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‘Alien: Earth’ Returns to Neverland to Kill a Lost Boy [Horror Queers Podcast]

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Spoilers for Episode 6 of Alien: Earth to follow.

With only a few episodes remaining in Alien: Earth‘s first season, the Noah Hawley series returns home to Neverland after last week’s bottle episode in space. If last week acted as Hawley’s pitch to helm a theatrical Alien film, “The Fly” confirms that he knows a thing or two about how to pace a season-long arc.

Hawley co-writes (along with supervising producer and first-time series writer Lisa Long) while Ugla Hauksdóttir once again directs. But where “Observation” felt like all of the characters had been put under a microscope, “The Fly” feels like all of the experiments are starting to fall apart or splinter into unexpected directions.

Some talking points:

  • Wendy’s (Sydney Chandler) connection to the now fully grown Xenomorph continues, though her trust in parental figures like Dame Sylvia (Essie Davis) wanes after the hybrid discovers that Nibs (Lily Newmark) has had her memories manipulated.
  • Boy Kavalier (Samuel Blenkin) gains the upper hand over Yutani (Sandra Yi Sencindiver) in a significant face-to-face arbitration meeting, proving to both the audience and his rival why Prodigy has become one of the big 5.
  • Morrow (Babou Ceesay) has a flirty/aggressive conversation with Kirsh (Timothy Olyphant) when the pair take an elevator ride together.
  • After confirming that he’s the moral center of the show, Arthur (David Rysdahl) is naturally lured into Slightly’s(Adarsh Gourav) trap and becomes impregnated by a facehugger.
  • Finally, in a shocking development, Tootles (Kit Young) is locked into a specimen cage after The Eye distracts him and becomes the first Hybrid to die when mechanical-consuming flies eat his face.

There’s a lot of pay-off in this episode, particularly with long gestating (heh) storylines such as the rivalry between Morrow and Kirsh, Slightly being manipulated by an “adult” to infect someone, and the Hybrids discovering that the adults on the island are not looking out for their best interests.

Trace and I spent a lot of time in our full-length Patreon episode debating whether Tootles is actually dead (or can his consciousness/data be uploaded into another body?), if Kirsh is plotting against Boy Kavalier, and when someone will notice Arthur’s absence since he was just fired by Atom (Adrian Edmondson) and his body has been dragged into the vents.

Also: how great is the personification of The Eye? Trace and I didn’t think we could love this creature more after the events of the last few episodes…and yet!

Listen to more of the discussion below on the Horror Queers Patreon:

Coming Up Next: It’s time for the penultimate episode, 1.07, “Emergence.”

Want to listen? Subscribe to our Patreon for over 420 hours of content including this month’s other new episodes on Cry Wolf, The Long Walk, Him, The Conjuring: Last Rites and, to tie in with that last one, a brand new audio commentary on The Conjuring 2!

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

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Podcasts

Shakespearean Education in the Vincent Price-Starring ‘Theater of Blood’ [Horror Queers Podcast]

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Butch knows best…

After concluding May with discussions of the disaster “slasher” The Poseidon Adventure (listen) and Michael Biehn’s demon twink in the messy-but-watchable The Fan (listen), we’re heading back to the ’70s to discuss our very first Vincent Price film in Douglas Hickox‘s horror comedy Theater of Blood (1973).

In Theater of Blood, Vincent Price stars as Edward Lionheart, a disgraced Shakespearean actor who begins targeting the critics who shamed him. The gimmick? He’s taking inspiration from the death scenes in William Shakespeare’s plays! Aiding him is his daughter Edwina (Diana Rigg), who acts as the honeypot for her father’s macabre scheme.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, and RSS.


Episode 388: Theater of Blood (1973)

Brush up on your Shakespeare and protect those poodles because we’re covering our very first Vincent Price film in Douglas Hickox’s horror comedy Theater of Blood (1973), a personal favorite of both Price and Diana Rigg.

Join us as we go all in on this somewhat episodic (but also educational!) proto-slasher, wondering if we’re supposed to know that’s Diana Rigg in hippie drag, and cackling at some of these murder set pieces.

Plus, “Handsy Dickman,” narcissistic gravestones, antisemitic stage makeup, and the ultimate debate: is it theatER or theatRE?

C/W: Attempted suicide, off-screen dog murder.


Cross out Theater of Blood!

Coming Up Next: We’re celebrating the premiere of AMC’s The Vampire Lestat with a look at the much-maligned 2002 adaptation Queen of the Damned!

P.S. Subscribe to our Patreon for over 492 hours of Patreon content including this month’s new episodes on Hannibal Season 3 Episodes 5 & 6, BackroomsPassenger, Leviticus, an audio commentary on the original Scary Movie (2000), and the return of our Requel Tier as we begin our episode coverage of AMC’s The Vampire Lestat.

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