Podcasts
Straightening Out ‘The Picture of Dorian Gray’ [Horror Queers Podcast]
British Buggery.
After closing out January with the very gay (and very terrible) The Covenant (listen) and the pseudo-remake of Single White Female: The Roommate (listen), we kicked off February with journey to the world of H.P. Lovecraft in Re-Animator. Now, we’re traveling back in time to discuss Albert Lewin‘s 1945 adaptation of The Portrait of Dorian Gray.
In The Picture of Dorian Gray, Lord Henry Wotton (George Sanders), tells his friend Dorian Gray (Hurd Hatfield) that men should pursue their sensual longings, but laments that only the young get to do so. Taken with the idea, Dorian inadvertently makes a Faustian bargain to stay young forever. His wish comes true, and his boyish looks aid him as he indulges his every whim. Unfortunately, his sins take physical form on a portrait of himself, and as the years go by he must decide what type of man he wants to be.
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Episode 268: The Picture of Dorian Gray (1945)
We apologize for the intelligence of our remarks, but we’re delving into every gay man’s worst nightmare (aging) in Albert Lewin’s The Picture of Dorian Gray (1945). Tagging in for the conversation is writer and filmmaker Amanda Jane Stern, who turns out to be an enormous fan of the source material!
Join us as we go all in on this adaptation of Oscar Wilde’s only novel, but not before discussing the tragedy that is Wilde’s life. We then discuss Hollywood’s “straightening” of this very queer story and bask in the glory of what is Angela Lansbury‘s third film role.
Plus, one very cruel Slut Test™, four stellar Technicolor shots (seriously), a presumably enormous confetti budget, Egyptian cat magic, one extremely unnecessary narrator and an even more unnecessary Gladys.
Cross out The Picture of Dorian Gray!
Coming up on Wednesday: We’re celebrating Valentine’s Day with a discussion of the 2009 remake of Friday the 13th, just in time for its 15th anniversary.
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On the DL.
After spending June on explicitly queer texts like Emerald Fennell’s Saltburn (listen) and William Castle’s Homicidal (listen), it’s only appropriate that Horror Queers celebrate the American holiday with a blockbuster film with a not-so-secret gay connection.
In Independence Day, an unlikely group of people come together when the human race faces extinction from a threatening alien race. After spaceships destroy every major city, pilot Steven Hiller (Will Smith) must team up with secret tech genius David Levinson (Jeff Goldblum), as well as the US President (Bill Pullman), to execute a daring plan to save the planet from annihilation.
Along for the ride are the two saviors’ romantic partners – WH Communications Director Constance (Margaret Colin) and stripper Jasmine (Vivica A. Fox) – plus eccentric scientist Dr. Okun (Brent Spiner), who is at the center of the film’s most horrific set piece.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, and RSS.
Episode 393: Independence Day (1996)
Today, we celebrate our Independence Day…courtesy of gay German director Roland Emmerich.
As the summer blockbuster celebrates its 30th anniversary, we’re looking back on an alien disaster film that scared young Trace (thanks to that alien autopsy scene) and turned Will Smith into a star.
Plus: the death that upsets the most; bemoaning Vivica A. Fox’s career; pondering what could have been with the casting; why Smith’s bravado and the film’s patriotism doesn’t always work for Joe; and plenty of riffing on the atrocious sequel.
Cross out Independence Day!
Coming Up Next: We’re retreating to the country for some questionable therapy courtesy of Joe Dante’s 1981 classic, The Howling!
P.S. Subscribe to our Patreon for over 503 hours of Patreon content including this month’s new episodes on Terminator 2: Judgment Day, Forbidden Fruits, Saccharine, Evil Dead Burn, an audio commentary on the utterly ridiculous sequel Howling II: Your Sister Is A Werewolf (1985), and the conclusion of our Requel Tier coverage of AMC’s The Vampire Lestat.