Horror Reviews
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‘Forbidden Fruits’ SXSW Review – Lili Reinhart Bewitches in ‘Heathers’-like Horror Satire
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‘Imposters’ SXSW Review – Jessica Rothe Stuns in Twisty Genre-Bending Mystery
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‘Over Your Dead Body’ SXSW Review – A Raucously Entertaining Splatstick Comedy
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‘Grind’ SXSW Review – Uneven Workplace Anthology Gives Middle Finger to the Gig Economy
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‘Pretty Lethal’ SXSW Review – Ballerinas Slay in Bloody Action Comedy
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‘Never After Dark’ SXSW Review – The Living Terrorize in Atmospheric Japanese Ghost Story
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‘Bagworm’ SXSW Review – Squirm-Worthy Body Horror Doesn’t Fully Stick the Landing
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‘Monitor’ SXSW Review – Technology is Terrifying in Supernatural Horror Movie
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‘John Carpenter’s Toxic Commando’ Doesn’t Beat the Genre’s Greats But It’s Still a Fun Ride [Review]
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‘Crabmeat’ Descends Into the Doldrums of Work While the Horror Languishes [Review]
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‘The Fox and the Devil’ Review – Kiersten White Reinvents the Van Helsing Legacy with Page-Turner
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Frustrating Combat in ‘Fatal Frame II: Crimson Butterfly Remake’ Undermines a Moody Remake [Review]
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‘Undertone’ Review – A Near Perfect Aural Horror Experience
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‘Bodycam’ Crafts Creative & Timely Terrors Through A Reflexive Found-Footage Lens [Review]
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Adult Swim’s ‘Rooster Fighter’ Establishes A New Pecking Order For Action-Horror Anime Absurdity
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‘SPINE’ is the Perfect Solo TTRPG Game Book for Fans of ‘House of Leaves’
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‘War Machine’ Review – Netflix’s New Alien Invasion Movie Shows Little Signs of Life
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‘Dolly’ Review – Gritty Folk Horror Tale Revels in Bad Taste
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‘The Bride!’ Review – Jessie Buckley is a Revelation in Vibrant Reclamation of ‘Bride of Frankenstein’
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‘Total Chaos’ New Game+ Is an Essential Addition to the Scare Fest [First Impression Exclusive]
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‘Crazy Old Lady’ Is Harrowing Horror That’s Both Familial & Familiar [Review]
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‘Scream 7’ Review – Sidney Battles Her Own Legacy In Convoluted Sequel
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‘Noseeums’ Review – A Well-Intentioned Southern Gothic Social Horror Misfire
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‘Dollface’ Review – Lindy Ryan Returns with a Meta-Slasher Crowdpleaser
