Movies
[BD Review] ‘Open Grave’ Is A Slow, Lackluster Crawl
Open Grave opens with one of the most promising sequences I have seen in a long time. John (Sharlto Copley) wakes up, in the middle of a rain storm, in the middle of the night, in a pit full of dead bodies. The entire sequence is disturbing, highlighted by extensive use of sound in regard to John’s bones cracking as he regains consciousness. From here, he wanders to a mansion where he meets several other characters – all of them suffering from amnesia.
After this mighty intro, Open Grave falters, never fully engaging the viewer in its tale. The characters, although strangely in the house together, with no memory, all having mysterious bruises, seem to be overly complacent for the situation they are in. Suspending disbelief, the storyline fails to gain the proper footing, jumping from character to character, as they explore the land around them, looking for evidence as to why, exactly, they are there. When they begin to gather more and more information while discovering various medical experiments on the grounds, the movie is thrown into a clichéd mix of pointing fingers.
This, unfortunately, is what makes up 3/4 of Open Grave – characters in aimless pursuit of each other. A mass open grave is something that has been seen throughout history, most notably in the concentration camps during World War II. Combine that with the medical experimentation results shown in the film and the ending revelations that actually somewhat interesting, and the movie should be downright powerful. Yet, there isn’t enough to pull everything together in between. If the events revealed at the conclusion had been included sooner, perhaps sprinkled throughout, the film would have greatly benefited. In the end, we are left with a spotty narrative, mostly, again, consisting of characters questioning each other.
John’s awakening at the beginning of Open Grave is reminiscent of the storm at the mansion sequence in 28 Days Later. While it’s not nearly as influential, the visuals and sounds make the introduction to the story highly interesting. There are moments within the film throughout that, too, capture a certain eeriness not commonly seen. Although filmed and edited well, Open Grave suffers from lack of grounded substance to carry key scenes like a man discovered trapped in a barbed wire fence that surrounds the grounds.
Described a reverse zombie movie by some, Open Grave could have the makings for a powerful movie that could hold a spot like 28 Days Later with its unique approach. In the end, the slow, lackluster crawl to get from point a to point b simply outweighs the bit of depth the film has.
Movies
‘V/H/S: SCP’ – Next ‘V/H/S’ Installment Takes on the SCP Foundation
The next V/H/S installment is on the way, this time from producer Roy Lee (Weapons, IT), and it’s landed on its new theme.
Spooky Pictures and Image Nation are teaming to produce V/H/S: SCP, Variety reports, and it’ll be the first feature-length addition to the online collective fiction project, the SCP (Special Containment Procedures) Foundation.
The SCP Foundation began in 2008 as a collaborative digital project and has since grown into one of the largest fan-driven horror and sci-fi universes online. You can get acquainted with the SCP Foundation via Bloody FM’s SCP Archives podcast.
V/H/S: SCP will be framed as “’recovered field documentation,’ or video evidence gathered, redacted, and archived by the secretive organization. Standalone segments in the anthology will focus on different objects, entities, or events under the containment-breach narrative.”
Spooky Pictures is headed by genre veterans Steven Schneider (Insidious, Paranormal Activity) and Roy Lee (Weapons, IT). They’ll be joined by Josh Goldbloom (V/H/S/94, V/H/S/99, V/H/S/Halloween) and Michael Schreiber (V/H/S/94, V/H/S/Beyond) as producers.
“The horror genre continues to be a remarkable launchpad for new talent to share original creations, and the vast SCP universe has provided a vital incubator for this creativity to thrive,” Spooky Pictures co-founder Steven Schneider said. “Along with INS, this next project reinforces our shared commitment to look in new and unexpected spaces for stories. We can’t wait to expand the V/H/S franchise with new, fresh, and terrifying stories that will keep viewers coming back for more.”
V/H/S launched in 2012, followed by 2013’s V/H/S/2, 2014’s V/H/S: Viral, 2021’s V/H/S/94, 2022’s V/H/S/99, 2023’s V/H/S/85, 2024’s V/H/S/Beyond, and 2025’s V/H/S/Halloween.
The upcoming installment marks the ninth film in this franchise.

The SCP Foundation is a worldwide force dedicated to securing, containing, and protecting anomalies from people – At least according to the lore of the website.
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