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[Blu-ray Review] ‘Venom’ Bites But Fails to Leave a Lasting Sting

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Lately I seem to find myself watching a number of films that have a good premise and a good cast but ultimately fall a little short. I’d put Piers Haggard’s 1981 thriller Venom in that category. The movie should have been great, but it ended up just being ok. Not bad by any stretch, but it didn’t capitalize on the potential that was there.

Susan George plays Louise Andrews, a maid for a wealthy family with a small boy named Phillip (Lance Holcomb) who is sick. Along with her boyfriend Jacmel (Klaus Kinski) and the family’s chauffer Dave (Oliver Reed), Louise plans on kidnapping the boy while his parents are out of town. This plan goes awry when Phillip goes to pick up a harmless African pet snake from the local pet shop but is mistakenly given a black mamba. With the deadliest snake in the world now on the loose in this house, this seemingly simple plan comes crashing down for our terrible trio.

The opening of the movie is great. We quickly meet all our characters, have a little setup and get to the problem. I appreciate that no time is wasted and we jump into things. The mother heads out of town almost immediately to meet up with her husband, leaving Louise in charge. She gives Jacmel a call and the plan is in motion. There is a little hiccup because Phillip’s grandfather, Howard (Sterling Hayden), is also staying at the home as well. Howard helps Phillip sneak out of the house to make a quick trip to the pet store. At first glance this is a minor issue but then of course Phillip brings back that pesky black mamba. Once Phillip returns home he attempts to put the snake away but Louise insists on helping him because she is trying to kidnap him. This ends up being Louise’s downfall as the snake escapes and bites her.

At this point Jacmel and Dave are also at the house and they have Phillip and Howard at gun point. They try to get the situation under control, but it’s not easy. Louise is in a panic because she just got bit by a snake and that same snake is on the loose. Phillip and Howard, still thinking the snake is a harmless pet snake, try to calm Louise down and let her know she’s going to be fine. I don’t blame Louise though, I’d freak out if I was bitten by a snake. The weird thing about all this nonsense is that Phillip and Howard are pretty calm during the matter. From the snake aspect, that makes sense. Phillip and Howard are experts with animals and they think it’s just a pet snake, so no big deal. On the kidnapping hand though, shouldn’t they be a little concerned? I mean they both know Louise and Dave pretty well, shouldn’t they be freaked that those two have planned to kidnap Phillip with the assistance of a mad man named Jacmel? They are worried a bit, but I’d be in a full on flip out at this point.

Now you may be wondering how the pet shop goofed and gave Phillip a black mamba, well I’ll tell you how. This pet store had orders for two snakes – a pet snake and a black mamba. The pet snake for was Phillip and the black mamba was for a local university’s toxicology department. Dr. Marion Stowe (Sarah Miles) goes to pick up her black mamba and ends up with the pet snake. She eventually pieces the situation together and she calls the police to go check on Phillip’s house because she understands the dangers that come with a black mamba. When an officer shows up at the house, Dave panics and shoots him in the chest with a shotgun. Now the jig is really up.

Police surround the house and we have a standoff. Inside the house Jacmel and Dave are holding Phillip and Howard hostage all the while Louise is rolling around dying and a black mamba is roaming around. Outside the police block off the street and begin negotiations. At this point the movie comes to a screeching halt. This standoff has mildly entertaining moments. There are some interesting arguments between Jacmel and Dave that are ok. A scene of Howard searching the house for the black mamba is fairly tense. And there’s some kind of cool POV snake shots of the black mamba slithering throughout the vents in the house. But man does it feel like this middle portion of the film just drags.

Everything up until the cop being shot is fun. After that things slow down considerably and get kind of boring. And then boom! Things go out with a bang as the last ten minutes or so get super exciting and fun again as we get gun fights and snake attacks. Such a weird, weird movie. The start and finish make this film worth watching, but I can’t help and think that there was a huge missed opportunity here. Venom could have been something really special and instead settles for just ok.

Far more interesting than large chunks of the film itself are some of the behind-the-scenes stories. The new Blu-ray release from Blue Underground comes with a wonderful booklet featuring the writings of Michael Gingold. In this booklet Gingold goes into the history of what sounds like a pretty troubled production. I won’t go into great detail, but I’ll highlight a few things. The first thing that caught my eye was that Tobe Hooper was initially going to direct. He got started on the film but eventually left the production. Why he left seems to be up for debate, but apparently Kinski took great pride in forcing Hooper off the set. Once Piers Haggard got on board things didn’t get a whole lot better as Kinski and Reed went at each other every moment they could. Sounds like Reed was the main culprit as he knew how to get under Kinski’s skin. This comes across a bit on the screen which is perfect for their characters, but man I really wish they would have let these two unleash on one another. So many great moments could have been had with Kinski and Reed going for blood.

Another interesting tidbit is Kinski chose this film over Raiders of the Lost Ark. Most would consider that a mistake. Kiniski thought otherwise, remarking in his autobiography that the script to Raiders was “moronically shitty.” I respectfully disagree, but that seems like such a Kinski stance.

Do you know what the most insane thing about Venom is though? It’s that they used real black mambas! That’s crazy, right? Like why not just use other snakes? I certainly wouldn’t have known the difference. All snakes are scary if you ask me. It blows my mind that a movie like this that seemed to have more than it’s fair share of issues didn’t have someone die from a black mamba bite. Insanity.

My feelings on Venom as a whole are mixed. I think it’s worth watching for the few fun moments, but the final result comes in at just above average. The Blu-ray is terrific though. The picture quality looks fantastic and the special features are nice. In addition to the great booklet there is an audio commentary with Haggard along with a trailer and some TV spots.

Venom is now available on Blu-ray from Blue Underground.

Venom Cover Artnom

Chris Coffel is originally from Phoenix, AZ and now resides in Portland, OR. He once scored 26 goals in a game of FIFA. He likes the Phoenix Suns, Paul Simon and 'The 'Burbs.' Oh and cats. He also likes cats.

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Halloween Classic ‘Lady in White’ Now Available on 4K Ultra HD from Vinegar Syndrome

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Scream Factory brought Frank LaLoggia’s 1988 Halloween movie Lady in White to Blu-ray several years back, and now Vinegar Syndrome gives the film a 4K Ultra HD upgrade.

Vinegar Syndrome’s Lady in White 4K release is available now and shipping now!

Watch the trailer below and grab your copy from Vinegar Syndrome today.

This limited edition 4-disc 4K UHD/Blu-ray x 3 set comes with a spot gloss hard slipcase + slipcover combo (designed by Dylan Haley), includes a 40-page perfect bound book and is limited to 8,000 units. It is only available on their website and at select indie retailers.

The full Special Features package includes…

  • 4-disc Set: 1x 4K Ultra HD (High Bitrate BD100) / 3x Region A Blu-ray
  • 4K UHD presented in Dolby Vision High-Dynamic-Range
  • Newly scanned & restored in 4K from its 35mm original camera negative
  • Presented in three versions: 126-min Pre-Release Director’s Cut (UHD+BD), the 118-min Extended Home Video Cut (BD), and the 113-min Theatrical Cut (BD)
  • New group commentary track with writer/director Frank LaLoggia, alongside actors Lukas Haas, Joelle Jacobi, and Len Cariou for the Pre-Release Director’s Cut
  • New commentary track with Frank LaLoggia, moderated by Scott Neumyer for the Extended Home Video Cut
  • New commentary track with authors Emma Westwood and Stephen A. Russell for the Extended Home Video Cut
  • Archival commentary track with Frank LaLoggia for the Extended Home Video Cut
  • “Learning How to Fly” (10 min) – an interview with actress Karen Powell
  • “A Snapshot in Time” (9 min) – an interview with actress Lisa Taylor
  • “Human Touches” (6 min) – an interview with actress Lucy Lee Flippin
  • “Still Relevant” (16 min) – an interview with actress Rose Weaver
  • “75% Listening, 25% Editing” (9 min) – an interview with editor Steve Mann
  • “Welcome to Willowpoint Falls” (6 min) – a location featurette hosted by Benjamin Scrivens, founder of Fright-Rags
  • “Dream Talking: Looking Back” – a visual group commentary for the Pre-Release Director’s Cut with Frank LaLoggia, and actors Lukas Haas, Joelle Jacobi, and Len Cariou (103 min)
  • Deleted Scenes with introduction and optional commentary by writer/director Frank LaLoggia (36 min)
  • Behind-the-scenes footage with introduction and optional commentary by writer/director Frank LaLoggia (16 min)
  • Extended behind-the-scenes footage (73 min)
  • Introduction from the 20th anniversary dvd release
  • Promotional ‘industry sales’ trailer (7 min)
  • 40-page perfect bound book with essays by film historians Molly Henery, Mark H. Harris, and Heidi Honeycutt (limited edition only)
  • Multiple radio spots
  • Theatrical trailer
  • Multiple TV spots
  • Workprint trailers (7 min)
  • Still gallery
  • Reversible sleeve artwork
  • English SDH subtitles

1962. Nine-year-old Frankie Scarlatti enjoys a homespun childhood in a rustic Western New York town. The entire community gets into the spirit of Halloween, but then two bullies prank Frankie by locking him in his school cloakroom, leaving him trapped for the night. Alone and afraid, his slumber is interrupted when the ghost of a little girl appears, and Frankie witnesses the specter of her murder by an unseen assailant. Later, while recovering at home, the girl’s ghost appears to him again. With help from his older brother, Frankie begins investigating the circumstances of her death. He soon discovers that her murder was one of several unsolved crimes connected to a local child-killer. As the town’s bucolic veneer fades and long-buried secrets and tensions bubble to the surface, all of the clues to the mystery seem to point towards a huge mansion inhabited by a reclusive woman known as “The Lady in White.”

A nostalgia-driven ghost story wrapped within an intricate murder mystery and coming-of-age drama, writer-director-composer Frank LaLoggia’s passion project Lady in White remains one of the most beautiful and original American horror films of the 1980s. Featuring acclaimed actors Alex Rocco (The Godfather), Len Cariou (Executive Decision), and Sydney Lassick (CarrieThe Unseen), it boasts the first starring role by Lukas Haas (Mars AttacksInception) as well as breathtaking photography by Academy Award® winner Russell Carpenter (True LiesThe Lawnmower Man). Vinegar Syndrome is honored to bring this genre masterpiece to 4K UHD, newly restored from its original 35mm camera negative and presented in three versions: its pre-release director’s cut, its extended home-video version, and its original theatrical version, along with an abundance of both new and archival extras.

Paul Lê wrote here on Bloody Disgusting back in 2023, “Over the years, fans have described this film as gateway horror, but they liken it more to The Watcher in the Woods than, say, Hocus Pocus or Casper. There are chilling moments that warrant its PG-13 rating.”

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