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Album Review: Leprous ‘Bilateral’

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Leprous is a band that you probably haven’t heard of, which is a damn shame. These guys were the backing band for Ihsahn (Emperor) for 2009 and the first half of 2010, if that gives you any clue as to how talented they are. Around since 2001 with an EP, a demo and one full-length album, the band is back with their newest release, Bilateral. Laced with heavy doses of 70’s prog rock but with a thoroughly modern twist, this album rolls up and down like a roller coaster. But is it the awesome speedy ride you crave or the disappointing kiddy ride that you have to ride with your wee young’un? Check after the jump for the answer.

leprousbilateralcover

I’m going to clear the air right now: this album is astonishing. I wasn’t expecting much when I first hit ‘Play’, but within two songs I was not only hooked, I was floored. The opening track, Bilateral, starts with epic and triumphant chords and vocals before diving down into subtle harmonized vocals overlaid by vintage synth patches. Slowly building up by adding more and more instrumentation, this track showcases the musical versatility of each member, from clever drumming to syncopated, staccato guitars to soaring vocals. 
The production of the album has a glorious vintage sound with beautiful mixing and astonishing clarity. One of the great aspects of the album is the vast wealth of tones I heard. Each song had new sounds that were fascinating. The second track, Forced Entry, starts with a tone that sounds like dial-up modem choking and screaming for life. Later in the song, there were tones that made me think of Romero’s Dawn Of The Dead. Basically I had kick ass music playing while I was thinking about Ken Foree and Scott Reiniger running through the mall taking out zombie after zombie. Awesome.
This album is definitely for fans of King Crimson, The Mars Volta, Porcupine Tree, Opeth, and all the other great prog rock bands you can think of. Also, add in some dashes of near djent metal and you’ve got an idea of what to expect from LeprousBilateral
The Final Word: Bilateral is a serious contender for my Album of the Year. I cannot stop listening to it, which might be the highest compliment I can give. 
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Music

Marco Beltrami’s ‘Scream’ Score Gets Deluxe Reissue For 30th Anniversary

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Seminal slasher Scream rewrote the rules in 1996, and for its 30th anniversary,  Varèse Sarabande and Craft Recordings are celebrating with a new anniversary reissue of Marco Beltrami’s landmark score.

The original 14-track album returns to vinyl in a collectible “blood-soaked” sleeve on August 28.

If blood red isn’t your color, there’s good news: the reissue will also be available in many different limited-edition exclusive pressings.

In addition to the wide “Woodsboro Bloodbath” red vinyl pictured below, look for the following exclusives:

An Extended Cut Edition of the Scream (Original Motion Picture Score), featuring all 40 of the film’s cues from the 2022 Scream boxset, will also be available on CD. All formats are available to pre-order or pre-save today.

Top L-R: “Knife’s Edge” silver vinyl with poster (Target), “Surprise, Sidney” metallic blend vinyl (Barnes & Noble), “Don’t Hang Up” clear vinyl (Books-A-Million),
Bottom L-R: “I’ll Be Right Back” blue vinyl (Urban Outfitters), “Final Girl” splatter vinyl (Hot Topic), “Wrong Answer” Blood Red Splatter vinyl (Varèse Sarabande/Craft Recordings), and “Final Phone Call” blue vinyl (Indie Retail)

Marco Beltrami composed the iconic score as a then young, up-and-coming composer—one who, ironically, had never scored or even seen a horror film.

Yet just three years after he completed the University of Southern California’s rigorous scoring program, Beltrami submitted 13 minutes of music for Scream’s opening sequence and his future was forever changed. “We knew in half a minute that we had found our composer,” Craven told Variety in 2012. “The music was haunting, beautiful and totally original. Marco turned out to be shy and soft-spoken, but a fountain of ideas and innovation. I never looked back.”

Scream (Original Motion Picture Score) (30th Anniversary Deluxe Edition)

CD Tracklist

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Sid’s House (1:12)

5. Red Herring (2:13)

6. Killer Calls Sydney (2:52)

7. Chasing Sidney (1:29)

8. Cell Phone (1:00)

9. Backdoor Gale (0:49)

10. Schoolyard 2 (1:17)

11. Sid’s Doubt (1:23)

12. Bathroom (2:58)

13. Mr. Himbry Gets It (2:11)

14. Sherriff and Dewey (1:21)

15. Tatum’s Torture (2:46)

16. Sidney Wants It (3:09)

17. Dewey and Gale (1:57)

18. Off to See Himbry (0:41)

19. Killer Stabs Billy (2:50)

20. Randy Almost Gets It (2:33)

21. Gale Crashes the Van (1:33)

22. They’re Crazy (9:42)

23. Sid Stabs Billy (4:24)

24. Billy’s Back (0:52)

25. End Credits (1:40)

26. Sid’s Window (0:26)

27. Gut Someone (0:13)

28. Sid Looks (0:16)

29. Billy Looks (0:24)

30. Billy to Cell (0:34)

31. Killer Calls Again (0:35)

32. Bang Into Billy (0:12)

33. Girl Talk (0:54)

34. Video Store (0:45)

35. Why She’s Here (0:16)

36. Billy Sting (0:13)

37. Prescott’s Car (0:29)

38. Hairbrush (0:38)

39. The Cue from Hell (Orchestra Only) (6:28)

40. I Don’t Care (Vocals Performed by Dillon Dixon) (3:01)

Scream – Original Motion Picture Score

Vinyl Tracklist

Side A:

1. Dimension Logo (0:19)

2. The Cue from Hell (10:33)

3. Trouble in Woodsboro (1:52)

4. Red Herring (2:13)

5. Chasing Sidney (1:29)

6. Backdoor Gale (0:49)

7. Schoolyard 2 (1:17)

8. Bathroom (2:58)

Side B:

1. Sherriff and Dewey (1:21)

2. Tatum’s Torture (2:46)

3. Sidney Wants It (3:09)

4. Killer Stabs Billy (2:50)

5. They’re Crazy (9:42)

6. End Credits (1:40)

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