Horror Reviews
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[Short Film Review] ‘Night of the Slasher’ is a Bloody Good Time
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[Review] ‘Road Games’ Hits Hard With Excellent Acting and Wonderful Tension
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[Review] MVD Visual Give ‘Comin’ At Ya!’ a Contentious Facelift
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‘Doorways: Holy Mountains of Flesh’ Early Access Review
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[Blu-ray Review] ‘Cannibal Woman In the Avocado Jungle of Death’ Is a Lot Smarter Than It Sounds
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[Review] NECA’s Revisit of 8-Bit Jason Is a Thankful Second Opportunity
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[Review] 2016’s ‘Cabin Fever’ Lacks the Soul of the Original
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[Review] “The X-Files” Episode 10.05 ‘Babylon’
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[Review] ‘Darling’ Mesmerizes With Minimalist Filmmaking
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[Review] ‘Cabin Fever’ Infects Viewers With Deja Vu
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[Blu-Ray Review] Rock and Horror Team Up in ‘Shock ‘Em Dead’
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[Blu-ray Review] ‘The Dungeonmaster’ and ‘Eliminators’ – A Look at the Glory Days of Empire Pictures
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[TV Review] “iZombie” Episode 2.12: ‘Physician, Heal Thy Selfie’
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[Blu-ray Review] Roger Corman and Peter Fonda Go On a Wild Adventure In ‘The Trip’
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‘Rise of the Tomb Raider – Baba Yaga: Temple of the Witch’ Review
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[Review] “The X-Files”: ‘Home Again’
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[Review] ‘The Pack’ Delivers a Weak Attack
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[Blu-ray Review] ‘Nikkatsu Diamond Guys Vol. 1’ Is a Great Intro to Japanese Cinema
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[Blu-ray Review] Kino Lorber and Ate de Jong Take You On the ‘Highway to Hell’
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Double Murder Ep 64: High Tension vs. Intensity
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[Blu-ray Review] ‘Hellions’ is a Must-Add to Your October Watch List
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[Blu-ray Review] Clint Howard Takes Out the Bullies in ‘Evilspeak’
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[TV Review] “iZombie” Episode 2.11: ‘Fifty Shades of Grey Matter’
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[Review] “The X-Files”: ‘Mulder and Scully Meet the Were-monster’