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The Erotic Joy of The Wachowski Sisters’ ‘Bound’ [Horror Queers Podcast]

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Horror Queers Bound

Ovinal neo-noir.

September has been the month of erotic thrillers on the Horror Queers podcast, and after spending the first two weeks discussing Brian De Palma’s controversial masterpiece Dressed to Kill and Paul Feig’s suburban noir A Simple Favor, we’re now moving into a queer cinema classic in the Wachowski sisters’ 1996 neo-noir Bound!

Bound sees Violet (Jennifer Tilly) set her eyes on Corky (Gina Gershon) in an elevator. Unfortunately, Violet is the girlfriend of violent gangster Caesar (Joe Pantoliano), while Corky is fresh out of prison and doing renovations on the apartment next door. As the two women launch into a passionate love affair, they assemble an intricate plan for Violet to escape from Caesar, with two million dollars of the mob’s money. As you might expect: not everything goes according to plan.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicGoogle Podcasts, and RSS.


Episode 248: Bound (1996)

Get ready for a world of wet because we’re continuing our month of erotic thrillers with a look at the Wachowski sisters’ 1996 ovinal queer classic Bound! Tagging in for the conversation is the founder of Salem Horror Fest: Kay Lynch!

Join us as we kick things off with a brief discussion on the differences between noir and neo-noir before going all in on the casting drama that nearly cost us Jennifer Tilly! Then it’s all (and we mean all) fair game as we analyze this masterpiece of queer cinema.

Plus: plenty of frank sexual conversations, femme tops, threatened masculinity, overhead shots galore, and all the praise for Jennifer Tilly and Gina Gershon’s lead performances. And remember: Don’t force the snake. Slow and easy does it.


Cross out Bound!

Coming up on Wednesday: We’re concluding our theme month on erotic thrillers with a look at some unsimulated queer sex in Alain Guiraudie’s 2013 film Stranger By the Lake.

P.S. Subscribe to our Patreon for nearly 260 hours of additional content! This month we’re discussing A Haunting in Venice, The Nun 2, and we will also have two audio commentaries: one on Underworld and one on Saw II. Oh, and we’ll also have an extra special episode on 2021’s The Voyeurs to coincide with this month’s main feed theme of erotic thrillers.

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Denver, CO with his husband and their two dogs. Find him on Twitter @TracedThurman

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Podcasts

There’s Something Queer About 1996’s ‘Independence Day’ [Horror Queers Podcast]

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Independence Day podcast

On the DL.

After spending June on explicitly queer texts like Emerald Fennell’s Saltburn (listen) and William Castle’s Homicidal (listen), it’s only appropriate that Horror Queers celebrate the American holiday with a blockbuster film with a not-so-secret gay connection.

In Independence Day, an unlikely group of people come together when the human race faces extinction from a threatening alien race. After spaceships destroy every major city, pilot Steven Hiller (Will Smith) must team up with secret tech genius David Levinson (Jeff Goldblum), as well as the US President (Bill Pullman), to execute a daring plan to save the planet from annihilation.

Along for the ride are the two saviors’ romantic partners – WH Communications Director Constance (Margaret Colin) and stripper Jasmine (Vivica A. Fox) – plus eccentric scientist Dr. Okun (Brent Spiner), who is at the center of the film’s most horrific set piece.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon Music, and RSS.


Episode 393: Independence Day (1996)

Today, we celebrate our Independence Day…courtesy of gay German director Roland Emmerich.

As the summer blockbuster celebrates its 30th anniversary, we’re looking back on an alien disaster film that scared young Trace (thanks to that alien autopsy scene) and turned Will Smith into a star.

Plus: the death that upsets the most; bemoaning Vivica A. Fox’s career; pondering what could have been with the casting; why Smith’s bravado and the film’s patriotism doesn’t always work for Joe; and plenty of riffing on the atrocious sequel.


Cross out Independence Day!

Coming Up Next: We’re retreating to the country for some questionable therapy courtesy of Joe Dante’s 1981 classic,  The Howling!

P.S. Subscribe to our Patreon for over 503 hours of Patreon content including this month’s new episodes on Terminator 2: Judgment Day, Forbidden Fruits, Saccharine, Evil Dead Burn, an audio commentary on the utterly ridiculous sequel Howling II: Your Sister Is A Werewolf (1985), and the conclusion of our Requel Tier coverage of AMC’s The Vampire Lestat.

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