Podcasts
A Queer Writer and a Stylish Director Join Forces to Give Us ‘Stoker’ [Horror Queers Podcast]
St(r)oker.
We closed out August with a look at the horror elements in the non-horror film Shiva Baby and the trans empowerment of Sleepaway Camp 2: Unhappy Campers. Now, we’re looking at Park Chan-wook‘s English-language debut (which was written by queer screenwriter and actor Wentworth Miller): 2013’s Stoker.
Stoker sees India (Mia Wasikowska) grieving after the death of her father (Dermot Mulroney). She is given no solace, not even from her unstable mother Evelyn (Nicole Kidman), until her Uncle Charlie (Matthew Goode), whom she never knew existed, comes to live at their family home. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 245: Stoker (2013)
Get ready to play the piano all sexy like because we’re discussing Park Chan-wook’s English-language debut Stoker, which is based on a screenplay from queer screenwriter (and actor) Wentworth Miller(?!?!).
Join us as we discuss the film’s journey from a Black List pick to a botched marketing campaign to an even more botched release. This is a shame, because Stoker is a film that oozes so much style that it elevates its baby Dexter plot, even if it could have used about 100% more Nicole Kidman.
Plus: one incredible hair-to-grass transition, camera weaves for days, the most demented sand angel you’ll ever see and incest: the last universal taboo.
Cross out Stoker!
Coming up on Wednesday: We’re kick-starting a month of erotic thrillers with one of the most infamously problematic entries in the sub-genre: Brian De Palma’s Dressed to Kill!
P.S. Subscribe to our Patreon for nearly 260 hours of additional content! This month we’re discussing Shudder’s birth/rebirth, A Haunting in Venice, The Nun 2, and we will also have two audio commentaries: one on Underworld to celebrate its 20th anniversary and one on Saw II to coincide with the release of SAW X. Oh, and we’ll also have an extra special bonus episode on 2021’s The Voyeurs to coincide with this month’s main feed theme of erotic thrillers.
Aaliyah Innocent.
May was a busy subgenre-switching month. After kicking things off with disaster “slasher” The Poseidon Adventure (listen), we watched American Giallo The Fan (listen), then wrapped things up with Vincent Price’s horror comedy Theater of Blood (listen).
Now, in honor of Pride Month and the return of AMC’s Interview with the Vampire (renamed The Vampire Lestat for S03), Trace and I had to check out the straight-washed second attempt to bring Anne Rice’s The Vampire Chronicles to life.
Back in 2002, director Michael Rymer pitched Hollywood on his vision for Rice’s second Chronicle book, The Vampire Lestat. Instead, the suits opted to adapt the third book, Queen of the Damned (likely due to the ancillary opportunities of the soundtrack, written entirely by Korn frontman Jonathan Davis).
In the film, Lestat (Stuart Townsend) awakens from slumber to reinvent himself as a leather-pant-wearing rocker. Lestat’s very public vampire persona attracts the attention of Talamasca novice Jesse (Marguerite Moreau), as well as the vampire’s maker Marius (Vincent Perez). But the nu-metal has the greatest impact on Akasha (Aaliyah), who awakens and promises to take over the world if her old foe Maharet (Lena Olin) doesn’t stop her.
Whose side will Lestat join? Will Marius help his fledgling or abandon him to public sacrifice? And does anyone actually care about Jesse? (Please note: that last question is rhetorical.)
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, and RSS.
Episode 389: Queen of the Damned (2002)
Practice your Egyptian accent and bare that midriff because we are talking the troubled “adaptation” of Anne Rice’s Queen of the Damned (2002).
Directed by Australian Michael Rymer, this one was doomed by the suits before it was even greenlit (which happened AFTER all of the songs were written by Korn frontman Jonathan Davis). It’s a bit of a clusterfuck.
Plus: praising everything Aaliyah (RIP); critiquing everything Stuart Townsend (aside from his abs and leather pants); a soft queer reading of Marius; and bemoaning boring protagonist/audience surrogate JESSE.
Cross out Queen of the Damned!
Coming Up Next: We’re tackling Ben Stiller’s horror-adjacent dark comedy The Cable Guy (1996), in anticipation of its 30th anniversary!
P.S. Subscribe to our Patreon for over 495 hours of Patreon content including this month’s new episodes on Hannibal Season 3 Episodes 5 & 6, Backrooms, Passenger, Leviticus, an audio commentary on the original Scary Movie (2000), and the return of our Requel Tier as we begin our episode coverage of AMC’s The Vampire Lestat.