Horror Reviews
-
[Review] ‘The Butterfly Effect’ Director’s ‘Ghosts of War’ Confounds With Generic WWII Haunter
-
[Review] ‘Bloodstained: Curse of the Moon 2’ Serves Up More Familiar ‘Castlevania’-Style Action With a Side Order of Weirdness
-
[Review] ‘The Beach House’ is a Cosmic, Trippy Triumph That Will Bury You In Its Tide
-
[Review] ‘Relic’ Presents Bone-Chilling and Devastating Depiction of Dementia
-
[Review] Netflix’s “Warrior Nun” Applies Exciting High Concept Catholic Horror to “Buffy” Formula
-
[Review] Netflix Series “Ju-On: Origins” Gives Refreshing and Grisly New Start to Franchise
-
[Cannes Review] Thriller ‘The Oak Room’ Crafts Slow-Burn Mystery Rich in Storytelling
-
[Review] ‘The Last of Us Part II’ Offers an Uneven and Overlong Journey Filled With Bloodshed and Horror
-
[Cannes Review] ‘Marionette’ Puppeteers Ambitious Head Game in Twisty Psychological Thriller
-
[Cannes Review] ‘Lake of Death’ Infuses Retro Cabin in the Woods Horror with Norwegian Folklore
-
[Review] Season 2 of “The Twilight Zone” Is Off to a Mixed Start
-
[Review] Shudder’s ‘Yummy’ Unleashes Gory Fun in Familiar Zombie Comedy
-
[Review] ‘Blade: The Iron Cross’ Is a Rusty Spin-Off That Sidelines Its Hero
-
[Review] ‘You Should Have Left’ Is a Psychological Thriller Without Thrills
-
[Review] Netflix’s “Reality Z” Works as Remake and Sequel to “Dead Set”
-
[Review] ‘Straight Edge Kegger’ Slashes Punk Stereotypes
-
[Review] ‘Disintegration’ Tries to Take First-Person Combat to New Heights, But Can’t Get Off the Ground
-
[Review] ‘Becky’ Transforms Teen Rage into Blood-Drenched Action Thriller
-
[Review] Shudder’s Cosmic Opera ‘Blood Machines’ is a Breathtaking Work of Art With a Beautiful Message
-
[Review] ‘Shirley’ Depicts Unraveling of Acclaimed Horror Author in Spellbinding Psychodrama
-
[Review] ‘Those Who Remain’ Has Interesting Ideas, But is a Frustrating Mess of a Horror Game
-
[Review] Impressive ‘The Pandemic Anthology’ Curates Innovative Genre Shorts from Across the Globe
-
[Review] ‘Attack of the Demons’ Charms With Animated Love Letter to Horror
-
[Review] Documentary ‘Fulci for Fake’ Examines the Man Behind the Italian Gore Classics