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‘Halloweenies’ Joins the Bloody Disgusting Podcast Network – Meet the Hosts and Stream These Essential Episodes

In the past, the series has carved through Halloween, A Nightmare on Elm Street, and Friday the 13th.

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Look, Sheriff Brackett was right when he said everyone’s entitled to one good scare in 1978’s Halloween. What he forgot to mention is that those scares are best enjoyed with everyone. As any fan of the genre can attest to, horror works like a big bowl of Halloween candy: passed around and devoured with no treat left unwrapped. Those are the rules.

That’s also the guiding principle of Halloweenies. Since 2018, the podcast has spent countless nights trick or treating through the genre’s most storied franchises. They carved pumpkins in Haddonfield, Illinois for Halloween, dreamed through Springwood, Ohio for A Nightmare on Elm Street, and spent the pandemic at Camp Crystal Lake for Friday the 13th.

This year, they’re solving crimes in Woodsboro, California in the lead-up to Radio Silence’s highly anticipated fifth sequel to the Scream franchise. In addition to discussing the four entries in Wes Craven’s meta slasher series, they’re also sorting through the countless videotapes recommended by Randy Meeks — from Prom Night to The Howling.

As always, the Halloweenies will parse through every single detail tied to the films — and that’s not hyperbole. These are exhaustive analyses of your favorite films — Hardcore History for horror hounds, if you will — that span hours upon hours. What’s more, there’s always a special guest around the corner to lend a hand; a familiar face to save the day.

Scream 2 (Dimension Films)

To get you acquainted, co-hosts Justin Gerber, Dan Caffrey, McKenzie Gerber, Michael Roffman, and Mike Vanderbilt have gathered around the proverbial campfire to answer your questions. You know, like which classics deserve a legacy sequel, what novelization tie-ins are worth reading, and which films should be taken over by the Muppets.

You can stream that new introductory episode below, in addition to a handful of essential episodes from the show’s back catalogue. A catalogue, mind you, that’s constantly expanding, particularly this month which sees them talking to Joe Bob Briggs and slicing through Scream 2. That’s all without mentioning their exclusive content via Patreon.

Subscribe now via iTunes/Apple Podcasts, Stitcher, Spotify, RadioPublic, Acast, Google Podcasts, and RSS. You can also become a member of their Patreon for hilarious feature-length commentaries of horror’s greatest hits (e.g. Gremlins, Phantasm) and deep-dives into your favorite rentals of yesteryear (e.g. Sleepaway Camp, Nightbreed).

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Halloween

The one that started it all: Four hours devoted to John Carpenter and Debra Hill’s 1978 slasher masterpiece. It’s an epic series premiere that sets the template for all the episodes that would follow — from the hilarious segments to the recurring bits that have come to define the show.


Tommy Lee Wallace Weighs in on the New Love for Halloween III

The writer and director of the once-maligned sequel joins the show to discuss the newfound appreciation for the Michael Myers-less entry in the Halloween franchise. He also shares what he feels might have happened at the end there for Dr. Dan Challis.


A Nightmare on Elm Street

Confession: When Halloweenies began, none of the co-hosts saw it living beyond David Gordon Green’s reboot. Alas, like so many of the movie maniacs we fear, the show sat up and vanished into the night. Or rather, Springwood, Ohio for a series of nightmares.


A Nightmare on Elm Street 2: Freddy’s Revenge

Bloody Disgusting‘s own Horror Queers co-hosts Joe Lipsett and Trace Thurman join the Halloweenies on Elm Street to discuss the most underrated sequel in the franchise, particularly the important stuff like Clu Gulager and Hope Lange’s birthdays.


Heather Langenkamp Returns to Elm Street

The Halloweenies meet the soul behind Nancy Thompson, who regales us with tales of studying at Stanford, cutting her teeth with Francis Ford Coppola, and surviving Wes Craven’s nightmares on Elm Street. She also weighs in on how horror history is often rewritten.


Friday the 13th: The Final Chapter

Last year’s Friday run saw the addition of pop culture writer Mike Vanderbilt and an onslaught of fan-favorite bits ranging from Weekend at Bernie’s to The Irishman. Final Chapter is a pure distillation of this season, and also wound up being their favorite entry.


Tom Savini on Dreams, Quarantine, and Revisiting Camp Crystal Lake

Early on in quarantine, the Halloweenies called up the Godfather of Gore and the Sultan of Splatter for a meditative discussion on how horror is a lifestyle and the ways it brings comfort and happiness. It’s a dreamy chat and a nice reprieve from reality.


Jason Goes to Hell: The Final Friday

The first of two entries in the show’s New Line November event sees Vanderbilt defend this hellish sequel. The episode had been hyped all season, and was even paired with a Chicago drive-in screening. Psychoanalysis co-host Mike Snoonian guests.


Scream

Season 4 kicked off in Woodsboro, California this past February with Rue Morgue writer and fellow Losers’ Club member Rachel Reeves. Together, they chart how the Wes Craven classic nearly died in development hell, and how it has since shaped the genre altogether.


Randy’s Recs: The Howling

In between each Scream dissection, the Halloweenies will parse through the many films mentioned in the franchise as part of Randy’s Recs. The second entry in this side series is a definitive study on Joe Dante’s The Howling with Windy City Ballyhoo’s Adam Carston.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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