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[Sundance Short Review] ‘Fucking Bunnies’ is a Hilarious Dark Comedy

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Since the end of the Satanic Panic of the 1980s, demonic cults just aren’t as scary as they used to be. Western society as a whole has since moved on to more pertinent fears, such as the ongoing refugee crisis and worldwide cultural attrition. Luckily, film provides us with an outlet for these anxieties, and every once and a while a clever filmmaker appears with a bizarre story that processes these feelings better than any manifesto could ever hope to. Teemu Niukkanen’s hilarious short film, Fucking Bunnies, is precisely one of these rare stories.

Fucking Bunnies follows Raimo, an ordinary middle-aged man attempting to survive suburban life in Helsinki, Finland. Raimo is soon confronted with his own prejudices when the leader of a Satanic Sex-Cult, Maki, moves next door, and offers to become his new squash partner. Hijinks ensue as Raimo’s wife pressures him into becoming a more accepting person, all the while Maki’s deviant lifestyle begins to affect the neighborhood, and Raimo himself, in unexpected ways.

While the plot of Niukkanen’s short may initially seem fit for little more than a silly comedy sketch, some nuanced filmmaking and a competent script help turn this simple dark comedy into an unusually intelligent (not to mention extremely amusing) piece of social commentary. The cinematography and direction is also very effective for this kind of story, providing us with an uncomplicated view of extraordinary events.

However, beyond the introspective look at suburban life in Finland, Fucking Bunnies is, at its core, an incredibly effective comedy, deriving humor from seemingly ordinary situations in unconventional ways. From Maki’s constant death-metal make-up as he goes about his day-to-day routine, to a few disturbing sexual moments in the middle of innocent conversations, there are quite a few laughs to be had with this film. Fortunately, despite the simple premise, Fucking Bunnies never falls into ‘one-trick pony’ territory, and I could definitely see this idea expanded into a feature-length movie.

Ultimately, Fucking Bunnies is one of those rare pieces of fiction that works both as an artistic statement and as pure entertainment. I can’t think of anyone that won’t appreciate at least some of the peculiar humor of this short film, and I’m looking forward to viewing Niukkanen’s future work. If anything, Fucking Bunnies proves that even finding a new squash partner can make for some compelling storytelling if handled correctly.

Fucking Bunnies will premiere at the Sundance Film Festival on January, 20th!

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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