Horror Reviews
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‘Speed Demon’ Review – Exorcism-on-a-Train Horror Isn’t as Silly as it Sounds
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‘Dead Weight’ Book Review – Brutal Icelandic Horror Noir
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‘Batman: Dark Patterns’ Harkens Back to Old-School Detective Stories With Haunting Style [Review]
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‘Passenger’ Review – A Gorgeous Yet Bland Haunted House Road Trip
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‘The Boroughs’ Is Boomer ‘Stranger Things’ For Better & For Worse [Review]
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‘Filth Eaters’ Review – Ito Romo Packs Epic-Scaled Horror Into Intimate Vampire Novella
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Puppet Combo’s ‘The Backrooms’ Exudes Atmosphere, But Ultimately Feels Lacking [Review]
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‘Devil May Cry’ Season 2 Is a Double-Barreled Blast of Demon-Slaying Debauchery [Review]
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‘Obsession’ Review – Curry Barker Terrifies with Wish Fulfillment Horror
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New 4K UHD Release Makes Original ‘Faces of Death’ Feel Dangerous Again
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‘Directive 8020’ Review – Supermassive’s Derivative But Effective Sci-Fi Horror Evolution
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‘Saros’ Blends Cosmic Horror With Tough But Addictive Gameplay [Review]
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‘Mortal Kombat II’ Review – The Gory Tournament Finally Begins in Propulsive Sequel
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‘Buffet Infinity’ Is The Analog Horror Comedy We Didn’t Know We Needed [Review]
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‘Victorian Psycho’ Is Disturbing Gothic Satire That Goes For The Jugular [Review]
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‘The Terror: Devil in Silver’ Is A Primal Psychological Assault Against Unstoppable Evil [Review]
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Come for the Weird World of ‘Dark Pals: The 1st Floor’, Maybe Stay for the Derivative Gameplay [Review]
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‘Hokum’ Review – ‘Oddity’ Director’s Latest Irish Folkloric Horror is Nightmare Fuel
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‘Forbidden Solitaire’ Works as a Stylish, Spooky Throwback to Yesteryear [Review]
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‘Widow’s Bay’ Is a Horror Comedy That’s Actually Really, Really Scary [Review]
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‘Monsters in the Archives’ Review – An Essential Volume for Stephen King Fans
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‘Stranger Things: Tales From ‘85’ Gets Lost in the Past With Reheated Adventures [Review]
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‘Hive’ Review – Goosebumps-esque Tubi Original Weaponizes The Playground
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‘Vampire Crawlers’ Replicates The Addictive Fun of ‘Vampire Survivors’ in a New Genre [Review]