Movies
Red Band ‘Becky’ Trailer Teases the Film’s Gory, Rated “R” Violence [Video]
Quiver Distribution and Redbox Entertainment bring the blood and violence in the red band trailer for their home invasion thriller Becky, which will be hitting drive-in theaters, digital and on-demand June 5th.
“King of Queens” actor/comedian Kevin James plays a villain for the very first time in Jonathan Milott and Cary Murnion‘s (Cooties) thriller, and he’ll be squaring off against an unlikely foe in Annabelle: Creation‘s Lulu Wilson. The two go head-to-head in the red band trailer that delivers just a small taste of the gory violence that actually splashes across the screen.
In fact, Becky has been rated “R” for “strong bloody violence, grisly images, and language.”
“The film centers on rebellious 14-year-old Becky (Wilson) as she’s brought to a weekend getaway at a lake house by her father in an effort to try to reconnect after her mother’s death. The trip takes a turn for the worse when a group of convicts on the run, led by the merciless Dominick (James), suddenly invade the lake house.”
“Becky, not daddy’s little girl anymore, decides to take matters into her own hands.”
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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