Horror Reviews
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‘We Bury the Dead’ SXSW Review – Daisy Ridley Hunts for Closure in Stunning But Uneven Zombie Drama
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‘The Astronaut’ SXSW Review – Psychological Sci-Fi Thriller Fails to Stick Its Landing
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‘Novocaine’ Review – Highly Entertaining Splatstick Actioner Brings the Pain
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‘Dagger in the Heart’ Provides a Thrilling and Personal TTRPG Campaign [Review]
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‘Death of a Unicorn’ SXSW Review – A24’s Gory Comedy Struggles to Conjure Magic
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‘Hallow Road’ SXSW Review – A Gripping, Minimalist Halloween-Set Fable
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‘The Rule of Jenny Pen’ Review – Elder Care Horror Tale Will Make Your Skin Crawl
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‘Last Breath’ Review – Based on a True Story Survival Thriller Won’t Leave You Breathless
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Lifetime’s ‘Murder at the Lighthouse’ Channels ‘Sleeping with the Enemy’ [Review]
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Tubi’s Latest Original ‘Tarot Curse’ Doesn’t Cast a Spell [Review]
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‘The Monkey’ Review – Death Gets Funny and Gory in This Madcap Stephen King Adaptation
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Lifetime’s ‘Trapped in the Spotlight’ Finds Music in Sisterhood [Review]
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‘The Gorge’ Review – Anya Taylor-Joy and Miles Teller Charm in Romantic Genre-Mashup
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Undercooked Mechanics in ‘Urban Myth Dissolution Center’ Leave You Wanting More [Review]
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‘Heart Eyes’ Review – A Crowd-Pleasing Blend of Savage Slasher and Romantic Comedy
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“Kingdoms” for ‘Darkest Dungeon II’ Remixes Excellent Core Loop With Compelling New Structure
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‘Touch Me’ Review – Psychosexual Sci-Fi Horror Explores Mental Health with Camp Humor [Sundance]
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‘The Thing with Feathers’ Review – Benedict Cumberbatch Battles Familiar Grief Monster Metaphor [Sundance]
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‘Opus’ Review – Edebiri & Malkovich Dazzle in Celeb Satire That Forgets the Horror [Sundance]
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‘Dreamcore’ Frustrates in Its Attempts at Riding ‘The Backrooms’ Phenomenon [Review]
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‘Companion’ Review – Sophie Thatcher Dazzles in Zany Break-Up Movie
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Tubi’s ‘A Kill for a Kill’ Remakes a Hitchcock Classic [Review]
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‘Night Call’ Review – High-Octane Action Thriller Delivers Propulsive Fun
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‘Castlevania: Nocturne’ Returns With More Bite, Blood & Brutality in Superior Season 2 [Review]
