Horror Reviews
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“The Bondsman” Review – Kevin Bacon Slays Demons and Predictable Drama in Superficial Series
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‘Lead Belly’ Review – Examination of Childhood Trauma Suffers from Non-Linear Storytelling [Panic Fest ’25]
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‘The G’ Review – Predatory Scammers Piss Off the Wrong Grandmother [Panic Fest ’25]
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‘Dead Talents Society’ Review – An Instant Horror Comedy Classic
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Tubi’s ‘Ex Door Neighbor’ Cleverly Plays on Expectations [Review]
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‘House of Ashes’ Review – A Nightmarish Portrait of Grief and Loss of Bodily Autonomy [Panic Fest ’25]
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‘The Woman in the Yard’ Review – An Inert Retread of Familiar Grief Horror
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Boston Underground Film Festival 2025 – 7 Movies We Watched, from ‘The Surfer’ to ‘Fucktoys’
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Lifetime’s ‘Trapped in Her Dorm Room’ Tackles Toxic Male Entitlement [Review]
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SXSW 2025 Review Roundup: Gravedigging Comedy ‘Dead Lover’ to Teen Body Horror Satire ‘Slanted’
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‘Odyssey’ SXSW Review – Morally Dubious Character Study Explodes into Ultra-Violent Thriller
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‘Borderline’ Review – A Grating Horror-Comedy Riff on the Madonna Stalker Case
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Initial Episodes of ‘TerrorBytes’ Docuseries Are Well-Crafted Love Letters to Horror Gaming [Review]
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‘Ash’ SXSW Review – Flying Lotus Takes on Survival Horror in Gnarly Sci-Fi Movie
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‘We Bury the Dead’ SXSW Review – Daisy Ridley Hunts for Closure in Stunning But Uneven Zombie Drama
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‘The Astronaut’ SXSW Review – Psychological Sci-Fi Thriller Fails to Stick Its Landing
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‘Novocaine’ Review – Highly Entertaining Splatstick Actioner Brings the Pain
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‘Dagger in the Heart’ Provides a Thrilling and Personal TTRPG Campaign [Review]
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‘Death of a Unicorn’ SXSW Review – A24’s Gory Comedy Struggles to Conjure Magic
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‘Hallow Road’ SXSW Review – A Gripping, Minimalist Halloween-Set Fable
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‘The Rule of Jenny Pen’ Review – Elder Care Horror Tale Will Make Your Skin Crawl
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‘Last Breath’ Review – Based on a True Story Survival Thriller Won’t Leave You Breathless
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Lifetime’s ‘Murder at the Lighthouse’ Channels ‘Sleeping with the Enemy’ [Review]
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Tubi’s Latest Original ‘Tarot Curse’ Doesn’t Cast a Spell [Review]