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13 New Genre Shows We Can’t Wait to Watch in 2023

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Gen V Red Band Trailer

Movies aren’t the only place where horror continues to thrive as we begin 2023; all signs point to a banner year for the genre on the small screen in addition to the big screen.

On the smaller screen, 2023 brings the return of acclaimed favorites “Yellowjackets,” “The Witcher,” and “Evil,” plus “The Walking Dead” spinoffs, the final season of “Servant,” and more. And here’s hoping “Chucky” gets that season three renewal announcement soon.

But for all the returning series, we’re excited about the brand-new series on the horizon.

Here are thirteen new genre shows to look forward to in 2023.


The Last of Us – January 15 (HBO Max)

A series adaptation of the critically acclaimed video game, co-written and executive produced by “Chernobyl“ creator Craig Mazin and Naughty Dog vice president Neil Druckmann. “The series takes place twenty years after modern civilization has been destroyed. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse across the US and depend on each other for survival.”

Pedro Pascal stars as Joel, with “Game of Thrones” actor Bella Ramsey as Ellie.


Junji Ito Maniac: Japanese Tales of the Macabre – January 19 (Netflix)

Japanese horror master Junji Ito has teamed up with Netflix for an anime anthology series based on his works.

About the series: “Featuring a selection of 20 macabre masterpieces brimming with his original worldview and fascinating characters drawn in his stunning style, including popular titles such as ‘Hanging Balloon’ and fan-favorite characters Tomie and Soichi, this animated series will totally immerse viewers in the maniacal charm of Junji Ito.”


Wolf Pack – January 26 (Paramount+)

“Buffy the Vampire Slayer” legend Sarah Michelle Gellar stars in this Teen Wolf spinoff series. The series follows “a teenage boy, Everett (Armani Jackson), and a girl, Blake (Bella Shepard), whose lives are forever changed when a California wildfire awakens a terrifying supernatural creature. Wounded in the chaos of its attack, the teens are inexplicably drawn to each other and to two others, fraternal twins Harlan and Luna, who were adopted sixteen years earlier by a park ranger after another mysterious wildfire. As the full moon rises, all four teens come together to unravel the secret that connects them –the bite and blood of a werewolf.”


Lockwood & Co. – January 27 (Netflix)

Lockwood (Cameron Chapman), Lucy (Ruby Stokes) and George (Ali Hadji-Heshmati), photo credit: Netflix

Edgar Wright (Last Night in SohoShaun of the Dead) teamed up with Attack the Block director Joe Cornish for a supernatural YA series based on the novels of Jonathan Stroud. The series is set “in a world plagued by ghosts, three teens band together as paranormal investigators, risking what little they have to unravel a diabolical conspiracy.”


The Ark – February 1 (Syfy)

THE ARK — Episode 101 — Pictured: (l-r) Dominik Cicak as Harrison Beckner, Richard Fleeshman as Lt. James Brice, Reece Ritchie as Lt. Spencer Lane — (Photo by: Aleksandar Letic/Ark TV Holdings, Inc./SYFY)

Space travel never goes well in sci-fi and horror, which seems to be the case in Dean Devlin‘s upcoming SYFY series. The series “takes place 100 years in the future when planetary colonization missions have begun as a necessity to help secure the survival of the human race. The first of these missions on a spacecraft known as Ark One encounters a catastrophic event causing massive destruction and loss of life. With more than a year left to go before reaching their target planet, a lack of life-sustaining supplies, and loss of leadership, the remaining crew must become the best versions of themselves to stay on course and survive.”


Fatal Attraction – April 30 (Paramount+)

The series adaptation of Adrian Lyne’s Fatal Attraction is on the way, with Lizzy Caplan (“Castle Rock”) as female lead Alex Forrest and Joshua Jackson (“Dr. Death”) playing Dan Gallagher. “The series explores the timeless themes of marriage and infidelity through the lens of modern attitudes towards strong women, personality disorders, and coercive control.”

Amanda Peet (“The Chair”) and Dee Wallace (Cujo, The Lords of Salem) also star.


Hazbin Hotel – Summer 2023

The adult animated series “Hazbin Hotel” began as a pilot written, produced, and directed by Vivienne “VivziePop” Medrano that went viral when it premiered three years ago on YouTube. Medrano has teamed up with A24 and Bento Box Entertainment (“Bob’s Burgers”) for a new long-form series about Hell princess Charlie as she attempts to rehab Hell’s denizens and reduce overpopulation. While we don’t know where it’ll air just yet, we do know that the series will arrive this summer.


The Fall of the House of Usher – Fall TBD (Netflix)

netflix edgar allan poe

Mike Flanagan‘s next series is Netflix’s “The Fall of the House of Usher,” based on the works of Edgar Allan Poe. The ensemble cast will include Carla Gugino (Gerald’s Game, “The Haunting of Hill House”), Mary McDonnell (Scream 4), Carl Lumbly (Doctor Sleep), Bruce Greenwood (Gerald’s Game), and Mark Hamill. Considering Netflix’s track record with Flanagan’s series, it’s safe to assume that this one is destined for a Halloween season release. Especially considering Flanagan previously said of the series, “It’s the closest I will get to Giallo.”


Gen V – TBD (Prime Video)

The live-action spinoff series of “The Boys” from Amazon Studios is set at America’s only college exclusively for young-adult superheroes (run by Vought International). It’s said to be “an irreverent, R-rated series that explores the lives of hormonal, competitive Supes as they put their physical, sexual, and moral boundaries to the test, competing for the best contracts in the best cities.” Expect crossover from the parent series. Jaz Sinclair, Chance Perdomo, Lizze Broadway, Shelley Conn, Maddie Phillips, London Thor, Derek Luh, Asa Germann, Patrick Schwarzenegger, Sean Patrick Thomas, Marco Pigossi, Clancy Brown, Alexander Calvert, and Jason Ritter star.


Gremlins: Secrets of the Mogwai – TBD (HBO Max)

The half-hour animated series from WB Animation and Amblin TV takes place in 1920s Shanghai and tells how 10-year-old Sam Wing met the young Mogwai called Gizmo. The voice cast includes Ming-Na Wen (“Agents of SHIELD,” “The Mandalorian,” Mulan), James Hong (Big Trouble in Little ChinaBlade RunnerMulan), BD Wong (Jurassic World film franchise), and Izaac Wang. Live-action franchise star Zach Galligan will also lend his voice to the animated prequel series, only as a new character this time.


The Horror of Delores Roach – TBD (Prime Video)

The Horror of Dolores Roach podcast

The eight-episode, half-hour series is a contemporary Sweeney Todd-inspired tale based on the hit Gimlet podcast. The macabre urban legend of love, betrayal, weed, gentrification, cannibalism, and survival of the fittest stars Justina Machado (The Purge: Anarchy) in the title role. Marc Maron (“GLOW”), Jean Yoon, Judy Reyes (Smile), Jeffery Self (“Search Party”), and Cyndi Lauper will also appear in recurring roles. With this series now in post-production, it feels like a safe bet that it’ll arrive in 2023.


Scavengers Reign – TBD (HBO Max)

The plot follows “the surviving crew of a damaged deep space freighter who are stranded on a beautiful yet unforgiving planet. They begin to learn the true nature of this planet as they try to survive long enough to escape or be rescued.” Titmouse produces the series, the award-winning animation company behind “The Boys: Diabolical” and the upcoming Beavis and Butt-Head Do the Universe. “Scavengers Reign” is based on the short film “Scavengers,” which premiered on Adult Swim’s Toonami block in December 2016. 


Twisted Metal – TBD (Peacock)

twisted metal series peacock

This high-octane action comedy from Zombieland and Deadpool duo Rhett Reese and Paul Wernick follows “Anthony Mackie as John Doe, a smart-ass milkman who talks as fast as he drives. With no memory of his past, John gets a once-in-a-lifetime opportunity to make his wish of finding community come true, but only if he can survive an onslaught of savage vehicular combat.” Neve Campbell, Stephanie Beatriz, and Thomas Haden Church also star.

Production wrapped on this video game adaptation series in September, making it highly probable that we’ll see it later this year. Stay tuned for more as we learn it.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Fifteen Years Later: A Look Back at the State of Horror in 2009

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Pictured: 'Friday the 13th'

Can you believe it’s already been fifteen years since 2009? I feel older than Jason’s mother’s head. But never mind all that. We’re going to look into the past in celebratory fashion today and take a month-to-month look at what the world of horror looked like back in 2009.

The dreaded month of January kicked things off in usual January fashion with a forgettable title, The Unborn. A David S. Goyer picture that’s not very memorable but managed to be the sixth most successful horror film of 2009 domestically, raking in over $42 million at the box office.

Right behind it on the calendar was Patrick Lussier’s My Bloody Valentine 3D starring “Supernatural” actor Jensen Ackles. This slasher remake took the idea of January horror and embraced it, making a silly and gory slasher that was the world’s first R-rated film to ever use Real3D technology. Anyone looking for legitimate scares was probably pissed (the film has a 44% Rotten “Audience” rating) but genre fans had fun with it to the tune of over $51 million at the box office (on a $14 million budget).

Next up, releasing on January 30 was the sleepy PG-13 horror flick The Uninvited. For the life of me, I’ll never understand the choice to release a movie called The Uninvited two weeks after a movie called The Unborn; to be fair, most of us are unable to remember much about either of them.

The reboot of Friday the 13th was served up to us for Valentine’s Day Weekend 2009. A slasher movie that made a ton of money and had fans begging for a sequel… that never came. The Platinum Dunes reboot may not be universally beloved, but I know a fair share of fans (myself included) who thought the new Jason, Derek Mears, and team made a film that was both fun and brutal. And it was juicy enough to come in as the number three most successful domestic horror film in 2009 to the tune of over $65 million. Friday the 13th ’09 was nowhere near perfect but it was a damn fun time with some underrated Jason Voorhees moments and a sleek plan to tell Jason’s origin story quickly via flashbacks that some superhero franchises could learn from. Oh yeah, and it starred the other “Supernatural” bro, Jared Padalecki. I’m sensing a pattern here.

‘Last House on the Left’

Next up, yet another remake of a classic horror film: The Last House on the Left. Wes Craven wanted to see what his low-budget horror film would look like with a little walking around money and the results were that we, the audience, got to see a dude get his head microwaved. The critics weren’t huge fans but let’s be honest, it could have been a lot worse given the subject matter and lack of nuance in the 2000s. Last House went on to land itself in the top ten horror box office returns of the year.

March would also feature one of the many notches in Kyle Gallner’s horror belt, The Haunting in Connecticut, a movie with maybe too many generic possession genre moments to make a major dent in the status quo but enough to make it memorable. I’d take it over many of The Conjuring franchise spinoffs of today, personally. Though, they’re all very much alike.

April Horror would conjure nothing for audiences but Sam Raimi would bring the loud, scary, and funny back to the genre with Drag Me to Hell on May 29. This film that was somehow still PG-13 even with a cat murder, flying old lady eyeball, and mouth-to-mouth puke action was a blast to experience in the theater. Audiences agreed as the film ranked #7 on the horror box office of the year, cashing out at $42 million thanks to a loveable lead in Alison Lohman, the forever horror victim Justin Long, and some good old-fashioned, Evil Dead II-type fun.

‘Drag Me to Hell’

July would shock horror fans in a completely different way with adoption horror flick Orphan. The ending may have had all of us feeling super uncomfortable and shocked but the movie itself had adoption groups majorly upset at how the film depicted the dangers of adoption. So much so that the studio had to add a pro-adoption message to the film’s DVD. No matter, the performance of Isabelle Fuhrman would carry the film to a $41 million box office run and later spawn a decent prequel in 2022.

Speaking of collecting, The Collector was also released in July 2009 and was a pleasant surprise featuring a shitload of originality and some scares to boot. Yet another horror success that would make $10 million on a $3 million budget and spawn a sequel. We’re still waiting on third installment, which abruptly stopped shooting several years back under strange circumstances.

The fourth Final Destination film graced us with its predestined presence in 2009 as well with The Final Destination; the 3D one with the race car track opening. The film was (stop me if you’ve heard this one before) a financial success, raking in over $186 million (worldwide) on a $40 million budget.

Rob Zombie went Rob Zombie’ing as hard as he’s ever Rob Zombie’d with Halloween II later that month. He’d Rob Zombie so hard that we wouldn’t see Halloween on the big screen again until almost ten years later with Halloween 2018. And nothing controversial ever happened in the franchise again. *Shuts book* Stop trying to open it! NO! NOOOOOOOO!

‘Halloween II’

Another remake in Sorority Row was the first film to follow Rob Zombie’s divisive stab-a-thon with a schlocky Scream-esque slasher flick that had a good enough time and even boasted a few neat kills. Critics weren’t fans of this one but if you were? You’ll be happy to hear that writer Josh Stolberg just announced he’s working on the follow-up!

Sexy Horror September continued a week later with Jennifer’s Body and an all-new, emo kind of Kyle Gallner. Jennifer’s Body didn’t exactly crush it for the critics or the box office but has success in its own right and is considered somewhat of a cult classic thanks to some hilarious writing and leading performances from Megan Fox and Amanda Seyfried. Also, shout out to Adam Brody’s band Low Shoulder. Machine Gun Kelly could never.

Part of the low box office for Jennifer’s Body could have had something to do with what came next as Paranormal Activity would rock the horror world a week later. The genius marketing of the low-budget film would feature clips of audiences on night vision cameras losing their minds. Whether it scared you to death or you found the entire concept ridiculous, you had to see it for yourself. Paranormal Activity would bring in almost $200 million worldwide on a 15 THOUSAND dollar budget. I’m no mathematician but I’m pretty sure that’s good. The horror game changer may just be the most remembered of all the 2009 films and it’s one every studio in the world wanted to replicate.

Paranormal Activity game

‘Paranormal Activity’

One film’s game changer is another film’s flop as Dennis Quaid and Ben Foster’s space horror Pandorum had the unfortunate scheduling of lining up against Paranormal Activity on that fateful day and in turn, being mostly forgotten.

Spooky Season 2009 kicked off with the beloved horror-comedy Zombieland in October, complete with Jesse Eisenberg’s meta-rules for surviving a zombie apocalypse, Bill Murray, and Woody Harrelson who just wanted a fuckin’ Twinkie. There’s nothing like a good horror comedy and Zombieland proved that all the way to the bank, making $74 million domestically en route to a second film that brought back the entire cast.

It’s only been twelve seconds since I said the word remake, so let’s fix that. The Stepfather remake would follow a week later and be met by an audience getting a little sick of them. Unlike some of the other spirited remakes that surrounded this era in horror (not that they ever stopped), The Stepfather felt like an uninspired retread of the understated but completely messed up 1987 Terry O’Quinn horror cult classic. It’s largely been forgotten over the years.

“Who am I here?” Oh yeah, it’s October in the 2000, there’s bound to be a Saw movie around here somewhere. Saw VI would be released on the 23rd of October and continue the story of Detective Hoffman while adjusting the rates of some shady insurance adjustors. Saw VI would also fall victim to a little bit of Paranormal Activity mania with the film being bested by the continued rollout of its predecessor. Things were looking a little bleak for the franchise at this point. Probably none of us would have imagined that fifteen years later we’d be talking about the same director (Kevin Greutert) returning for the eleventh movie in the franchise.

The House of the Devil

‘The House of the Devil’

After all these humongous box office successes, sequels, and remakes it would be three memorable indie flicks that would round out October of 2009; the ultra fucked up Willem Dafoe, Lars von Trier sex/horror flick Antichrist, followed by Ti West’s ’70s haunter The House of the Devil and rounded out with some Australian torture horror in Sean Byrne’s The Loved Ones. All three movies each make their mark in their own special ways. What a way to end October.

But it was November that would bring the movie that scared me more than any other on this list: The Fourth Kind. A lot of you are assuredly rolling your eyes right now but this one messed me up on a cellular level despite it being a complete and total fake. The Fourth Kind decided to meld a traditional horror film with the stylings of The Blair Witch Project in an opening designed to make you believe it was based on a true story. An embarrassing attempt but the film itself had me afraid to sleep near windows at night after seeing those found footage abductions. It still messes with me, to be honest. WHY ARE THEIR MOUTHS STRETCHING SO MUCH?!?!

December was too busy doing Avatar and Alvin and the Chipmunks-type family affairs for any horror movies but even without it, 2009 was quite a year for horror. I’d be remiss if I didn’t at least mention some other memorable films that were released either straight to video, limited or overseas that year including Case 39 (that oven opening!), Exam, Daybreakers, Splice, Dead Snow, The Hills Run Red, The Descent 2, Blood Creek, Cabin Fever 2 and [REC] 2.

What were your horror favorites from 2009? Comment below and let us know!

‘My Bloody Valentine’

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