Movies
“The Walking Dead’s’ Norman Reedus In ‘Air’ (Trailer) #SDCC
It was announced by THR back in February that “The Walking Dead” creator Robert Kirkman is producing Air, a sci fi thriller to which Norman Reedus, pictured, one of the breakout actors on “Walking Dead,” and Djimon Hounsou (Gladiator, Constantine) top line. We now have the trailer that premiered at the San Diego Comic-Con this past weekend, and it’s great because it sort of lends to the mystery of what the film is about.
Christian Cantamessa, who co-wrote and was lead designer for games such as “Red Dead Redemption” and “Grand Theft Auto: San Andreas”, penned the script with Chris Pasetto and will make his feature directorial debut with the low-budget pic!
“The story is set in an underground cryogenic facility after a nuclear fallout renders the atmosphere unbreathable. Air centers on its two custodial workers (Reedus, Hounsou), who take care of the cryogenically sleeping personnel that are to re-establish society, but they struggle to preserve their own sanity and lives while maintaining the extremely fragile environment of the last livable place on earth.“
Movies
‘Backrooms’ Director Kane Parsons Is No Fan of Generative AI: “Defeats the Purpose Entirely for Me”
There has been a lot of talk recently about filmmakers embracing generative AI as part of the filmmaking process, from Darren Aronofsky to Martin Scorsese. But what about filmmakers that are against the use of Gen AI for creative pursuits? You can count 20-year-old Backrooms director Kane Parsons among that group, which should give you some hope for the future.
In a new chat with The Australian, the self-taught young filmmaker makes it crystal clear that he won’t be using generative AI in any of his upcoming filmmaking projects.
“I think I’m in the same boat as most well-adjusted people,” Parsons tells the outlet. “If I could snap my fingers and make generative AI disappear forever, I probably would. Creatively, I get no enjoyment from using those tools. It defeats the purpose entirely for me.”
“What interests me more is interrogating it artistically,” Parsons notes. “We already live in a world where you walk outside and there are billboards and signs that are obvious AI slop. That’s become part of our visual reality. To me, generative AI feels less like innovation than a symptom of a broader cultural and economic rot.”
He explains, “I’m interested in using that iconography in art – not using AI to make the art itself, but examining what it represents. I definitely want to explore it further in future projects.”
Kane Parsons also notes during the interview with The Australian, “… there’s so much at stake and so many genuinely harmful consequences already happening.”
Backrooms marks young prodigy Kane Parsons’ feature directorial debut, and it’s based on his own series of YouTube videos that were brought to life using Blender, the open-source 3D computer graphics software suite. So it’s no surprise that Parsons, who has hand-made his filmmaking career up to this point, isn’t buying into the hoopla around Generative AI.
His debut feature is the #1 movie in the world, so perhaps he’s onto something.
What’s next from Kane Parsons, you ask? Stay tuned…
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