Horror Reviews
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Solo TTRPG ‘Soul Cemetery’ Taps Into Nostalgia With Its Wonderful Storytelling [Review]
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Flexible Predators Swim Up Pipes in ‘Hot Spring Shark Attack’ [Review]
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‘May’ Blu-ray Review – Lucky McKee’s 2002 Movie Stands the Test of Time as a True Cult Classic
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‘System Shock 2: 25th Anniversary Remaster’ Is Absolute Perfection [Review]
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‘M3GAN 2.0’ Review – The AI Icon Slays Her Bigger, Badder and Messier Sequel
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‘Alan at Night’ CFF Review – Internet Prankster Deals with Roommate from Hell in POV Horror Comedy
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‘Hacked: A Double Entendre of Rage Fueled Karma’ CFF Review – A Hilariously Chaotic Revenge Caper
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‘They Were Witches’ CFF Review – An Atmospheric, Nightmarish Tale of Witchcraft Dripping with Dread
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‘Jaws @ 50: The Definitive Inside Story’ Review – A Salute to the Shark Horror Classic’s Legacy & Impact
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‘Abigail Before Beatrice’ CFF Review – An Unsettling Look at the Psychological Impact of Being in a Cult
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‘FBC: Firebreak’ Review – A Fun PvE Experience… Despite the Rough Spots [Review]
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Puppets, Zombies and Aliens Run Amok in ‘Apocalypse Love’ [Review]
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’28 Years Later’ Review – Danny Boyle & Alex Garland Launch New Trilogy with Epic Journey
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Lifetime’s ‘The Boy Who Vanished’ Balances Heart and Mystery [Review]
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‘Hell Motel’ Offers Death & Dismemberment But Half-Baked Mystery [TV Review]
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Takashi Miike’s ‘Sham’ Is an Unflinching Courtroom Drama About Truth and Corruption [Review]
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‘The Life of Chuck’ Review – Mike Flanagan’s Uplifting Celebration of Life At the End of the World
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‘Dan Da Dan: Evil Eye’ Turns Supernatural, Psychic Spectacle into a Modern Anime Masterpiece [Review]
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‘Predator: Killer of Killers’ Review – Gorgeous Animation Meets Gory Action
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‘The Ritual’ Review – The Latest Exorcism Horror Movie Commits the Cardinal Cinema Sin
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‘I Don’t Understand You’ Review – A Gruesome Comedy of Errors Starring Nick Kroll
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‘Jason Goes to Hell’ & ‘Jason X’ 4K Review – Evil Gets an Upgrade in Flawed But Fascinating ‘Friday the 13th’ Sequels
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‘Bring Her Back’ Review – The Feel Bad Horror Movie of the Year
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Stephen King’s ‘Never Flinch’ Is a Messy Exploration of Feminism and Addiction [Review]