Horror Reviews
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‘Uzumaki’ Review – A Suffocating Spiral of Cosmic Body Horror Perfection
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‘Get Away’ Review – Horror Comedy Culture Clash Offers Amusing Thrills [FF 2024]
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‘Don’t Mess With Grandma’ Review – Home Invasion Goes Awry in Violent Comedy [FF 2024]
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‘Apartment 7A’ Review – Bland Prequel Retreads ‘Rosemary’s Baby’ Too Faithfully [FF 2024]
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‘Millennial Nasties’ Gives Love to a Much-Maligned Era of Horror [Book Review]
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Zack Snyder’s ‘Twilight of the Gods’ Is an Adrenaline-Pumping, Bloodsoaked Orgy of Action [Review]
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“From” Season 3 Review – The Gloves Are Fully Off in Grim New Season
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‘The Girl with the Needle’ Review – A Gothic Portrait of Empathy and a Serial Killer [TIFF]
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‘Never Let Go’ Review – Alexandre Aja’s Lean Bedtime Story Has Sharp Teeth
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’12 to Midnight’ Review – Werewolf Movie Channels the Spirit of Classic Charles Bronson Cinema
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‘The Shadow Strays’ Review – Timo Tjahjanto Takes No Prisoners with Gory, Ultraviolent Actioner [TIFF]
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‘Hold Your Breath’ Review – Sarah Paulson Can’t Save a Predictable Frontier Tale [TIFF]
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‘Friday the 13th’ 4K Review – How Does the Remake Hold Up 15 Years Later? [Friday the 13th Week]
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‘Speak No Evil’ Review – Mostly Faithful Remake Dials Up Intensity But Loses Its Edge
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‘Hollowbody’ Excels in Its Bleak Mood, Evoking PS2-Era Survival Horror [Review]
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‘DAN DA DAN: First Encounter’ Is 2024’s Must-Watch Anime [Review]
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‘Nightbitch’ Review – Dark Comedic Fairy Tale is Too Scared of Its Feral Setup [TIFF]
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‘Ick’ Review – Joseph Kahn Delivers an Entertaining, Uneven Horror Comedy [TIFF]
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‘Else’ Review – Worlds and Bodies Merge in French Virus Film [TIFF]
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‘Heretic’ Review – Hugh Grant Steals A24’s Verbose Theological Thriller [TIFF]
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‘The Substance’ Review – Absurdist Horror Comedy Unleashes Jaw-Dropping Body Horror [TIFF]
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‘Seeds’ Review – Indigenous Comedy Thriller Is Fun, But Inconsistent [TIFF]
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Lifetime’s ‘The Past Comes Knocking’ Takes Itself a Bit Too Seriously [Review]
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‘The Perfect Couple’ Is Netflix’s Attempt to Do ‘The White Lotus’ [Review]