Horror Reviews
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[TV Review] “iZombie” Episode 2.09: ‘Cape Town’
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[Review] ‘Indigenous’ is a Shallow Yet Entertaining Creature-Feature
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[Blu-ray Review] ‘The Bird with the Crystal Plumage’ is a Flawless Debut
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[Blu-ray Review] Brian Trenchard-Smith Shows us a Dystopian Future in ‘Turkey Shoot’
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[Review] ‘The Revenant’ is a Flawless Epic Poem Personified Through Grisly Vengeance
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[Review] ‘The Revenant’ Is a Long, Rabid Road of Revenge
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[Review] ‘Krampus’ Director’s Latest Confirms Dougherty is King of Holiday Horror
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‘The Park’ Review: One Day at HorrorLand
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‘Emelie’ Review – The Most Unsettling of Babysitters
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[Blu-ray Review] ‘Phase IV’ – Meh
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[Blu-ray Review] ‘Deadly Prey’ is Bad Action at its Worst
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[Blu-ray Review] ‘Dr. Goldfoot and the Bikini Machine’ Shows Off a Side of Vincent Price Rarely Seen
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[Blu-ray Review] ‘Death Machine’ is One Awesome Machine
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[TV Review] “iZombie” Episode 2.08: ‘The Hurt Stalker’
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[Blu-ray Review] ‘Bloodsucking Bastards’ Takes a Bite Out of Office Life
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[Review] ‘Drifter’ is One You Can Just Let Drift By
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[Review] ‘Victor Frankenstein’ – Typical Hollywood Fan Faire Salvaged by Bromance
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Double Murder Ep 63: The Visit vs. Goodnight Mommy
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‘Fallout 4’ Review: Breaking Rad
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[DVD Review] ‘Nightmare Code’ Successfully Tweaks Found Footage Idea
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[Review] ‘Aaaaaaaah!’: Weird Concept Will Divide Viewers Despite Great Acting
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[Blu-ray Review] ‘A Bucket of Blood’ is a Bucket of Fun!
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[TV Review] “South of Hell” Isn’t Anything New, But Has Potential
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[Review] ‘The Hunger Games: Mockingjay Part 2’ is a Fitting End to the Franchise