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Half Moon (V)

“The biggest disappointment, however, is what the promos call a ‘bloody, hair raising climax’ that fails to impress… I expect a lot more after being forced to sit through an hour long conversation and an overly dramatic sex scene.”

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Creating an original werewolf film and properly executing the story behind it is a very difficult task. These films usually require either intense costuming or CGI, an obvious understanding of the myth, and a need to show intense gore. Werewolves are bloodthirsty, moon-obsessed creatures who instill fear. I’d say that’s a great way to kick off any good horror movie.

That’s part of why Half Moon intrigued me. The premise was interesting- a mysterious man reaches out to his on-call prostitute for companionship only to have another arrive in her place. The kicker is that the mysterious man is a werewolf and he’s in town for a treatment that will permanently rid him of his ‘disease.’ Throw in an unknowing, half naked heroine and it could easily have been a classic.

Key words: could have been.

Adult film star Tori Black stars as Rose, a seemingly lost, young prostitute who has to deal with her own inner demons as well as her overzealous and less than charming pimp. While working the streets, Rose runs into a friend who ends up telling her about her monthly date with a mysterious man who pays a lot of cash for her, ahem, companionship. When the friend gets arrested moments later, Rose takes the call- and the date. The mysterious man, Jacob, played by the talented Marek Matousek, is the lone savior of this film. His performance is brilliant and carries the less than adequate plot. He does a great job with what little is given to him- and that alone is why I didn’t turn the DVD into a coaster.

The biggest problem with Half Moon is that the story drags. The bulk of the movie is literally a story building conversation between Rose and Jacob in a hotel room that goes on and on and on. She talks about her childhood and her pimp, he talks about how he was infected and the treatments he needs, and somehow it starts over again, literally going in circles. Tori Black’s mediocre performance certainly doesn’t help- her character has a hard time deciding whether she’s a damsel in distress or a hood rat. The sound quality makes some of the scenes unbearable- at times it’s hard to tell if you’re watching a home video or an actual DVD release. The biggest disappointment, however, is what the promos call a ‘bloody, hair raising climax’ that fails to impress. Rose tries to help Jacob escape from the wrath of her pimp, but instead finds herself at his mercy. Jacob turns into a werewolf, attacking and killing the pimp, and changing Rose into one of his own. Though the transformation was pretty cool for a low budget flick, it just flopped. I expect a lot more after being forced to sit through an hour long conversation and an overly dramatic sex scene. Basically Matousek’s performance is the lone reason I would encourage anyone to watch the movie- otherwise, it’s just another one to throw to the wolves.

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‘Boorman and the Devil’ Documentary Trailer Chronicles Complicated Relationship with ‘Exorcist II’

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Boorman and the Devil trailer

Critically acclaimed documentary Boorman and the Devil chronicles how one of the world’s greatest filmmakers made one of the most hated movies ever: Exorcist II: The Heretic. A new trailer highlighting some of the troubled production woes has arrived.

Boorman and the Devil opens at The Quad in NYC on August 28 before opening wider in various cities on September 4, including: Los Angeles, Columbus, Houston, Pittsburgh, Philadelphia, Seattle and more.

After the success of Point Blank and Deliverance, Warner Brothers offered John Boorman the opportunity of a lifetime: the chance to direct a sequel to their smash hit, The Exorcist. The result was one of the biggest disasters in movie history. A critical and financial failure that not only changed how Hollywood did business, but nearly ended Boorman’s filmmaking career… but to be an artist is to be a risk-taker.

Now, John Boorman, Linda Blair, Louise Fletcher, Karyn Kusama, Joe Dante, Mike Flanagan, and more reflect back on the ambition of the film, the artistry and craft, and the value of big creative swings.

“I am beyond thrilled that Yellow Veil has come on board to help us share this story with a larger audience,” said director David Kittredge. “Like myself and the rest of our team, they’re huge cinema-lovers. It’s so exciting that a film which is not only a love letter to John Boorman, but also to ambitious filmmaking, will be handled by people who share the same passions that our team shares.”

“I first saw the film at an early festival screening and the post-screening buzz was just electric. Everyone was loving Boorman and the Devil,” added Yellow Veil co-founder Justin Timms. “To be able to team up with David and the filmmaking team on this release is incredibly exciting, and we can’t wait to spread that post-screening electricity with audiences across the country.”

Boorman and the Devil is produced by Kittredge’s Triple Fire Productions, Travis Stevens (Jodorowsky’s Dune, Starry Eyes) of Snowfort Pictures, and Jim Fall (The Lizzie McGuire Movie), with Alan Koenigsberg of Milton Ventures Media serving as co-producer.

Daniel Kurland wrote in his review, “Boorman and the Devil goes above and beyond to be the definitive text on Exorcist II. This documentary will delight horror and Exorcist fans alike, but it also provides incredible insight for anyone who is just marginally interested in film production.

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