Podcasts
Early Expressionist Frights in ‘The Cabinet of Dr. Caligari’ [Horror Queers Podcast]
Slippery Somnambulist.
After closing out February with discussions of Mitchell Lichtenstein’s vagina dentata-centered horror comedy Teeth (listen) and one of the “good” Amityville franchise entries in Amityville 1992: It’s About Time (listen), we’re taking a look at the oldest film we’ve ever covered in Robert Weine‘s classic silent film The Cabinet of Dr. Caligari (1920)!
In the film, Franzis (Friedrich Feher) and his friend Alan (Hans Heinrich von Twardowski) encounter the crazed Dr. Caligari (Werner Krauss), who has just opened up a sideshow featuring his somnambulist Cesare (Conrad Veidt), a hypnotized man who the doctor claims can see into the future. At the performance, Cesare predicts Alan’s death, and by morning his chilling prophecy has come true — making Cesare the prime suspect. Unfortunately for Franzis, Caligari has set his sights on his fiancé Jane (Lil Dagover) next, and it’s only a matter of time before Caligari sends Cesare after her.
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, and RSS.
Episode 323: The Cabinet of Dr. Caligari (1920)
Stay away from that sideshow attraction and watch out for murderous sleepwalkers because we’re discussing Robert Weine‘s classic 1920 silent film The Cabinet of Dr. Caligari, believed by many to be the first true horror film ever made!
Join us as we go on a tour of pre-WWII German history and learn about German Expressionism to see how Caligari came to be. But more importantly: to acknowledge the importance of this seminal film that has influenced countless film directors in the 105 years(!!!) since its initial release.
Cross out The Cabinet of Dr. Caligari!
Coming up on Wednesday: We’re kicking off a themed month of Doppelgängers & Doubles with a look at Darren Aronofsky’s Black Swan.
P.S. Subscribe to our Patreon for over 370 hours of Patreon content including this month’s new episodes on Borderline, Oddity, Opus, Death of a Unicorn and a brand new audio commentary on Sin City for its 20th anniversary.
Aaliyah Innocent.
May was a busy subgenre-switching month. After kicking things off with disaster “slasher” The Poseidon Adventure (listen), we watched American Giallo The Fan (listen), then wrapped things up with Vincent Price’s horror comedy Theater of Blood (listen).
Now, in honor of Pride Month and the return of AMC’s Interview with the Vampire (renamed The Vampire Lestat for S03), Trace and I had to check out the straight-washed second attempt to bring Anne Rice’s The Vampire Chronicles to life.
Back in 2002, director Michael Rymer pitched Hollywood on his vision for Rice’s second Chronicle book, The Vampire Lestat. Instead, the suits opted to adapt the third book, Queen of the Damned (likely due to the ancillary opportunities of the soundtrack, written entirely by Korn frontman Jonathan Davis).
In the film, Lestat (Stuart Townsend) awakens from slumber to reinvent himself as a leather-pant-wearing rocker. Lestat’s very public vampire persona attracts the attention of Talamasca novice Jesse (Marguerite Moreau), as well as the vampire’s maker Marius (Vincent Perez). But the nu-metal has the greatest impact on Akasha (Aaliyah), who awakens and promises to take over the world if her old foe Maharet (Lena Olin) doesn’t stop her.
Whose side will Lestat join? Will Marius help his fledgling or abandon him to public sacrifice? And does anyone actually care about Jesse? (Please note: that last question is rhetorical.)
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, and RSS.
Episode 389: Queen of the Damned (2002)
Practice your Egyptian accent and bare that midriff because we are talking the troubled “adaptation” of Anne Rice’s Queen of the Damned (2002).
Directed by Australian Michael Rymer, this one was doomed by the suits before it was even greenlit (which happened AFTER all of the songs were written by Korn frontman Jonathan Davis). It’s a bit of a clusterfuck.
Plus: praising everything Aaliyah (RIP); critiquing everything Stuart Townsend (aside from his abs and leather pants); a soft queer reading of Marius; and bemoaning boring protagonist/audience surrogate JESSE.
Cross out Queen of the Damned!
Coming Up Next: We’re tackling Ben Stiller’s horror-adjacent dark comedy The Cable Guy (1996), in anticipation of its 30th anniversary!
P.S. Subscribe to our Patreon for over 495 hours of Patreon content including this month’s new episodes on Hannibal Season 3 Episodes 5 & 6, Backrooms, Passenger, Leviticus, an audio commentary on the original Scary Movie (2000), and the return of our Requel Tier as we begin our episode coverage of AMC’s The Vampire Lestat.