Fantasia 2025
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‘Undertone’ Review – A Near Perfect Aural Horror Experience
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‘Influencers’ Review – Shudder Sequel Provides a Great Game of Cat and Mouse
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‘Hold the Fort’ Review – Monsters Invade in Wacky Siege Comedy-Horror Movie [Fantasia 2025]
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‘Dollhouse’ Review – Cursed Doll Movie Is Silly and Self-Aware [Fantasia 2025]
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‘Haunted Mountains: The Yellow Taboo’ Review – Time Loop Ghost Story Gets Lost in Woods [Fantasia 2025]
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‘Peau à Peau’ Review – A Postpartum Nightmare [Fantasia 2025]
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‘Buffet Infinity’ – Strange Images and Theater PSAs Highlight Surreal Horror Comedy Made From Low-Budget TV Ads [Exclusive]
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‘Hellcat’ Review – A Deceptively Simple Chamber Piece that Surprises with its Horror [Fantasia 2025]
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Fantasia 2025 Capsule Reviews: The Girls Are Not Alright in ‘The Serpent’s Skin’, ‘Foreigner’ & ‘Lucid’
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‘Mother of Flies’ Review – The Adams Family Visit the Witch in the Woods [Fantasia 2025]
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‘The Undertone’ Trailer Plunges Podcaster into Paranormal Nightmare Ahead of Fantasia Premiere
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‘I Am Frankelda’ Review – Mexico’s First Stop-Motion Film Is Ambitious & Stunning [Fantasia 2025]
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‘Noise’ Review – Sound Unnerves in South Korean Supernatural Horror Thriller [Fantasia 2025]
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‘That Very Witch: Fear, Feminism, and the American Witch Film’ Examines the Evolution of Witches in Horror
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Horror-Comedy ‘Hold the Fort’ Battles Monsters in Neighborhood from Hell [Teaser]
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‘Occupy Cannes’ – Lily-Hayes Kaufman’s Troma Documentary Premieres at Fantasia 2025! [Trailer]
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Fantasia 2025 Final Wave Includes Indonesian Gorefest ‘The Book of Sijjin and Illiyyin’ and Tribute to Troma
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‘Hellcat’ Teaser Trailer Unleashes a Mind-Bending Freakout Ahead of Fantasia Premiere [Exclusive]
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Fantasia 2025 Second Wave Includes Ari Aster’s ‘Eddington’ and Takashi Miike Triple Threat
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Fantasia 2025 First Wave of Programming Includes ‘Influencers,’ Lynchian ‘I Live Here Now,’ and More
