News
The Duffer Brothers Talk “Stranger Things” Season 2
Netflix’s “Stranger Things is still the number one water cooler discussion piece even more than a week after its release. Honestly, it’s for good reason. The show is wickedly smart, highly entertaining, and provides just enough answers to have great discussions while still leaving enough mysteries for people to say, “We just don’t know.”
Most people that I know ended up binging the series once they watched the first episode. I know I did the same, watching it all over the course of a couple of days, soaking in the story of the missing boy Will Byers and how his friends and the community reacted in their own unique ways. While the first season ended in a relatively satisfying way, it opened the doors to several new questions that many of us are antsy about getting answered.
The Duffer Brothers have been on a serious press spree answering questions left and right now that the show is out and of course they’re being inundated with questions about a second season, which they have no problem talking about, although they’re not giving away any specific details. They’re more like guidelines.
Matt Duffer tells IGN, “Now, we don’t answer all the questions by the end of the season – there are definitely some dangling threads. The hope is that it feels satisfying but that we left room and that if people respond to it we can go back into this world. But if we do get to go back, it’s not a second season as much as a sequel.”
The duo don’t plan on entering a new season unplanned. They’ve got a vast amount of research, material, and blueprints to draw from in order to keep the series feeling like it continued in a way that makes sense.
Ross explains to Variety:
There’s a lot there we don’t know or understand. Even with the Upside Down, we have a 30-page document that is pretty intricate in terms of what it all means, and where this monster actually came from, and why aren’t there more monsters — we have all this stuff that we just didn’t have time for, or we didn’t feel like we needed to get into in season one, because of the main tension of Will. We have that whole other world that we haven’t fully explored in this season, and that was very purposeful.
We leave these dangling threads at the end. If people respond to this show and we get to continue this story — we had those initial discussions of where we might go with it. If there was going to be a season two, we would reveal more of that 30 page document, but we’d still want to keep it from the point of view of our original characters.
But does all this even matter if we haven’t yet heard confirmation regarding a second season? Well, show executive producer Shawn Levy explains that the love the show has received is allowing speculation for not just one more season but several.
We definitely are hopeful to go several more seasons. And the plan is to continue with this set of characters while introducing a few critical key new ones next season. So I’ll just say that a lot of the big mysteries get answered at the end of Season 1, but we are very much kind of unearthing new problems and questions that merit future stories and future investigation in the most enjoyable way. So we are in love with our cast and our characters.
Things end up being resolved to some extent at the end of Season 1, but not entirely. And that’s why we’re so hopeful we get another few seasons to live with these people a little longer.
Let’s start with the good news. Lockbox looks far better than its misleading marketing materials suggest, a supernatural horror movie so darkly lit and color graded that you’ll have to squint your way through jump scares. It’s also anchored by reliable genre performers. That’s also about where the good news ends with this rote adaptation of Knifepoint Horror Podcast story “Winthrop.”
The empathetic Carla Gugino gives her all as Ellen, a saint of a woman with boundless patience who takes on life’s hard luck with a kind smile. After giving up her career as a fashion designer to become caretaker for a dying mother, she’s then forced to reinvent herself once more when her caretaker role ends. That catches us up to the events of Lockbox, where Ellen is asked to take in a cousin she hasn’t seen in quite some time who’s dealing with severe PTSD.
Just as Ellen finally establishes a real connection with Winthrop (Lou Taylor Pucci), it’s interrupted by the arrival of peculiar neighbor Vahna (Katharine Isabelle), who spells clear trouble. When Vahna shows up dead, it sets in motion a supernatural battle of possession.
Image Credit: Aura entertainment
Director Daniel Stamm (The Last Exorcism, Prey for the Devil) and screenwriter Justin Yoffe approach Lockbox in the broadest of brushstrokes, dooming it from the start with clunky storytelling and woefully underdeveloped themes of heady topics like PTSD. Winthrop is a character that comes loaded with emotional baggage and trauma that’s piled on throughout his tragic life, but much like its title, his interiority and history are treated like a tightly guarded secret meant to prolong the supernatural mystery.
The problem here, though, is that Lockbox is too sparse to sustain mystery at all, and it instead robs Winthrop of characterization. It winds up trapping the talented Pucci without anywhere to go, toggling between wounded animal and mentally disoriented.
From there, Lockbox bounds through plot developments without any sense of stakes or purpose, peppered by a smattering of haphazard paint-by-numbers jump scares. The only unwavering constant is Ellen’s resolute faith, and Stamm seems to leave it entirely to Gugino to guide confused audiences through this inconsequential story right up until its supernatural climax.
Image Credit: Aura entertainment
To give more credit, Lockbox at least injects an unconventional exorcism here; just don’t expect much in the way of explanation. When the film finally reveals the meaning behind its title, it dangles a fascinating carrot it has zero interest in delivering. More than a severe lack of fleshing out its characters beyond plot drivers or devices, this faith-based flick also seems terrified to offer any worldbuilding whatsoever.
Yoffe’s script stretches the short story beyond its means instead of fleshing it out, and Stamm fills out the gaps with cheap CGI scares and overwrought performances; Isabelle’s Vahna is beyond cartoonish in her villainy. It’s also pretty nonsensical, treating only Ellen’s faith with the utmost sincerity and largely squandering its typically reliable talent. So much so that the final imagery, pure sunkissed saccharine sentimentality, leaves you with the feeling that this horror movie might be better suited as an entry in Chicken Soup for the Soul.
Lockbox releases in select theaters on July 3, 2026.
You must be logged in to post a comment.