back and forth about this over the years, and this year, I decided to take it upon myself to write my own conclusion.

In this original short story, I imagine what would happen if Halloween 3 went on 10-15 minutes longer than it did. Of course, this is nothing more than fan fiction at the end of the day, but when I imagine what happens after Challis gets off the phone, this is what I see. Whether you want to read or not, I’d love to hear what YOU think happens after the film.

Oh and Happy Halloween!


THE FINAL OCTOBER, by John Squires

The nauseating Silver Shamrock jingle ringing in his ears, Dr. Dan Challis begged and pleaded the final station to pull the plug and end the nightmare.

“Stop it! Stop it!! STOP IT!!!” he screamed with increasing intensity.

It was all for naught.

Challis gave up. The telephone smashed onto the floor and he watched helplessly, mouth agape, as the three children in the gas station suffered the same fate as Little Buddy Kupfer. He tried to rip the masks off their heads, but by then, he was reaching his hands into puddles of hot latex and blood. Then came the bugs. Then the snakes. He had seen it happen before, but it was no less horrifying the second time.

The doctor felt bad that he couldn’t bring himself to cry at the sight of three children dying right in front of him, but he had bigger things on his mind. He remembered that his own two children, a young boy and a young girl, were surely home watching the Silver Shamrock commercial they had been waiting all week for. He hoped that they hadn’t figured to switch the channel when one signal cut out, but he knew deep down that they were smarter than that.

They were sure they were going to win the big giveaway.

Challis commandeered the nearest car and raced home like the madman Conal Cochran had forced him to become, carelessly flipping between the radio stations as he desperately tried to remain on the road. He expected to hear an endless stream of horrifying news on the radio, but he found only that damned Silver Shamrock jingle on each and every channel. At this point, Challis wasn’t even sure if what he was hearing was real or if he truly had lost his mind somewhere in Santa Mira.

Zero more days till Halloween. Halloween. Halloween.

Zero more days till Halloween.

Silver. Shamrock.

With each house that Challis drove past, he imagined what was going on inside. He imagined the lifeless corpses of children sprawled out in front of television sets. He imagined cockroaches and serpents pouring out of their mouths and eyes. He needed a drink and he needed that drink more than he ever needed a drink in his life. In between all the horror going on in his head, Challis even thought about Ellie Grimbridge. Sweet Ellie Grimbridge. What a doll she was. Great in bed, too. But what the hell happened to her anyway? Cochran must’ve killed her. Killed her and replaced her with that evil robot.

‘What a strange thing to do,’ Challis thought to himself.

But before he could think too much about Cochran’s wacky plans for world domination, Challis arrived at his destination. He parked the car out front of his ex-wife’s house, and cautiously went inside.

halloween-3-ending

As he opened the front door, Challis had two visions playing in his mind: one of what he hoped to see, and one of what he was pretty sure he was going to see. In the first vision, his children were sleeping peacefully in their beds. They had survived Halloween night, and would live to trick or treat again.

But that wasn’t what he saw.

Challis was met with a strange, overpowering stench. Oddly enough, the house smelled like a rotten pumpkin. And in front of the television, as he had seen in that second vision, his children were lying dead on the carpet. Like Little Buddy and the kids in the gas station, their heads were melted down into puddles of mush. He could barely even tell which child was which. Beside them lay the two cheap plastic masks he had purchased for them just one week prior: a cruel reminder that they had almost been spared.

If only his ex-wife hadn’t upstaged him by buying those stupid masks. If only.

As was always the case in tough situations, such as the night his wife told him she could no longer deal with him “flirting” behind her back, Challis’ first instinct was to find the nearest bottle of booze and make it disappear. He was numb. Completely numb. And his only comfort in that moment was the bottle of scotch he found in the liquor cabinet. It was already half empty by the time he got to it, but even if it was completely full and ten times the size it was, it still wouldn’t have been enough.

Challis thought to call 911, but he figured it would be a waste of time. After all, his kids certainly weren’t the only ones who didn’t make it through Halloween. Hell, nearly every kid in America had become a cruel Silver Shamrock test subject overnight. And so he didn’t pick up the phone. Whole lot of good the phone did him last time he picked it up. Instead, he drank. He drank until there was nothing left to drink.

halloween3maskbanner

As of 9pm on Halloween night, 1982, the population of children in America had been cut down, within the span of just 30-seconds, by nearly 60%. The only lucky kids were the kids who had initially felt quite unlucky about the fact that their parents couldn’t afford one of those pumpkin, skull, or witch masks that year. They hated their parents for being so cheap, for not being able to get them what they wanted, but on the morning of November 1st, that resentment was going to be washed away with the realization that their parents’ financial troubles were the only thing that kept them alive. An irony not lost even on those too young to understand what irony was.

Sitting on the couch, empty bottle of scotch clutched tightly in his hand, Challis noted how peculiar it was that the house wasn’t filled, as he expected, with bugs and snakes. He also realized that he hadn’t even thought about where his ex-wife might be. He didn’t much care about her well-being in that moment, but he did at least wonder where she was. Had she run out of the house screaming when all hell broke loose? She always did have a knack for bolting when things got too heavy.

And oh boy was this situation a heavy one.

Challis began to fade into an alcohol-induced semi-coma when he heard a loud knock at the door. The banging shattered the eerie stillness of the night, and it wasn’t the only new sound in the room. Over by the television, Challis heard strange sloshing sounds. And in the wake of the sounds came movement. The dead bodies of Challis’ children began to twitch and convulse, as if something inside of them was desperately trying to get out. Challis looked on in wide-eyed horror.

The knocking intensified.

His eyes frantically darting from the door to whatever the hell was going on over by the TV, Challis realized that nothing good was about to happen. No matter who was at the door and no matter what was going on with his children’s ravaged bodies, he knew he had better be prepared for a fight. He stumbled into the bedroom and retrieved his shotgun from the closet. He had left it behind when his wife kicked him out, and he never did get around to picking it up. He was surprised that it was right where he left it; she had threatened to get rid of it more times than he could count.

Challis returned to the living room and pointed the shotgun at the bodies; at this point, he refused to even identify them, within his own mind, as his once-happy children. Challis watched and waited for the worst. The bodies continued to jerk violently. The sounds of unnatural birth grew only louder.

The transformation had begun. The final step in Cochran’s master plan.

Suddenly, the front door was knocked clean off its hinges. It landed with a thud onto the ground, and within a moment, there was a man standing atop it. He was dressed in a tailored suit. His hands were covered in black gloves. His face was blank. Pale. Emotionless. Challis knew immediately who it was. Or rather, what it was. He knew what color it would bleed if he blasted it with his shotgun.

tom-atkins

And he did. Challis unloaded several shells into Cochran’s henchman. As he anticipated, yellow explosions erupted from the robot’s body. He aimed squarely at the lifeless shape’s head and fired one more shot. Yellow goo and what looked like car parts decorated the wall behind the man. His mostly headless body fell to the ground. Gears turned. Clicked. Grinded. And then silence.

Behind Challis, the bodies of his children imploded from within. It was as if portals to another dimension had been opened up inside of them. Tearing through their clothes, their guts, and their flesh, two very inhuman creatures began to emerge. They looked like bugs. Massive bugs. They were wet. Covered in the innards of the bodies they came from. Challis was watching his own children literally give birth to otherworldly creatures, and he couldn’t believe he was actually awake. Not even in his nightmares did he ever encounter such a nightmare. Legs emerged. Arms emerged. Their full forms were slowly being revealed, and Challis was sure that Cochran had discovered and unlocked the gateway to Hell.

Challis fired two shots in rapid succession. Both targets were hit. The insect-like heads of the Silver Shamrock creatures exploded all over the television behind them. Challis continued to blast away at the monsters, intent on ensuring that they were dead. Each shotgun blast sent smaller bugs flying all over the living room. The creatures were filled with other creatures, and those creatures were now being unleashed. Cockroaches spilled from the gaping shotgun wounds. Snakes slithered out.

Dawn was breaking. The eerie orange glow of the early morning sky seeped into the living room through the empty space once blocked off by the door. Armed with his shotgun, Challis walked through the frame and out into the neighborhood. He saw adults running for their lives. Men and women being chased down and savagely attacked by the creatures that had emerged from their own children. It was complete chaos. Cochran, though he didn’t live to see it, had taken over the world. Halloween wouldn’t be happening next year and it wouldn’t be happening the year after that. Halloween was over. And if what was happening in California was any indication, so too was humanity. So too was the world.

halloween-3-sequel

And indeed it was happening all over the world. It was happening in Dayton, Ohio. In New York, New York. In Omaha, Nebraska. In Baton Rouge, Louisiana. In Seattle, Washington. In Phoenix, Arizona.

The children were dead. The adults were dying.

Challis made his way into the street and dropped to his knees. His shotgun was out of shells, and the creatures were closing in. He knew that his time was up. He had fought all night, but he couldn’t fight it any longer. Like one last cruel joke, a familiar jingle rung loud in his ears, as if it was being beamed down from the heavens. Or perhaps up from the very depths of Hell…

Happy happy Halloween.

Halloween. Halloween.

Happy happy Halloween.

Silver. Shamrock.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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