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‘Alone in the Dark’ – ‘Grace in the Dark’ Prologue Chapter Now Available

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Pieces Interactive’s new reboot of Alone in the Dark is on track to be one of 2023’s most exciting horror titles; with an intriguing mystery storyline, a unique interbellum setting, and an emphasis on creeping dread over bombastic action.

In a recent press conference, the developers managed to allay any fears that this is going to be yet another stinker in the franchise (like 2015’s unutterably awful Illumination). Here, they showcased their reverence for the original game, evidenced a keen understanding of the genre that they are operating in, and even announced that a pair of Hollywood A-listers have joined the cast, in the form of David Harbour and Jodie Comer.

The fact that the game is shaping up so promisingly is a bit of a double-edged sword, however, because it means that the wait until its release on October 25th is going to be even more agonizing.

Fortunately, a sample of what Pieces Interactive have been cooking up is available for you to try right now, courtesy of a standalone prologue chapter. Titled Grace in the Dark (a sly nod to 1993’s Jack in the Dark, which was similarly used as a promotional teaser), this serves as a prequel to the main story, set a couple of weeks earlier.

Putting you in control of a young girl named Grace Saunders, it introduces you to the private mental hospital setting of Derceto. Your goal is to try and post a distressing letter to Emily Hartwood — Jodie Comer’s character — that will ultimately set in motion the events of the game.

Given that you’re playing as a child here, the prologue is inevitably a combat-free experience, so don’t go expecting any frenetic gunfights. Rather, it’s more of a mood piece that sets up the narrative and gives you a general idea of the tone. If you played the Maiden demo for Resident Evil: Village or the Beginning Hour teaser for RE7, then it’s very much in the same vein as those.

Over email, publisher THQ Nordic also confirmed to Bloody Disgusting that there will be basic puzzles for you to solve as well, so there will be at least some degree of interactivity.

Speaking about the genesis of Grace in the Dark at the press conference, Writer-Director Mikael Hedberg said: “The [idea] came from THQ. They wanted to do this marketing thing as a separate little project, and I immediately knew what we should do for it […] It was very fun. I hope everyone enjoys it.”

“The prologue is a glimpse into the atmosphere, the mood and, of course, the story of the full game. It doesn’t spoil anything. It basically just sets it up a little.”

Incidentally, if you like what you see here, then you will be able to pre-order the Alone in the Dark remake straight away for $59.99. Doing so will entitle you to an extra freebie — the Derceto 1992 Costume Pack — which will allow you to equip nostalgic skins that make both Emily Hartwood and Edward Carnby look like their old selves.

There’s also a Digital Deluxe edition up for grabs, which comes with a vintage horror filter pack (allowing you to play in Sepia, Black & White and a bunch of other weird color schemes), a digital art book and a director’s commentary mode.

Grace in the Dark is available to download right now on Steam, PS5 and Xbox Series X/S.

Opinionated, Verbose and Generally Pedantic. Loves Horror in all of its forms.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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