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[Review] ‘Harbinger Down’ Is a Bleak, Tiring and Vanilla Creature Feature

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Harbinger Down

With Hollywood abusing CGI, the promise of a practical effects heavy creature feature is just what the horror doctor ordered.

Arriving on VOD and in select theaters on August 7th is the crowd-sourced Harbinger Down, the directorial debut of Stan Winston protege Alec Gillis, with ADI (aka Amalgamated Dynamics) co-founder Tom Woodruff, Jr. producing. The duo promised to deliver a tense, claustrophobic creature film that would feature only practical animatronic and makeup effects. The latter proved to be true.

While the concept behind Harbinger Down is simple (alien-like creature running amok on a ship), the actual plot is dense and confusing. The press release explains that it’s about a group of grad students studying the effects of global warming in the Bering Sea. The ship’s crew dredges up a recently thawed piece of old Soviet space wreckage that contains the film’s “creature”. The Russians experimented with tardigrades, which are tiny resilient animals able to withstand the extremes of space radiation. The creatures survived, only they’re now mutated and incredibly deadly.

And while many of the effects are cool, per se, the lack of filmmaking experience bleeds onto the screen. Gillis and Woodruff, Jr. may know how to create the coolest of horror effects, but they have no idea how to capture them on film – nor hold back when necessary. The creature work on screen becomes gluttonous, hanging on many shots until the viewer can see just how fake and rubbery everything is. On the other end, the camerawork at times is frantic and messy, as if done in hopes of hiding the rubbery look of the filmmakers’ creations that look way too fake in HD.

The worst offense Harbinger Down makes is becoming a The Thing/Alien fan film. Instead of doing something new, it feels like a poorly executed and assembled rehash of the aforementioned classics. Was it overly ambitious? Maybe. But, at the end of the day, a film needs to be judged by what ends up on screen, not how much love went into it. With that said, Harbinger Down is more of an extremely boring Syfy movie than a new sci-fi horror classic.

Even with the overuse of effects, Harbinger Down could have been saved with a solid screenplay. Unfortunately, there’s no good news here, either. Beyond the frustratingly complex set up, it’s impossible to tell who the film’s protagonist is. Is it Aliens star Lance Henriksen? Or maybe it’s the bland and forgettable Saide, played by Camille Balsamo (above, right)? Weirdly, I started to think the Russian character, Svet (Milla Bjorn), was the film’s homage to Ripley. Bjorn (above, left) delivers a powerhouse of a performance that holds the film on her back, at least until she’s abducted by the creature.

I really wanted to like Harbinger Down, but felt burned out by the end credits. It’s a bleak, tiring and vanilla creature feature that’s sadly forgettable. I don’t recommend going down with the ship.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Dev Patel’s ‘Monkey Man’ Is Now Available to Watch at Home!

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monkey man

After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.

You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!

Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.

Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”

“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.

She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”

Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.

Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.

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