Horror Reviews
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‘JeruZalem’ Aims For Holiness But Settles For Peasantry [Review]
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[Review] ‘All Hallow’s Eve 2’ Lags Behind Other Anthologies
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[Review] NECA’s Ultimate Jason Figure is Worthy of Collecting
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‘Resident Evil 0’ HD Review: Creepy Crawlies
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[Blu-ray Review] ‘Retaliation’ is a Convoluted Yakuza Flick That Still Offers Up Great Fun
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[Review] ‘Synchronicity’ is a Technically Impressive Sci-Fi Noir
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Megadeth’s ‘Dystopia’ Ignites a Thunderous Rebirth of the Band
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[Blu-ray Review] ‘The Mask 3D’ Takes You on a Trippy, Psychedelic Adventure
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[DVD Review] ‘Flowers’ Takes You on a Bizarre Journey to Purgatory
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[TV Review] “iZombie” Episode 2.10 Review: ‘Method Head’
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[Blu-ray Review] ‘Ninja Busters’ – A Lost Gem is Newly Discovered
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[Review] Bernard Rose Gives ‘Frankenstein’ an Effective Modern Jolt
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[Blu-ray Review] ‘Voodoo Man’ is 40’s Schlock With a Bit of Charm
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[Blu-ray Review] ‘The House Where Evil Dwells’/’Ghost Warrior’ – Double Feature Offers Up Samurai Fun
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[Blu-ray Review] ‘The Last Horror Film’ is a Good Movie with a Bad Blu-ray
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[Blu-ray Review] ‘Short Night of Glass Dolls’ is a Suspenseful Thriller with a Shocking End
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[Review] ‘Frankenstein’ Lives Again in Low-Budget Glory
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[Review] Reality and Fantasy Are One in the Same in Miike’s Methodical ‘Over Your Dead Body’
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[Review] ‘Intruders’ is a Decent Yet Unoriginal Slasher
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[Review] ‘The Forest’ Wastes its Innovative Premise on Standard Supernatural Slasher Plot
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[Blu-ray Review] ‘The Complete Lady Snowblood’ Gets Much Deserved Criterion Treatment
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[Review] ‘Anger of the Dead’ Inspires Anger With Its Dense Characters and Mindless Script
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[Blu-ray Review] ‘Condemned’ is Messy Film That Never Finds Its Footing
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[Review] Anna Walton Can’t Save ‘Cherry Tree’ From Being a Rotten Cliché