Horror Reviews
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‘The Primevals’ Review – Long Unfinished Stop Motion Movie Finally Releases 45 Years Later
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‘Terminator Zero’ Is a Radical Anime Reinvention That Brings the Series Back to Its Slasher Roots [Review]
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‘The Deliverance’ Review – Riveting Drama Clashes with Faith-Based Horror
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‘The Crow’ Review – Disjointed Reimagining Struggles to Find Its Own Identity
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‘Strange Darling’ Review – Cat and Mouse Thriller Has Plenty of Surprises
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‘Horrified: World of Monsters’ Provides a Fun But Challenging Experience [Review]
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“Terror Tuesday: Extreme” Review – An Intense and Entertaining Horror Anthology Series
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‘Hunt: Showdown 1896’ Is a Great Update to the Original Game, Despite Its New Flaws
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Popcorn Frights 2024 Found Footage Capsule Reviews: ‘Livescreamers’, ‘Old Wounds’ and More
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Heavy Gore and a Fun Creature Can’t Save ‘Graveyard Shark’ from Getting Beached [Review]
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‘The Soul of Wes Craven’ Book Review – A Heartfelt Eulogy and the Definitive Craven Biography
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‘Consumed’ Review – Camping Horror Movie Starring Devon Sawa Follows a Familiar Path
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Popcorn Frights 2024 Capsule Reviews: From Found Footage ‘Chateau’ to Meta Horror ‘There’s a Zombie Outside’
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‘Alien: Romulus’ Review – An Immersive, Visceral Salute to the Franchise’s Greatest Hits
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‘Cuckoo’ Review – High-Concept Horror Movie Gets Weird, Quirky, and Playful
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‘House of Sayuri’ Review – Kôji Shiraishi’s Comedic Reclamation of J-Horror’s Bleak Legacy
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‘Trap’ Review – An Entertaining Battle of Wits From M. Night Shyamalan
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‘In Our Blood’ Review – Found Footage-Style Format Limits Fresh Take on Well-Worn Subgenre
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‘The Soul Eater’ Review – Julien Maury & Alexandre Bustillo’s Investigative Thriller is Suitably Dark
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‘Hell Hole’ Review – A Scrappy Creature Feature with Humor and Heavy Metal Attitude
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‘Párvulos’ Fantasia Review – Coming-of-Age Horror Fantasy Frames Apocalypse from Kids’ Perspective
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TTRPG ‘The Bloom’ Combines ‘Alan Wake’ With ‘The Last of Us’ in a Surreal Adventure [Review]
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‘KIZUMONOGATARI – Koyomi Vamp’ Is Blood-Soaked Anime Bliss That Will Take Your Breath Away [Review]
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‘The Dead Thing’ Is a Stylish Look at a Toxic LA Relationship [Fantasia Review]