Movies
‘Grind’ SXSW Review – Uneven Workplace Anthology Gives Middle Finger to the Gig Economy
Filmmakers Brea Grant (Torn Hearts, 12 Hour Shift), Ed Dougherty, and Chelsea Stardust (Satanic Panic) combine forces to skewer late-stage capitalism with a humorous horror anthology, Grind. An Amazon-like conglomerate serves as the central hub connecting a quadriptych of worksploitation tales of the highly relatable, if uneven variety.
Grind hits the ground running with its lambasting of everything from MLMs to delivery services to unionizations, with all paths directly leading back to nefarious corporation DRGN. It opens with a tense look from inside an Amazon-like warehouse, where its workers face horrific consequences if they miss their package quota. From there, Grind employs Barbara Crampton as the Founder and Rob Huebel as an upper-level DRGN manager, serving as the connective tissue anchoring the segments.
Consistency varies in this anthology, but Grind at least smartly gets its roughest segment, “MLM,” out first. Crampton gives a valiant effort as the domineering yet ominously encouraging boss to two new reps of Lala Leggings as they struggle to maintain their sales goals. This segment quickly gets a bit too off the rails and loses sight of its messaging, but at least it succeeds in establishing the anthology’s overarching big comedic swings.
“Delivery” ramps up the action and carnage with a fun supernatural twist to the hells of being a DoorDash driver, one that makes up for clear budgetary constraints with vibrant creativity. From there, Grind careens into its best and darkest segment, “Content Moderation,” starring Christopher Rodriguez-Marquette as a hopeful DRGN employee promised to move up the ranks if he can succeed in clearing his content queue. It’s not a spoiler to reveal that DRGN has no intention of letting a plebe ascend into upper management and take drastic measures to snuff out hope and sanity.

It’s this segment that feels fully realized and the most polished, both in scares and messaging. It’s also filled with fun homages and memes, including a recurring Frogman jab. “Union Meeting” closes out the anthology with a comical depiction of Starbucks stand-in Neptunia, where its employees attempt to unionize until DRGN unleashes Neptunia’s mascot to squash it.
There’s a noticeable difference in technical precision and quality between segments, with rough seams showing in parts. Grind makes up for it with scrappy DIY spunk and attitude, even when it leans too far into twee humor. That’s largely because it’s so relatable and authentic in its biting commentary on an unsustainable gig economy. Who can’t relate to the work grind at this stage?
Grind holds up a middle finger to all conglomerates and billionaires that view their employees as disposable cogs. It tackles quite a lot of ground with clarity and with an admirable sense of humor. The anthology also fills its cast with a lot of notable horror talent, including Gigi Saul Guerrero, Matt Mercer, and Dead Meat’s James A. Janisse.
What Grind lacks in polish, it compensates for in its smart and earnest lambasting of the work grind. It’s a fun, cathartic reminder that it’s not just you; the current cruelty of big companies sucks. Grant, Dougherty, and Stardust commiserate with an uneven, lighthearted anthology that takes an energetic stab at the system that chews up its employees and spits them out.
Grind made its world premiere at SXSW. Release info TBD.

Movies
‘Strange Journey: The Story of Rocky Horror’ Review – The Definitive Rocky Horror Documentary
You can’t force a cultural phenomenon. At the end of the day, it’s the audience who decides what is and isn’t remembered, and all artists can do is try their best to express themselves honestly enough that their work might eventually connect with a certain crowd. As it stands, the gold standard for a cult hit that grew into something much larger than its creators could have anticipated due to fan involvement happens to be The Rocky Horror Picture Show.
A musical love-letter to the b-movies of yesteryear that also inspired generations of LGBTQ+ inclusive fan communities around the world, both the film and the original stage musical boast an ongoing legacy that shows no sign of slowing down decades down the line In honor of the 50th anniversary of the original film’s relaunch as a midnight movie that cemented it as a perpetual big screen hit, Linus O’Brien, son of Richard O’Brien, the creator of Rocky Horror and actor behind the fan-favorite Riff Raff, presents fans with his long-awaited documentary: Strange Journey: The Story of Rocky Horror.
Of course, you might be wondering if this new release justifies doing the Time Warp again after so many existing celebrations of the original film, so let’s dig a little deeper into Linus’ production.
Through a dynamic combination of archival footage, personal photographs and in-depth interviews with the original cast (such as Susan Sarandon, Nell Campbell, Patricia Quinn and Tim Curry), as well as commentary by hardcore fans like Jack Black and Trixie Mattel, Strange Journey follows the origins of Rocky Horror all the way from Richard O’Brien’s New Zealand upbringing to the shadow casts and online fandom motivating the film adaptation’s modern-day screenings. The documentary also serves as a surprisingly poignant look at how O’Brien views the “franchise” as a whole and how it reflects his personal journey of self-discovery.

Right out of the gate, the film sets itself up as something of a trip down memory lane for hardcore fans as we’re treated to footage of Richard reckoning with the statue of Riff Raff in Hamilton, New Zealand – right next to where he used to cut hair for a living. While the film benefits from plenty of b-roll borrowed from the Rocky Horror Picture Show as a means of hyping up segments of the documentary and even serving as the occasional punchline, Linus expects that viewers are already familiar with the landmark film and dives straight into the cultural context in which his father began working on the surprisingly lo-fi project.
Information goes by fast due to the brisk 80-minute runtime, but I appreciate the nods to Richard’s creative process as we see handwritten songs in a personal notebook that was eventually expanded into the musical’s script. The idea that O’Brien’s method training informed a different view of B-movie performances is undeniably fascinating -as are his musings on genre cinema – but it’s really when the rest of the cast and director Jim Sharman show up that the documentary really shifts into gear.
Sharman’s insight into the low-budget production aspects of the play makes it clear that this was a rag-tag team of artists taking advantage of raw talent and a new cultural zeitgeist that allowed them to confront taboo subject matter. Susan Sarandon is (unsurprisingly) a joy to watch as she reminisces about her time working on the movie adaptation, showing genuine appreciation for the hardship inherent to passionate indie productions. Of course, Tim Curry’s contributions are some of the most compelling, with his comments on how he originally wanted Dr. Frank-N-Furter to have a German accent until a random encounter on the bus made him realize that the good doctor should speak like the Queen, really making you appreciate the big ideas that turned a small production into a smash hit.
That being said, my personal favorite source of snarky quotes and anecdotes is Patricia Quinn, who originally played Magenta. Her stories about a brief romantic encounter with Meatloaf and how grateful she is that the film adaptation of the musical kept most of the original cast are incredibly entertaining and add to the sense that the production captured lightning in a bottle in a way that can never be replicated.

Susan Sarandon in ‘Strange Journey: The Story of Rocky Horror’
As a longtime fan, it was hard not to get swept up in the nostalgia when the file showed pictures of these young performers unaware that their lives were about to be changed forever by a weird little musical – especially when Richard O’Brien would come in with his guitar and perform acoustic versions of some of his most iconic tracks.
Yet, the completely justified pride that Richard appears to feel when presenting the music to his son, and by extension the audience, alongside the existential questions that this exceedingly personal project forces him to revisit, are what make Strange Journey so much more than a corporate puff piece. While I would have liked to see more interaction between the two generations of O’Brien’s, as you get the feeling that Linus is searching for his place in a legacy that extends far beyond his unusual family history, there is enough of an emotional core here that you’ll likely walk away from the experience thinking about what it means to have a single project define your entire life.
At the end of the day, I can’t imagine a more definitive exploration of everything that makes The Rocky Horror Picture Show such a cultural landmark. Featuring memorable insight from nearly all the major players, with the obvious exception of the late, great Meatloaf, and enough behind-the-scenes imagery to make you feel like you were there alongside the team from the very beginning, Strange Journey is the perfect companion to the 1975 masterpiece. That’s why I’d recommend this return to our favorite Frankenstein Place for both diehard fans and newcomers alike.
Strange Journey: The Story of Rocky Horror is available now on digital platforms everywhere.

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