Horror Reviews
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[Review] ‘The Forest’ Wastes its Innovative Premise on Standard Supernatural Slasher Plot
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[Blu-ray Review] ‘The Complete Lady Snowblood’ Gets Much Deserved Criterion Treatment
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[Review] ‘Anger of the Dead’ Inspires Anger With Its Dense Characters and Mindless Script
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[Blu-ray Review] ‘Condemned’ is Messy Film That Never Finds Its Footing
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[Review] Anna Walton Can’t Save ‘Cherry Tree’ From Being a Rotten Cliché
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[Blu-ray Review] ‘Dr. Terror’s House of Horrors’ is an Underrated Horror Anthology
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[Blu-ray Review] Vincent Price Returns to Camp in ‘Dr. Goldfoot and the Girl Bombs’
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[Review] Inventive Brutality with Cop Drama Hides Behind ‘The Laughing Mask’
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[Review] ‘The Hateful Eight’ is a Masterful Display of Cinematic Craftsmanship
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[Review] ‘Judas Ghost’ Squanders Potential, But Still Entertains!
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[Review] ‘400 Days’ is a Bold Move for SyFy
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[Blu-ray Review] ‘Blood and Lace’ is a Bizarre, Strange Slasher
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[Review] ‘Star Wars: The Force Awakens’ WITH SPOILERS
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[Blu-ray Review] ‘Contamination’ is a Wonderful ‘Alien’ Knockoff
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[Review] Gut-Wrenching Thrills Await You in ‘Cruel Summer’
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[Blu-ray Review] John Saxon Travels to Space in ‘Queen of Blood’
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[Review] ‘Anguish’ Delightfully Creeps and Compels
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[Review] ‘Crying Wolf’ Cries Foul With Lame Characters, Hampered Story and CGI
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[Review] ‘Live-Evil’ is Dead With Flat Humour, Lame Characters and Story
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[TV Review] “iZombie” Episode 2.09: ‘Cape Town’
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[Review] ‘Indigenous’ is a Shallow Yet Entertaining Creature-Feature
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[Blu-ray Review] ‘The Bird with the Crystal Plumage’ is a Flawless Debut
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[Blu-ray Review] Brian Trenchard-Smith Shows us a Dystopian Future in ‘Turkey Shoot’
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[Review] ‘The Revenant’ is a Flawless Epic Poem Personified Through Grisly Vengeance