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[Review] Netflix’s James Wan-Produced “Archive 81” Falls Down Rabbit Hole of Eerie Cult Conspiracy

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Cursed videotapes are no stranger to horror, but “Archive 81” aims to set itself apart with an eerie mind-bending mystery that distorts time and reality. A loose adaptation of Daniel Powell and Marc Sollinger‘s horror podcast, the supernatural series sends viewers on a twisty journey full of audio-visual nightmares. The James Wan-produced Netflix show is at its strongest when blindly plunging the viewer into the murky depths of its rabbit hole.

Archivist Dan Turner (Mamoudou Athie) takes on an enigmatic job restoring damaged VHS tapes at an isolated rural estate, despite a prickly interview with employer Virgil (Martin Donovan). He soon realizes he’s reconstructing the tapes of documentary filmmaker Melody Pendras (Dina Shihabi), who found herself amidst a cult conspiracy within her new apartment building in the ’90s. The more he uncovers, the more he realizes that Melody’s story overlaps with his tragic history, and the more the rules of reality cease to hold firm.

Showrunner Rebecca Sonnenshine enlisted a talented roster of directors with a knack for nostalgia-based sci-fi horror and time distortions; Justin Benson and Aaron Moorhead (ResolutionThe Endless), Haifaa Al Mansour (Mary Shelley), and Rebecca Thomas (“Stranger Things), with the latter helming half of the eight-episode series. While all contribute to the unified moody visual aesthetic, which offers no shortage of haunting imagery, the show’s biggest strength is fittingly in its sound. The rhythmic earworm hymn of the dangerous cultists, the frequencies beyond that beckon, and the unsettling score and sound design do the heavy lifting in worldbuilding, especially in terms of alternate frequencies and a looming, unseen threat. It keeps the viewer off-kilter as its two leads connect from decades apart.

Archive 81. (L to R) Gameela Wright as Erica Lewis, Ariana Neal as Jess, Martin Sola as Father Russo, Dina Shihabi as Melody Pendras in episode 103 of “Archive 81”. Cr. Quantrell D. Colbert/Netflix © 2021

Athie’s Dan, the present-day protagonist, is savvy and guarded due to childhood trauma. It makes him wary of strangers, especially those that seem to know far too much about him. That guarded trait and the only driving question for answers to what caused a fateful incident make Dan’s story less engaging than his ’90s counterpart, Melody. As the well-intentioned but too naively curious newcomer on the block, Melody’s also more directly involved with the cult conspiracies. It makes her story far more exciting, with higher stakes.

The questions mount, and the videotape structure provides a less linear storytelling style. Piecing together what happened to Melody in the past and how it relates to the present comes solely from the found footage that Dan painstaking reconstructs, even as it bleeds over into his waking life in increasingly bizarre and erratic ways. That means the mythology comes in a slow trickle and is often nestled in the details. Trying to figure out how each new moody, twisted piece fits into the overall puzzle keeps you hooked.

The penultimate episode makes a massive step outside of the parallel stories for a self-contained story with the season’s answer key. While well-executed, it’s a bit too tidy in exposition and slows down the momentum. The stakes feel far lower by the finale, and key reveals don’t land with the intended impact.

Archive 81. Mamoudou Athie as Dan Turner in episode 101 of “Archive 81”. Cr. Quantrell D. Colbert/Netflix © 2021

Athie does a lot with what he’s given. Dan’s driving force doesn’t amount to much, making it a tough sell when he shifts that energy into saving Melody. Athie’s portrayal of Dan makes it work; the emotion is there and plausible even with narrative shortcomings. That applies to Shihabi as well, who’s endearing enough even as her character is getting overshadowed and swallowed whole by the overarching mysteries. The Night House’s Evan Jonigkeit steals scenes as a charming neighbor with questionable motives.

Netflix’s “Archive 81” starts strong and keeps you invested throughout thanks to its eerie sound, otherworldly mysteries, unique structure, and cult conspiracies. It’s easy to get lost in Dan and Melody’s journeys. But as the series careens toward its conclusion, it loses steam and fizzles out with a far too tidy end.

Netflix releases “Archive 81” on January 14, 2022.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

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“Chucky” Season 3: Episode 7 Review – The Show’s Bloodiest Episode to Date!

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Chucky Season 3 penultimate episode

Not even death can slow Chucky in “There Will Be Blood,” the penultimate episode of ChuckySeason 3. With the killer receiving a mortal blow in the last episode, Charles Lee Ray (Brad Dourif) can now take full advantage of the White House’s bizarre supernatural purgatory, leaving him free to continue his current reign of terror as a ghost. While that spells trouble for Jake Wheeler (Zackary Arthur), Devon (Bjorgvin Arnarson), and Lexy (Alyvia Alyn Lind), it makes for an outrageously satisfying bloodbath heading into next week’s finale.

“There Will Be Blood” covers a lot of ground in short order, with Charles Lee Ray confronting his maker over his failures before he can continue his current path of destruction. Lexy, Jake, and Devon continue their desperate bid to find Lexy’s sister, which means seeking answers from the afterlife. They’re in luck, considering Warren Pryce (Gil Bellows) enlists the help of parapsychologists to solve the White House’s pesky paranormal problem. Of course, Warren also has unfinished business with the surviving First Family members, including the President’s assigned body double, Randall Jenkins (Devon Sawa). Then there’s Tiffany Valentine (Jennifer Tilly), who’s feeling the immense weight of her looming execution.

Brad Dourif faces Damballa in "Chucky"

CHUCKY — “There Will Be Blood” Episode 307 — Pictured in this screengrab: (l-r) Brad Dourif as Charles Lee Ray, Chucky — (Photo by: SYFY)

Arguably, the most impressive aspect of “Chucky” is how series creator Don Mancini and his fantastic team of writers consistently swing for the fences. That constant “anything goes” spirit pervades the entire season, but especially this episode. Lexy’s new beau, Grant (Jackson Kelly), exemplifies this; he’s refreshingly quick to accept even the most outlandish concepts – namely, the White House as a paranormal hub and that his little brother’s doll happens to be inhabited by a serial killer.

But it’s also in the way that “There Will Be Blood” goes for broke in ensuring it’s the bloodiest episode of the series to date. Considering how over-the-top and grisly Chucky’s kills can be, that’s saying a lot. Mancini and crew pay tribute to The Shining in inspired ways, and that only hints at a fraction of the bloodletting in this week’s new episode.

Brad Dourif Chucky penultimate episode

CHUCKY — “There Will Be Blood” Episode 307 — Pictured in this screengrab: Brad Dourif as Charles Lee Ray — (Photo by: SYFY)

“Chucky” can get away with splattering an insane amount of blood on the small screen because it’s counterbalanced with a wry sense of humor and campy narrative turns that are just as endearing and fun as the SFX. Moreover, it’s the fantastic cast that sells it all. In an episode where Brad Dourif makes a rare appearance on screen, cutting loose and having a blast in Chucky’s incorporeal form, his mischievous turn is matched by Tiffany facing her own mortality and Nica Pierce’s (Fiona Dourif) emotionally charged confrontation with her former captor.

There’s also Devon Sawa, who amusingly continues to land in Chucky’s crosshairs no matter the character. Season 3 began with Sawa as the deeply haunted but kind President Collins, and Sawa upstages himself as the unflappably upbeat and eager-to-please doppelganger Randall Jenkins. That this episode gives Sawa plenty to do on the horror front while playing his most likable character yet on the series makes for one of the episode’s bigger surprises. 

The penultimate episode of “Chucky” Season 3 unleashes an epic bloodbath. It delivers scares, gore, and franchise fan service in spades, anchored by an appropriate scene-chewing turn by Dourif. That alone makes this episode a series highlight. But the episode also neatly ties together its characters and plot threads to pave the way for the finale. No matter how this season wraps up, it’s been an absolute pleasure watching Chucky destroy the White House from the inside.

“Chucky” Season 3: Part 2 airs Wednesdays at 10/9c on USA & SYFY.

4.5 out of 5 skulls

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