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Speedman Toplines American Psycho Director’s Next

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Producer Edward Pressman and director Mary Harron are teaming up for the first time since American Psycho on the Gothic horror The Moth Diaries and have cast British star Lily Cole (Marilyn Manson’s forthcoming Phantasmagoria: The Visions of Lewis Carroll) and Scott Speedman (Underworld, Anamorhph, The Strangers) to star. A late summer shoot in Montreal has been lined up for the story based on Rachel Klein’s cult novel about an elite New England boarding school where a mysterious young girl arrives amid a spate of campus deaths.
Harron adapted the screenplay, which Pressman called “very smart, very visual, very feminine yet very powerful.” Pressman is producing through his Pressman Films and his credits include Wall Street, Bad Lieutenant, and Werner Herzog’s upcoming Bad Lieutenant: Port Of Call New Orleans.

This is a chillingly atmospheric horror story with real emotional depth,” Harron said. “I’ve tried to stay true to Rachel Klein’s novel in the way it re-works and updates the Gothic tradition and the whole notion of girl-on-girl Vampires. Lily Cole is a very talented actress and… I’ve long been a fan of Scott Speedman.

Editorials

Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’

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The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.

Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.

That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.

Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’

Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”

And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.

Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.

Ebenezer will be available in theaters starting November 13.

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