Podcasts
Singing for the Holidays with ‘Anna and the Apocalypse’! [Horror Queers Podcast]
Rom Com Zom Musical
After dealing with cryptids in The Mothman Prophecies, giallos in Your Vice is a Locked Room and Only I Have the Key and killer baby mamas in Inside (2007), we’re closing out our film coverage for the year with a holiday classic.
Director John McPhail‘s Anna and the Apocalypse finds a group of disaffected teens struggling with the usual holiday-related concerns (absent family, desire to escape, unrequited love for your best friend) but throws in the complication of a zombie apocalypse.
Oh and it’s a musical!
Come celebrate the holiday as we unpack all of the songs, the choreography and why Mr. Savage sucks.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 261 – Anna and the Apocalypse (2017)
We’re tired of pretending that there’s no such thing as a Rom Com Zom Musical!
The time has finally come to discuss John McPhail’s Anna and the Apocalypse (2017), which has charming Scottish actors, a Canadian choreographer, and three (?!) different versions.
Plus: Joe’s issue with villainous Mr. Savage, our fave songs, the sad Ryan Gosling connection, nearly good queer representation, and why we need more horror movie musicals pleeeeease
Cross out Anna and the Apocalypse!
Coming up on Wednesday: With no film to discuss, we’re closing out the year with our Best of 2023 picks, reflections on the year’s horror trends, and more than a few bloopers!
P.S. Subscribe to our Patreon for 280 hours of Patreon content including this month’s new episodes on A Creature Was Stirring, When Evil Lurks, Leave the World Behind and It’s a Wonderful Knife, plus an audio commentary celebrating the 50th anniversary of The Exorcist(1973).
Game Loop.
Trace and I inadvertently bookended our April discussions of John Landis’ An American Werewolf in London (listen) and Ciarán Foy’s Eli (listen) with Jude Law films. At the start of the month, we tackled Matt Damon’s Italian grifter in The Talented Mr. Ripley (listen) and now we’re closing out April with David Cronenberg‘s eXistenZ (1999).
The unofficial sequel to Videodrome (listen) and precursor to Crimes of the Future, eXistenZ takes place in the world of virtual reality and simulation. Game goddess Allegra Gellar (Jennifer Jason Leigh) is forced to go on the run with PR nerd Ted Pikul (Jude Law) through the Canadian backwoods when ‘Realist’ terrorists declare open season on her life.
Featuring no shortage of strange encounters and oddball characters, including Willem Dafoe‘s queer-coded Gas and Canadian film royalty like Don McKellar and Sarah Polley, Allegra and Ted must travel between the real world and the game world, all the while keeping track of who is friendly…and who is foe.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, Google Podcasts, and RSS.
Episode 279: eXistenZ (1999) feat Vannah Taylor
Lube up your industry standard bio-port because we’re playing David Cronenberg’s eXistenZ (1999) with someone friendly: Vannah Taylor!
David Cronenberg’s meditation on the dangers of gaming and simulation is the middle entry of an unofficial trilogy. It’s also a film that gets real confusing, real fast, so good luck figuring out if we’re still in the game!
Plus: criticisms of a “bland” game world, praise for Jennifer Jason Leigh, Canadian royalty, comparisons to Serenity, disgusting gristle guns, and Pikul getting his back blown out (several times!)
Cross out eXistenZ!
Coming up on Wednesday: We’re continuing our celebration of 1999 films with a look at Stephen Sommers’ bisexual awakening, action adventure film, The Mummy (1999).
P.S. Subscribe to our Patreon for over 306 hours of Patreon content including this month’s new episodes on Hannibal S01E04, Late Night with the Devil, The First Omen, Femme, Abigail and a brand new audio commentary on the original The Omen (1976).
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