Horror Reviews
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[Review] Even the ‘Critters’ Franchise Deserves Better Than “Critters: A New Binge”
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[SXSW Review] ‘Pet Sematary’ Cuts Right Through the Heart of Grief and Abject Terror
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[Review] ‘Captive State’ Takes Sci-Fi Conspiracy to Dizzying Level
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[SXSW Review] ‘Tone-Deaf’ Forgets to Be Funny
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[SXSW Review] ‘I See You’ Unravels Paranoia and Danger in Suburbia
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[SXSW Review] ‘Porno’ is a Flaccid Attempt at Fun
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[Review] ‘Conarium’ is a Respectable Take on a Classic Lovecraft Tale, But Lacks a Sense of Danger
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[SXSW Review] Pollyanna McIntosh’s ‘Darlin’ is an Underwhelming Follow-Up to ‘The Woman’
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[SXSW Review] ‘Body at Brighton Rock’ Unleashes Primal Terror in the Wilderness
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[SXSW Review] Comedy-Horror ‘Tales from the Lodge’ Shakes Up Anthology Format
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[Review] ‘Villains’ is Cuckoo Bananas and Revels in Every Minute of It
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[SXSW Review] ‘Us’ Proves That Jordan Peele Isn’t a One-Trick Pony
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[SXSW Review] “What We Do in the Shadows” Premiere Episode Sinks in its Teeth and Draws Big Laughs!
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[Review] ‘Devil May Cry 5’ Revitalizes the Demon-Slaying Series Whilst Retaining its Signature Style
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[Review] ‘The House’ Has Good Bones But Doesn’t Meet Its Potential
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[Review] ‘Devotion’ is a Masterful Slice of Taiwanese Horror
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[Review] ‘Anthem’ is a Messy MMO Shooter That’s Still Satisfying to Play
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[Review] ‘Far Cry New Dawn’ Presents a Shallow Interpretation of a Post-Apocalyptic World
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[Blu-ray Review] Ted Raimi Skins Streetwalkers in the Sleazy Fun ‘Skinner’
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[Review] ‘Happy Death Day 2U’ Offers Plenty of Comedy and Drama, But Few Thrills
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[Review] Netflix’s “Kingdom” Makes for a Must-Watch Contribution to the Zombie Genre
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[Review] ‘The Cannibal Club’ Serves Up a Generous Helping of Sex and Blood with a Splash of Dark Humor
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[Review] ‘Oniken: Unstoppable Edition’ Feeds on 8-Bit Nostalgia and Frustration
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[Review] Shudder’s ‘Horror Noire’ is Essential Viewing for Horror Fans