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Jordan Peele Producing ‘Nope’-Inspired Docuseries About Black Cowboys for Peacock

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Nope aliens

In the wake of his third movie Nope back in 2022, Jordan Peele is producing something of a spiritual follow-up to the sci-fi/horror movie with an upcoming docuseries for Peacock.

Deadline reports this afternoon that the docuseries project from Peacock and Jordan Peele’s Monkeypaw Productions aims to “dismantle the whitewashed mythology of the cowboy.”

The site details in today’s exclusive report, “The series is inspired by themes from his movie Nope, which starred Daniel Kaluuya and Keke Palmer as horse-wrangling siblings attempting to capture evidence of a UFO in Agua Dulce, California.”

Additionally, “The docuseries will rewrite a foundational piece of American history, unmasking the forces that erased the identity of the Black cowboy from frontier history and present.”

Keith McQuirter (By Whatever Means Necessary: The Godfather of Harlem) is the showrunner, director and executive producer of the docuseries, which doesn’t yet have a title.

Nope gave a nod to the deep history of Black cowboys in America, and this docuseries offers a full exploration of their lives and contributions to today’s cultural landscape,” said Pearlena Igbokwe, Chairman, Universal Studio Group. “Told through the singular lens of Jordan Peele, this series is every bit as entertaining as it is enriching.

“It’s been a thrill for UTAS to collaborate with Jordan, Monkeypaw, Keith and the team on what is a truly special project, and we’re excited to share it with fans.”

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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Stephen King’s ‘The Institute’ – Mary-Louise Parker & Ben Barnes Starring in TV Series

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Published in 2019, Stephen King‘s novel The Institute is getting a TV series adaptation from MGM+, with Deadline reporting today that the project has been given a series order.

Ben Barnes (Shadow and Bone) and Mary-Louise Parker (Weeds) will star.

The Institute comes from director/executive producer Jack Bender (Lost, Mr. Mercedes), writer/executive producer Benjamin Cavell (Justified, The Stand) and MGM+ Studios.

In the eight-episode series, When 12-year-old genius Luke Ellis is kidnapped, he awakens at The Institute, a facility full of children who all got there the same way he did, and who are all possessed of unusual abilities. In a nearby town, haunted former police officer Tim Jamieson (Barnes) has come looking to start a new life, but the peace and quiet won’t last, as his story and Luke’s are destined to collide.” The website notes that Parker will play “Ms. Sigsby, the charming but iron-willed director of the Institute and a true believer in its awful mission.”

“I’m delighted and excited at the prospect of The Institute, with its high-intensity suspense, being filmed as a series,” King said. “The combination of Jack Bender and Ben Cavell guarantees that the results will be terrific.”

“We are thrilled to have the opportunity to work again with Stephen King. And The Institute, based on his critically acclaimed novel, is an exciting addition to the MGM+ original series slate,” said Michael Wright, head of MGM+. “There is no creative team I would trust more to bring the book to life than Jack and Ben, whose creative vision and love of Mr. King’s voice, will bring this thought-provoking and gut-wrenching story to life, in the engaging, cinematic, and thrilling style MGM+ viewers expect.”

Here’s the novel’s full synopsis, via Amazon:

As psychically terrifying as Firestarter, and with the spectacular kid power of ItThe Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

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