Horror Reviews
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[Review] Iron Maiden ‘The Book of Souls’
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[Blu-ray Review] John McNaughton Makes a Chilling Return with the ‘The Harvest’
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[Blu-ray Review] ‘Navajo Joe’
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[Blu-ray Review] Only the Sleaziest Check Into ‘Play Motel’
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[Blu-ray Review] ‘The 7th Voyage of Sinbad’ Shines on Blu-ray
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[TV Review] “Scream” Season Finale: ‘Revelations’
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[Blu-Ray Review] ‘Dark Was the Night’ Relies On Characters, But is Light on Everything Else
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[Review] ‘I Like To Paint Monsters: The Chet Zar Story’
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[Review] ‘Contracted: Phase II’ Doubles Down On the Gross Out Effects
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[Review] ‘Last Girl Standing’ Captivates But Lacks Serious Scares
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[Review] ‘Last Girl Standing’ Shows That the Massacre is Only the Beginning in the Subversive Slasher Film!
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[Review] ‘Zombie Fight Club’ is Bloated and Unoriginal but Packs Some Memorable Action
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[Review] ‘Para Elisa’ is a Disturbing Recipe With the Right Ingredients That Doesn’t Quite Come Together in the Oven
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[Review] ‘Return to Sender’: Rosamund Pike is the Only Bright Spot in This Cheesy Thriller
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[Review] ‘Wind Walkers’ Tries to be ‘Predator’ In Florida, But Fails
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[Throwback Review] My First Time With ‘Return of the Fly’!
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‘Kholat’ Review: Cool As Ice
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[Review] Joe Dante’s ‘Dark’ is a Slow but Impressive Hitchcockian Thriller
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[TV Review] “From Dusk Till Dawn” Episode 2.01: ‘Opening Night’
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[Blu-ray Review] ‘Videodrome’ Gets the Ultimate Arrow Treatment
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[Blu-ray Review] ‘Burn, Witch, Burn’
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[Review] ‘Turbo Kid’ Is Pure 80’s Gore, Laughs, and Heart
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[TV Review] ‘Scream’ Episode 1.09: “The Dance”
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[Review] ‘The Curse of Downers Grove’: Fairly Entertaining Thrills from Bret Easton Ellis