Horror Reviews
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Ryan Murphy’s ‘Grotesquerie’ Kicks Off to a Strong, Sinister Start [Review]
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‘Azrael’ Review – Samara Weaving Stuns in Dialogue-Free Survival Horror Movie
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‘Amber Alert’ Review – A Less Demanding Remake of the 2012 Found Footage Movie
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8-Bit Terror: Four Horror Games Worth Playing in ‘UFO 50’
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‘Daddy’s Head’ Review – An Ultra Creepy, Enigmatic Creature Feature [FF 2024]
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‘Final Cut’ Is a Melancholy Meditation On Identity, Moviemaking and Monsters [Review]
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‘Little Bites’ Review – This Monster Metaphor Needs a Tighter Edit [FF 2024]
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[Review] ‘Mouthwashing’ Is a Surreal Trip Into High Tension Horror
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‘House of Spoils’ Review – A Witchy Culinary Tale That’s Light on Scares [FF 2024]
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‘Strange Harvest: Occult Murder in the Inland Empire’ Review – A Grim Faux True Crime Documentary [FF 2024]
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‘Uzumaki’ Review – A Suffocating Spiral of Cosmic Body Horror Perfection
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‘Get Away’ Review – Horror Comedy Culture Clash Offers Amusing Thrills [FF 2024]
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‘Don’t Mess With Grandma’ Review – Home Invasion Goes Awry in Violent Comedy [FF 2024]
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‘Apartment 7A’ Review – Bland Prequel Retreads ‘Rosemary’s Baby’ Too Faithfully [FF 2024]
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‘Millennial Nasties’ Gives Love to a Much-Maligned Era of Horror [Book Review]
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Zack Snyder’s ‘Twilight of the Gods’ Is an Adrenaline-Pumping, Bloodsoaked Orgy of Action [Review]
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“From” Season 3 Review – The Gloves Are Fully Off in Grim New Season
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‘The Girl with the Needle’ Review – A Gothic Portrait of Empathy and a Serial Killer [TIFF]
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‘Never Let Go’ Review – Alexandre Aja’s Lean Bedtime Story Has Sharp Teeth
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’12 to Midnight’ Review – Werewolf Movie Channels the Spirit of Classic Charles Bronson Cinema
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‘The Shadow Strays’ Review – Timo Tjahjanto Takes No Prisoners with Gory, Ultraviolent Actioner [TIFF]
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‘Hold Your Breath’ Review – Sarah Paulson Can’t Save a Predictable Frontier Tale [TIFF]
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‘Friday the 13th’ 4K Review – How Does the Remake Hold Up 15 Years Later? [Friday the 13th Week]
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‘Speak No Evil’ Review – Mostly Faithful Remake Dials Up Intensity But Loses Its Edge
