Movies
The “Powers” Trailer Has Too Much Talking, Not Enough Action
Given that it’s a Playstation Original, maybe the budget isn’t enough to deliver what the “Powers” comic does?
The new trailer suggests where in for an exposition heavy inaugural season of “Powers,” the new dramatic series from Sony Pictures Television and inspired by the graphic novel series of the same name.
“‘Poweres’ follows the lives of two homicide detectives, Christian Walker (Sharlto Copley) and Deena Pilgrim (Susan Heyward), who are assigned to investigate cases involving people with extraordinary abilities, referred to as “Powers.” Set amidst today’s paparazzi culture, Powers asks the questions, what if the world was full of superheroes who aren’t actually heroic at all? What if all that power was just one more excuse for mischief, mayhem, murder, and endorsement deals? Enter the men and women of the Powers Division, the only people brave enough to go up against the overpaid, commercialized, superhumans who glide through the sky imposing their power over the crowds below who both worship and fear them.“
The series stars Susan Heyward (Deena Pilgrim), Eddie Izzard (Wolfe), Noah Taylor (Johnny Royalle), Olesya Rulin (Calista) and Logan Browning (Zora).
From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.
In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.
Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.
Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.
“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”
Ayer promises, “Don’t worry, the dog lives.”
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