Horror Reviews
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[Blu-ray Review] “The X-Files” Event Series
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[TV Review] “Scream” Episode 2.03: ‘Vacancy’
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[LAFF Review] ‘Villisca’ is a Promising But Uneven Tale of True Crime
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[LAFF Review] ‘Abattoir’ Offers Up Unique Premise, But Bousman Fails to Branch Out
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[Review] Stephen King’s ‘Cell’ Is Another Forgettable Adaptation
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[Review] ‘The Conjuring 2’ is a Funhouse Full of Frights!
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[Review] ‘Lilith’s Awakening’ is an Impressive Reimagining of Dracula
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[LAFF Review] ‘Lights Out’ Provides Sound Argument for Taking a Chance on Independent Filmmakers
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[LAFF Review] ‘Officer Downe’ Fails to Deliver An Effective Parody Film
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[LAFF Review] ‘Beyond the Gates’ is a Wickedly Fun ’80s Homage Worth Playing
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[LAFF Review] Hard to Wish ‘Mercy’ On Any of Chris Sparling’s Characters
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[TV Review] “Scream” Episode 2.02: ‘Psycho’
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[Review] ‘Mark of the Witch’ Strikes with Strong Visuals, Misses with Weak Story
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[Review] James Wan’s ‘The Conjuring 2’ Surpasses the First!
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[Review] ‘Shortwave’ Shines with More Emotion Than Horror
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Garbage Astound With ‘Strange Little Birds’ (Review)
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[Blu-ray Review] ‘Bride of Re-Animator’ is Worth Re-Animating Over and Over Again
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[Blu-ray Review] ‘Venom’ Bites But Fails to Leave a Lasting Sting
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[TV Review] “Scream” Season 2 Premiere: ‘I Know What You Did Last Summer’
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[Review] ‘The Wailing’ Oozes Tension with Atmosphere and Dread
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[Review] Hulu’s Cult Series, “The Path”
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[Review] ‘What We Become’ Is a Compelling, Character-Driven Undead Tale
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[TV Review] “Scream” Returns With More of the Same
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[Review] ‘Fender Bender’ or What Happens When a Creeper Rear Ends You