Horror Reviews
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‘Forbidden Solitaire’ Works as a Stylish, Spooky Throwback to Yesteryear [Review]
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‘Widow’s Bay’ Is a Horror Comedy That’s Actually Really, Really Scary [Review]
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‘Monsters in the Archives’ Review – An Essential Volume for Stephen King Fans
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‘Stranger Things: Tales From ‘85’ Gets Lost in the Past With Reheated Adventures [Review]
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‘Hive’ Review – Goosebumps-esque Tubi Original Weaponizes The Playground
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‘Vampire Crawlers’ Replicates The Addictive Fun of ‘Vampire Survivors’ in a New Genre [Review]
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‘Japanese Gothic’ Review – Kylie Lee Baker Weaves a Singularly Beautiful Ghost Story
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‘Ground Zero’ Infuses Throwback Survival Horror Game with Style and Seoul [Review]
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‘Lee Cronin’s The Mummy’ Review – A Classic Monster Gets Lost in Demonic Possession Horror Story
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‘Morbid Metal’ Has the Means to Succeed as a Hack-and-Slash Roguelike [Early Access Impression]
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‘Death Ship’ 4K UHD Review: A Canucksploitation Classic Gets a Glow-Up
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‘Exit 8’ Review – Liminal Looping Horror Has Endless Creativity But Minimal Plot
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‘Thrash’ Review – Tommy Wirkola’s Fun Shark Horror At Odds With Serious Eco-Thriller
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‘Hunting Matthew Nichols’ Review – A Familiar Yet Effective Homage to ‘The Blair Witch Project’
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‘Faces of Death’ Review – Smart Meta Update Descends Into Standard Serial Killer Thriller
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‘City Wide Fever’ Review – A Lo-Fi Homage to Giallo Movies
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‘Mimic’ 4K UHD Review: Guillermo del Toro’s First English-Language Film Has Never Looked Better
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‘Souls Chapel’ Review – Steampunk and Spaghetti Westerns Collide in DIY Horror Western
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‘Sarafina’ Review – Philip Fracassi’s Latest is Immersive Historical Horror
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‘Mermaid’ Review – A Creature Feature Comedy with Bite and Heart
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‘The Occultist’ Immerses You in a Classic Paranormal Investigation [Review]
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The Boys’ Final Season Burns Down The House With Suspense, Satire & Slaughter [Review]
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‘Legacy of Kain: Ascendance’ Disappoints with Lackluster Return to Nosgoth [Review]
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‘Vermis III’ Continues The Series’ Excellent Pedigree [Review]