Podcasts
Just How Queer Is Alfred Hitchcock’s ‘Rope’? Very Queer. [Horror Queers Podcast]
Rope-a-dope.
After queering up the castle in James Whale’s The Bride of Frankenstein, we got cosmic with Adam Egypt Mortimer’s outstanding imaginary friend tale Daniel Isn’t Real before getting hot in the 1981 parody Student Bodies. Now we’re going back in time again to check in with the sociopathic (and possibly definitely queer) duo in Alfred Hitchcock‘s technical marvel Rope!
In the film, friends (or lovers?) Philip Morgan (Farley Granger) and Brandon Shaw (John Dall) strangle a mutual friend to death with a piece of rope, purely as a Nietzsche-inspired philosophical exercise. Hiding the body in a chest upon which they then arrange a buffet dinner, the pair welcome their guests, including the victim’s oblivious fiancée (Joan Chandler) and the college professor (James Stewart) whose lectures inadvertently inspired the killing.
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Episode 138 – Rope (1948)
Shut the antique wooden chest and choke your chicken because we’re heading to a posh Manhattan penthouse for a classy dinner party in Alfred Hitchcock’s 1948 technical marvel (and uber-queer film) Rope!
Join us as we kick off the episode discussing Leopold & Loeb, the real-life “perfect murder” case that serves as the inspiration for the film (among many others) before delving into just how queer this movie is. We’ve got a queer screenwriter and multiple queer actors and some truly bitchy 1940s dialogue.
Plus, stigmatizing tops and bottoms (boo!), a murder set piece doubling as a sex scene, a Jason Sudeikis/Hugo Weaving hybrid, a 50 Shades of Grey tangent and, of course, minding our p’s and q’s.
Cross out Rope!
Coming up on Wednesday: We’re getting bugged out with an analysis of David Cronenberg’s seminal body horror film (and possible AIDS allegory) in The Fly!
P.S. Subscribe to our Patreon for tons of additional content! This month, we’ll have episodes on The Boy Behind the Door, Old, The Night House, Don’t Breathe and Don’t Breathe 2.
It’s been a busy month on Murder Made Fiction podcast. In addition to introducing a new co-host (Perfectly Good Moment‘s Amanda Jane Stern), we spent Pride Month tackling a wide variety of Leopold and Loeb fictional adaptations.
In 1924 Chicago, Nathan Leopold and Richard Loeb plotted to commit the perfect murder when they abducted and killed 14-year-old Bobby Franks. As Amanda outlines in her primer on the case, the men were caught almost immediately and the media circus that followed was billed “the trial of the century”.
Listen to Leopold and Loeb mini primer.
The fallout has reverberated throughout the last century as countless books, plays, musicals, and films have drawn on the case for inspiration. Some are more faithful than others, such as Richard Fleischer‘s 1959 drama Compulsion, which stars a young Dean Stockwell as Leopold and Orson Welles as the boys’ lawyer, John Darrow (named Jonathan Wilk in the film).
Listen to Leopold and Loeb: Compulsion (1959).
Then there are the texts that use the idea of queer-coded killers as a jumping off point, but confuse (or flat-out disregard) the details of the real life case in favour of jumbled fiction. That’s what happens in Barbet Schroeder‘s Murder by Numbers, which awkwardly introduces a tortured backstory for lead actress (and executive producer) Sandra Bullock. The result is an uneven film that misunderstands which of its two competing storylines are actually interesting (hint: it’s the Leopold and Loeb stuff with Ryan Gosling and Michael Pitt).
Listen to Leopold and Loeb: Murder by Numbers (2002).
We ended up discussing other (often more successful) titles on Patreon, including 1992’s Swoon (a New Queer Cinema art-house take on the crime), Michael Haneke‘s 2007 Funny Games remake, and gay screenwriter Kevin Williamson‘s Scream, which proved to be a much more reverent and sly interpretation of L&L than we anticipated.
We wrapped up the month with a final summary episode about our favorite adaptations before chatting with author and archivist Erik Rebain, who literally wrote the book on Leopold (Arrested Adolescence) and maintains one of the foremost websites on the crime.
Watch our discussion on YouTube below (or listen here):
Next month: For July, we’re turning our attention to the Boston Strangler, with a look at films from 1964 and 1968, as well as the most contemporary version from 2023, starring Kiera Knightley and Carrie Coon.
Want even more true crime adaptations and Murder Made Fiction? Support the show on Patreon to listen to the aforementioned episodes, as well as a full-length primer on the case and 160+ hours of bonus content.
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