Quantcast
Connect with us

Images

These Nightmare Photos From The 20’s Are Terrifying

Published

on

Sometimes the tales that we put in the heads of children to make them behave end up being the stuff of their worst nightmares. Take, for example, the Boogeyman. What other specter has inspired as much fear and terror in the minds of children as this creature? Whether he lurks under your bed, in your closet, outside your window, or in the dark corner of your room, he’s the terrifying spirit that haunts you at your most vulnerable.

In the 1920’s, a photographer shot a series of photos entitled The Goblins Will Get You If You Don’t Watch Out that tells the story of a mother warning her child that the boogeyman will get her if she doesn’t fall asleep. The series of photographs then shows terrifying night demons and ends with… I’m not telling you. You can see for yourself down below!

Some say that this series was inspired by James Whitcomb Riley’s poem Little Orphant Annie, which you can read below.

Sweet dreams!

Little Orphant AnnieJames Whitcomb Riley

Little Orphant Annie’s come to our house to stay,
An’ wash the cups an’ saucers up, an’ brush the crumbs away,
An’ shoo the chickens off the porch, an’ dust the hearth, an’ sweep,
An’ make the fire, an’ bake the bread, an’ earn her board-an’-keep;
An’ all us other childern, when the supper things is done,
We set around the kitchen fire an’ has the mostest fun
A-list’nin’ to the witch-tales ‘at Annie tells about,
An’ the Gobble-uns ‘at gits you
Ef you
Don’t
Watch
Out!

Onc’t they was a little boy wouldn’t say his prayers,–
So when he went to bed at night, away up stairs,
His Mammy heerd him holler, an’ his Daddy heerd him bawl,
An’ when they turn’t the kivvers down, he wasn’t there at all!
An’ they seeked him in the rafter-room, an’ cubby-hole, an’ press,
An’ seeked him up the chimbly-flue, an’ ever’wheres, I guess;
But all they ever found was thist his pants an’ roundabout–
An’ the Gobble-uns’ll git you
Ef you
Don’t
Watch
Out!

An’ one time a little girl ‘ud allus laugh an’ grin,
An’ make fun of ever’one, an’ all her blood an’ kin;
An’ onc’t, when they was “company,” an’ ole folks was there,
She mocked ‘em an’ shocked ‘em, an’ said she didn’t care!
An’ thist as she kicked her heels, an’ turn’t to run an’ hide,
They was two great big Black Things a-standin’ by her side,
An’ they snatched her through the ceilin’ ‘fore she knowed what she’s about!
An’ the Gobble-uns’ll git you
Ef you
Don’t
Watch
Out!

An’ little Orphant Annie says when the blaze is blue,
An’ the lamp-wick sputters, an’ the wind goes woo-oo!
An’ you hear the crickets quit, an’ the moon is gray,
An’ the lightnin’-bugs in dew is all squenched away,–
You better mind yer parents, an’ yer teachers fond an’ dear,
An’ churish them ‘at loves you, an’ dry the orphant’s tear,
An’ he’p the pore an’ needy ones ‘at clusters all about,
Er the Gobble-uns’ll git you
Ef you
Don’t
Watch
Out!

Managing editor/music guy/social media fella of Bloody-Disgusting

1 Comment

Exclusives

‘A Man in the Woods With an Axe’ – First Look at ’80s Throwback Slasher [Exclusive]

Published

on

We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.

Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.

Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.

Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.

“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”

Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.

From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.

Continue Reading