Pat Torfe
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[Review] Flawed Story, Weak Characters Cripple ‘Attack of the Morningside Monster’
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[Review] ‘Dark Mountain’ Copies ‘The Blair Witch Project’, Adds Nothing Else
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[Review] ‘The Devil’s Hand’ Gets Its Fingers Caught In Editing
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[Review] ‘At The Devil’s Door’ Is Creepy, But Cheats the Viewer
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[Review] ‘Cam2Cam’ Needs To Unplug And Learn Storytelling
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[Review] ‘Dead Snow 2’ Is a Blitzkreig Of Fun and Gore
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[Review] ‘My Name Is ‘A’ By Anonymous’ Is Thought-Provoking, But Polarizing
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[Review] ‘The Forbidden Girl’: Cool Visuals, Crap Everything Else…
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[Review] ‘Closed Circuit Extreme’ Is Torture To Watch
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[Review] ‘Aftermath’ Is Bleak, But Also Lacking
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[Review] ‘Motivational Growth’ Is a Weird, Thought-Provoking Tale
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[Review] Ti West’s Disturbing ‘The Sacrament’
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[DVD Review] ‘Anna’ Brings Strong Acting, But Also a Weak Script
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[BD Review] ‘Werewolf Rising’ Should Have Stayed Down
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[BD Review] ‘Found’ Showcases Great Acting, Disturbing Story
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[DVD Review] ‘Camp Blood: First Slaughter’ Fails More Than Just Archery
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[Review] ‘Hidden In The Woods’ Is Harsh, Even For An Exploitation Film…
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[BD Review] ‘I Spit On Your Grave 2’ Is As Brutal As the Original, But Brings Nothing New…
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[BD Review] ‘Aberration’ Frustrates as a Horror Film, Bores as a Thriller
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[BD Review] ‘The Lords of Salem’ Delivers Slick Visuals, More Confusion…
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[BD Review] Scream Factory’s ‘Scanners II/Scanners III’ Looks Good, But Not Much Else
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[BD Review] ‘Butcher Boys’ is Tainted Meat You’ve Tasted Before
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[BD Review] ‘Inbred’ is Nasty Black Humour Horror Fun
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[BD Review] Scream Factory Gives ‘Day Of The Dead’ Much Deserved Love
