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[Horror Queers Podcast] ‘The Final Girls’ As Comfort Horror

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It’s SHOW-Kat.

Welcome to October, y’all! After the last few weeks talking lesbian vampires, urban legends and <checks notes> Vegas Showgirls, we’re ready to break out the big guns for the pumpkin month.

To kick things off, we’re revisiting queer screenwriters (and real life couple) M.A. Fortin and Joshua John Miller‘s great meta horror-comedy, The Final Girls (2015). This fun, clever and emotional film follows Max (Taissa Farmiga) as she has a second chance to connect with her deceased mother (Malin Akerman) when she and her friends – including The Vampire DiariesNina Dobrev and Green Room‘s Alia Shawkat – are sucked into campy 80s slasher film, Camp Bloodbath. The problem is that now they have to find a way to survive until the final reel!

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Amazon MusicSpotifyiHeartRadioSoundCloudTuneInAcastGoogle Podcasts, and RSS.


Episode 94 – The Final Girls (2015) feat. Jenn Adams

This week on the podcast, we’re escaping into the movies (literally) to revisit queer screenwriters M.A. Fortin & Joshua John Miller’s meta horror-comedy The Final Girls. Joining us at Camp Bloodbath is Jenn Adams, co-host of Psycho Analysis Podcast and The Losers Club Podcast, who has a deep appreciation for the film’s emotional beats.

We spend plenty of time unpacking this comfort horror film, particularly the mother/daughter relationship between Malin Akerman and Trace’s fave, Taissa Farmiga, and Vicki (Nina Dobrev)’s redemptive arc.

Plus: disagreements over Adam Devine and Thomas Middleditch’s humor, getting sidetracked talking about everyone’s filmography and the apex of Joe’s inability to pronounce names correctly.


Cross out The Final Girls!

Coming up on Wednesday: We’re getting psyched up for Netflix’s re-adaptation of the famed Daphne DuMaurier novel Rebecca with a look back at Alfred Hitchcock’s 1940 masterpiece.

– Joe & Trace

P.S. Subscribe to our Patreon for tons of additional content! We have a new minisodes on Ratched and Hulu’s new anthology Books of Blood.

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

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‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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