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Celebrating the Best Horror of 2022 with the Hereditary Awards Winners! [Horror Queers Podcast]

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Sore Winners and Losers 2.

Back in December, Trace and I opened up voting in the fourth annual “Hereditaries” (named after Toni Collette’s Hereditary omission), our version of the horror Oscars. Our supporters on Patreon helped us narrow down the shortlist in 18 categories and then the public at large, including folks on this site, voted on the winners throughout December 2022.

Going into the voting, blockbusters like Nope and Scream (2022) lead the nominations with 10 each, alongside other popular films like Barbarian, Smile, and Orphan: First Kill.

Now it’s time to reveal who won in the following categories:

  • Best Wide Release
  • Best Indie Release
  • Best Under The Radar Film
  • Best Non-English Language Horror Film
  • Best Horror TV Show
  • Best Queer Horror – New for 2022
  • Best First Feature Director
  • Best Director
  • Best Lead Performance
  • Best Supporting Performance
  • Best Ensemble
  • MVP 2022 – New for 2022
  • Best Creature Design
  • Best Villain
  • Best Sequence
  • Most Painful (Non-Fatal) Injury – New for 2022
  • Best Ending
  • Best Kill

For the first time the acting categories were made gender neutral, which prompted us to expand the number of nominees to 10 in most categories. We received plenty of feedback that the toughest category to vote in was Best Supporting Performance, which makes sense considering the nominees:

  • Hong Chau – The Menu
  • Jamie Clayton – Hellraiser
  • Kate Hudson – Glass Onion
  • Rory Kinnear – Men
  • Jenna Ortega – Scream
  • Keke Palmer – Nope
  • Rachel Sennott – Bodies Bodies Bodies
  • Brittany Snow – X
  • Julia Stiles – Orphan: First Kill
  • Steven Yuen – Nope

Considering we are a queer horror podcast, Trace and I were delighted to shine a spotlight on the exceptional breadth of LGBTQIA nominees this year (PS: we have episodes on all of these titles except Interview with the Vampire, in case you’re interested in how they engage with queerness):

  • Bodies Bodies Bodies
  • Bones and All
  • Chucky S02
  • Exploited
  • Hellraiser (2022)
  • Hypochondriac
  • Interview with the Vampire S01
  • Sissy
  • We’re All Going to the World’s Fair
  • Yellowjackets S01

But enough from us: go listen to the episode, which features breakdowns of who should win vs who we believe will win, as well as the voting percentages in each category (one was literally so close that the winner was decided by 0.5% of the vote!).

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

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‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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